7500

7500 (2019) starring Joseph Gordon-Levitt is not your average thriller/action movie. Where other movies would have shootouts, a bomb go off, the engines fail, or someone sucked out of an open window, 7500 is more realistic. Sure, seeing some reviews about how ATC's demeanor is off or the plane details are wrong is fair. But that is missing the point. A group of Islamic terrorists are attempting to hijack a plane during a standard flight from Berlin to Paris and American first officer Tobias Ellis is the only one who can avert disaster. This movie keeps you on the edge of your seat if you allow it to and is very good.

I found out 7500 is the standard code for a pilot to alert authorities that a hijacking is in progress. My son probably already knew this, he is a commercial pilot.

My wife and I watched this via Amazon streaming through our Roku. It is a curious project because essentially all the action takes place inside the cockpit, first as the pilot and copilot begin the flight very routinely, then the chaos when the hijackers gain access to the cockpit. Not everyone survives.

Although this is a fictional story great care was taken to research actual hijackings over the decades, as such it comes off very realistically. Very tense most of the time, it isn't "entertaining" but more eye-opening.

(Not to be confused with the 2014 horror movie "Flight 7500".)

I fly the A319/320/321. Whoever consulted on the film did a good job, and incorporated realism to how the airplane is flown. That constant beating on the door is also accurate. It won't open unless someone lets you in.

Such a horribly gripping film that pictures what a minority have potentially been through. Superb acting throughout and leaves a tingle down your spine. Due to the pre ratings I expected nothing really and so was pleasantly surprised. JGL is becoming an actor well ahead of his times and quite rightly so. Well done sir.

"7500" develops anticipation and builds tension from the opening frames, simulating authentic security camera footage of terrorists getting through airport security, and onto a German airline passenger jet headed to Paris. Once aboard the plane, Vollrath uses a real-time linear scene structure (similar to Mendes' "1917") from the viewpoint of the cockpit and the American co-pilot played with understated perfection by Gorden-Levitt. The film takes hold of the viewer and doesn't let go - the entire film plays like a reenactment of actual events (this is fictional). A fantastic 1st film effort by German Screenwriter/Director Patrick Vollrath.