A modern take on Charles Dickens's classic tale of a young orphan who is able to triumph over many obstacles.A modern take on Charles Dickens's classic tale of a young orphan who is able to triumph over many obstacles.A modern take on Charles Dickens's classic tale of a young orphan who is able to triumph over many obstacles.
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- Nominated for 1 BAFTA Award
- 19 wins & 32 nominations total
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Featured reviews
IN BRIEF: Overrated period comedy that looks right but is all wrong.
JIM'S REVIEW: (MILDLY RECOMMENDED) Well, I did like the costumes. And the production design, a mishmash of vibrant colors and patterns, was also a delight. (Kudos to Suzie Harman and Robert Worley's unlikely period wardrobe and Cristina Casali's stylish sets) But the film, The Personal History of David Copperfield, was all useless energy and pure nonsense. The film tries to impress with its quirkiness, lavish settings, and hyperactive performances. Figures whose names might seem familiar... Uriah Heep, Mr. Micawber, Betsey Trotwood, Mr. Dick...are strange hybrids of Charles Dicken's more famous characters from his novel. Here, they are thrown together to chronicle the story of the fictional David Copperfield's life. Like a Dicken's novel, characters intersect our hero's coming-of-age journey and add to the pomp although the circumstances are dubious. Unlike a Dicken's novel, in this odd film adaptation, they are shallow, silly, and overstay their welcome.
The film is unevenly directed by Armando Iannucci, who also wrote the screenplay with Simon Blackwell. His movie takes on a surreal quality which impresses in its visual splendor. (Many times while watching this film, I was reminded of Terry Gilliam's dud, The Adventures of Baron Munchausen, and we know how that one went.) But script-wise, it's a mess. The plot is contrived, a CliffNotes summary of the book which misses Dicken's clever prose. In this re-imagined film version, everyone plays their roles like live action cartoons without any restraint or comic timing. They become wind-up dolls dressed to the Victorian nines gone amok.
A good cast belabors the comedy. And Mr. Iannucci does assemble many of England's best actors for his movie such as Peter Capaldi, Ben Whishaw, Tilda Swinton, and Hugh Laurie; only the latter two performers hit their marks most of the time with their outlandish interpretations. He waste their time and talents. As the title character, Dev Petel is completely engaging, but he and the integrated ensemble deserve better material. While the casting may be color-blind, the overall vision lacks focus too. The concept of creating Victorian England with a contemporary attitude is intriguing, but never quite gels.
Critics worldwide have raved about this film. And I waited nearly a year with high hopes, only to be disappointed by the end results. The film looks authentic and, production-wise, has many admirable traits, but it is all surface treatment and sleight-of-hand trickery. A earnest effort, I would agree, but the reality is that The Personal History of David Copperfield is epic, as in failure. It's a farce without any laughs that exhausts rather than thrills. Be careful what you wish for. (GRADE: C)
JIM'S REVIEW: (MILDLY RECOMMENDED) Well, I did like the costumes. And the production design, a mishmash of vibrant colors and patterns, was also a delight. (Kudos to Suzie Harman and Robert Worley's unlikely period wardrobe and Cristina Casali's stylish sets) But the film, The Personal History of David Copperfield, was all useless energy and pure nonsense. The film tries to impress with its quirkiness, lavish settings, and hyperactive performances. Figures whose names might seem familiar... Uriah Heep, Mr. Micawber, Betsey Trotwood, Mr. Dick...are strange hybrids of Charles Dicken's more famous characters from his novel. Here, they are thrown together to chronicle the story of the fictional David Copperfield's life. Like a Dicken's novel, characters intersect our hero's coming-of-age journey and add to the pomp although the circumstances are dubious. Unlike a Dicken's novel, in this odd film adaptation, they are shallow, silly, and overstay their welcome.
The film is unevenly directed by Armando Iannucci, who also wrote the screenplay with Simon Blackwell. His movie takes on a surreal quality which impresses in its visual splendor. (Many times while watching this film, I was reminded of Terry Gilliam's dud, The Adventures of Baron Munchausen, and we know how that one went.) But script-wise, it's a mess. The plot is contrived, a CliffNotes summary of the book which misses Dicken's clever prose. In this re-imagined film version, everyone plays their roles like live action cartoons without any restraint or comic timing. They become wind-up dolls dressed to the Victorian nines gone amok.
A good cast belabors the comedy. And Mr. Iannucci does assemble many of England's best actors for his movie such as Peter Capaldi, Ben Whishaw, Tilda Swinton, and Hugh Laurie; only the latter two performers hit their marks most of the time with their outlandish interpretations. He waste their time and talents. As the title character, Dev Petel is completely engaging, but he and the integrated ensemble deserve better material. While the casting may be color-blind, the overall vision lacks focus too. The concept of creating Victorian England with a contemporary attitude is intriguing, but never quite gels.
Critics worldwide have raved about this film. And I waited nearly a year with high hopes, only to be disappointed by the end results. The film looks authentic and, production-wise, has many admirable traits, but it is all surface treatment and sleight-of-hand trickery. A earnest effort, I would agree, but the reality is that The Personal History of David Copperfield is epic, as in failure. It's a farce without any laughs that exhausts rather than thrills. Be careful what you wish for. (GRADE: C)
A very dynamic film, David Copperfield lures you into his intriguing life stories. Unfortunately I haven't read the original but could still appreciate the flair and narrative of the film. This would have been a treat for those who are familiar with Dickens's work. This eventful and fluid manner of story telling nicely transitions into this film. Some decent performances by Dev Patel and the rest of the cast. It was also a pleasantly diverse film that modernised this classic novel. This may not appeal to a large mainstream audience as some cultural sensitivity is needed to see something in this film. I'm glad I went and enjoyed this modern spin on a classic tale.
This is a fun and enjoyable movie. The weird comments by people who can't comprehend a non-white cast are baffling. If you can't enjoy a film because of the colour of actor's skin, that's your problem, not the film's.
I finally finished the novel today, after months of hiding from the trailer for this film, and I was thrilled to watch. I understand that a lot of things are going to be changed and condensed from a 900 page novel into a 2 hour movie but boy, they made nearly all of the opposite decisions I would've made on what to keep and what to throw away. Mr. Dick must've gotten 10 times the screen time as Peggotty and Mr. Peggotty who were two of my favourite characters in the novel. In the beginning, I really enjoyed the whimsical nature, however, the whimsy seems to have disappeared after the first half, leaving me to wonder why it was added at all? I loved the diversity in the cast, and what a cast it was, but wow.. just a really disappointing adaptation of a beautiful novel.
'The Personal History Of David Copperfield (2019)' feels, quite significantly, like a clip-show, closer to a series of interconnected skits than a traditionally cinematic narrative. This isn't necessarily a bad thing, though. It gives the piece - which does, of course, have an overarching story - a unique feel. It's also an apt way to condense a lifetime into two hours, featuring only the most significant moments of its eponymous character's life. It all seems a little surreal, especially when it begins to visualise its narration in the middle of select scenes. The experience starts off a little slow but it soon picks up the pace, moving towards its low-key finale with a fair bit of momentum. Most of it is presented rather farcically, its eccentric characters flailing their arms or speaking in eloquent metaphor. There are a fair few moments that provoke a chuckle or two, but the flick still retains some resonance. It isn't all overtly comedic; some of its more sobering stuff does, indeed, sting. It comes so close to having something to say about class, but this aspect remains distinctly subtextual and always comes second to the more straightforward story. This isn't a huge issue, though. Perhaps the movie's biggest asset is its ensemble cast. Patel, who perfectly portrays the adult version of the whimsical protagonist, is a real stand-out. As are Capaldi and Laurie, who play eccentric but endearing middle-aged men. Each and every cast member is decidedly good, though, doing exactly what they need to with apparent joy. Overall, the film is entertaining and well-made. It's fun, energetic and, in general, just a good time. 7/10
Did you know
- TriviaMorfydd Clark plays two characters in the film - Clara Copperfield (David's mother) and Dora Spenlow - the protagonist's love.
- GoofsWhen David's mother is giving birth to him, she lifts her right foot to the stool and her sneaker is briefly visible.
- Quotes
[last lines, to his younger self]
David Copperfield: Don't worry. You'll make it through. And you'll have quite the ride on the way.
- Crazy creditsThe end credits are supposed to be listed in alphabetical order, however, Paul Whitehouse is billed above Ben Whishaw whereas they should be the other way around.
- SoundtracksAuld Lang Syne
Traditional
Details
- Release date
- Countries of origin
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- Also known as
- Історія Девіда Копперфілда
- Filming locations
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Box office
- Budget
- $15,600,000 (estimated)
- Gross US & Canada
- $1,876,298
- Opening weekend US & Canada
- $475,800
- Aug 30, 2020
- Gross worldwide
- $14,399,270
- Runtime
- 1h 59m(119 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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