In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.In the wake of his mother's death and his father's remarriage, a headstrong boy ventures into a dreamlike world shared by the living and the dead in search of his missing stepmother.
- Won 1 Oscar
- 34 wins & 86 nominations total
Soma Santoki
- Mahito Maki
- (voice)
Masaki Suda
- The Grey Heron
- (voice)
Kô Shibasaki
- Kiriko
- (voice)
- (as Kou Shibasaki)
Yoshino Kimura
- Natsuko
- (voice)
Takuya Kimura
- Shoichi Maki
- (voice)
Keiko Takeshita
- Maid #1
- (voice)
Jun Fubuki
- Maid #2
- (voice)
Sawako Agawa
- Maid #3
- (voice)
Karen Takizawa
- Wara Wara
- (voice)
Shinobu Ôtake
- Maid #4
- (voice)
Kaoru Kobayashi
- Old Pelican
- (voice)
Shôhei Hino
- Great-Uncle
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Stunning to look at, just a little hard to follow at times.
Mahito's life is dramatically changed, he's lost his mother, and his father has started a new life in the country, escaping a war. One day Mahito follows a heron, and enters a whole new fantasy world.
This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.
To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.
It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.
I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.
Worth seeing for the incredible visuals alone.
7/10.
This first thing I'm going to start with, the visuals, what a feast for the eyes, it is a vividly, beautiful film, some of the scenes are honestly captivating, not just the animations themselves, but the colours and creativity.
To be honest, I can't say I fully understood what was going on, I did find myself needing to read up about the plot, as some of it did go over my head, I imagine this improves with a second viewing.
It feels like a very personal story, I wonder if Miyazaki was exercising personal demons through it. As always there's a strong moral angle running through it, but plenty of really good scenes.
I'm nitpicking, but I did prefer Spirited Away, maybe simply because I found it easier to follow, but I'd recommend this very highly.
Worth seeing for the incredible visuals alone.
7/10.
Miyazaki Surrenders His Art to All of Us
The imagery that completely stuck with me is when things overwhelm Mahito. From the frogs, to the pelicans, the warawara, the fish guts, and the parakeets. And Mahito's reaction is not even fight or flight. He stays still as if frozen and completely unable to react.
And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.
The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.
And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.
The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.
A Disjointed Mess
A disjointed mess of a movie, with many confusing elements, and a non-cohesive storyline.
I went into it expecting a thoughtful farewell and bittersweet celebration of Miyazaki's legacy, and instead came out of the theater taken aback and disappointed. A work like this I would expect from Goro, not his father.
I cannot fathom how so many reviewers have given this movie nines or tens. By no means is it deserving of such high praise, and I have to believe this dissonance is due to fanboy-ism and an inability to criticize the work of someone they love.
Well, I love Miyazaki's work as well, but I also understand that it's important to be objective and not biased in an increasingly all too biased world.
I hope he creates another, and redeems himself, as I do not want this to be the note he ends his praise-worthy legacy on. Regardless, thanks for all the fantastic memories and moments you've already provided me, Mr. Miyazaki.
I went into it expecting a thoughtful farewell and bittersweet celebration of Miyazaki's legacy, and instead came out of the theater taken aback and disappointed. A work like this I would expect from Goro, not his father.
I cannot fathom how so many reviewers have given this movie nines or tens. By no means is it deserving of such high praise, and I have to believe this dissonance is due to fanboy-ism and an inability to criticize the work of someone they love.
Well, I love Miyazaki's work as well, but I also understand that it's important to be objective and not biased in an increasingly all too biased world.
I hope he creates another, and redeems himself, as I do not want this to be the note he ends his praise-worthy legacy on. Regardless, thanks for all the fantastic memories and moments you've already provided me, Mr. Miyazaki.
Is it bad that I just didn't get it?
I have been recently getting into Studio Ghibli films and I've been impressed. I was highly looking forward to this movie strictly because it was the first time I got the opportunity to see a Miyazaki film on the big screen. And the English dub is studded with talent.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?
There were some good scenes and some good humor, but overall I feel a little empty.
Visual pleasing, Imaginative world, Very complex story.
If you have never watched a Hayao Miyazaki film, I wouldn't recommend starting with The Boy and the Heron.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).
If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.
The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.
Was it fun and visually pleasing? Yes.
Was I confused at times And had a lot of unanswered question? Also yes.
Did you know
- TriviaIn December 2019, the film was announced to be 15% complete after three and a half years of work. The producer Toshio Suzuki explained that Hayao Miyazaki had previously been able to direct seven to ten minutes of animation each month, and they had planned for five minutes of animation per month, or about one hour annually, for the film. However, Miyazaki was only directing about one minute of animation per month.
- GoofsWhen a knife is being honed on a steel the knife blade is facing up, it should be facing down. Whilst you can hone in either direction, up the steel away from you, or down the steel towards you, the blade should be facing towards the handle of the steel.
- Quotes
The Grey Heron: I'll be your guide.
- ConnectionsFeatured in Animat's Crazy Cartoon Cast: End of the Year Embarrassments (2020)
- How long is The Boy and the Heron?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El niño y la garza
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $47,343,204
- Opening weekend US & Canada
- $13,011,722
- Dec 10, 2023
- Gross worldwide
- $282,932,523
- Runtime
- 2h 4m(124 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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