Take Back the Night

Right, well I had not heard about this 2021 horror movie titled "Take Back the Night" before now, late in 2022, as I stumbled upon it by sheer luck. Seeing it was a horror movie that I hadn't already seen, of course I opted to give the movie a chance.

Writers Gia Elliot and Emma Fitzpatrick might have had something interesting in means of concept, but the transition from script to screen didn't make for an impressive movie. Sure, there were elements of the storyline that were interesting, but the overall impression of "Take Back the Night" is that of a dumpster fire. The storyline is cluttered, erratic and all over the place. So director Gia Elliot wasn't exactly bringing the ship safely to harbor.

The acting performances in the movie were fair enough, just a shame that the actresses and actors virtually had nothing solid to work with in terms of script, character gallery and dialogue.

The storyline was not appealing to me, and it was a difficult movie to suffer through. And it didn't help much that the character gallery had a lot of very dislikable characters in it. Personally I am not keen on vloggers and people constantly filming themselves for putting online, but when the main character in "Take Back the Night" kept filming herself while she was being attacked, I was good and ready to turn off the movie.

For a horror movie, then "Take Back the Night" was a swing and a miss. Well, unless you consider such an ill-constructed storyline to be horror, then you're in luck.

My rating of "Take Back the Night" lands on a very generous two out of ten stars. This is not a movie that I would recommend you waste your time, money or effort on. Some of us suffered through this so you don't have to.

Feels like a throw back in a good way -- gritty, edgy, and dark. Not bogged down by high production value, but bolstered by incredible performances (Fitzpatrick especially) and an important message. Perhaps schools should show this to boys in sex ed????????

Take it for what it is - an interesting story line, beautiful authentic acting, and a new way to highlight how women are subjected to doubt based on their past and current actions and how they can lose their support system after sexual assault. This movie is way deeper than it appears and deserves attention and discussion. The director and main actor has a bright future.

No pun intended - the movie is not about something .. well it is not about one thing I reckon is the right way to go about it and describe it. We have a woman, an influencer of sorts, who has a nightly encounter. Now many may say, well why is she alone, why this or why that ... that should not be the issue. Although I do have one issue of my own: the closing of the gate is completely unnecessary.

We do not have a .... culprit that you can "touch", that you can point to - with substance. It is an idea ... the movie gives us food for thought. It tells us about an evil that exists ... and it urges us to change the status quo. Since this is a small or low budget movie, it does have issues in that department, but it does try its best to still tell us the story as good as it can ... if you don't mind the downfalls, this is an interesting watch.

This movie is so ridiculous I don't even know where to start. When 'The Guardian' run feminist tabloid gives it a 2/5, you just know you're in for an absolute shocker.

The film centers around a women attacked by a monster at night. Then goes on to portray some nonsensical explanations as to how she's not believed.

This all flows under an obvious disguise and allegory, that depicts men as the forever evil that must be bashed at every possible opportunity.

However in faith and much in like reality, the protagonist fails to divulge her facts correctly, forgets and covers herself in plot holes, including her own integrity.

The cast is mostly made of lesbians, and the directors political agenda is shoved in your face.