Devil's Bargain
- Episode aired Feb 8, 2018
- TV-14
- 41m
IMDb RATING
8.2/10
3.1K
YOUR RATING
"Devil's Bargain" Dean, Castiel and Sam search for Lucifer who, meanwhile, strikes an unlikely deal with a local faith healer named Sister Jo. Asmodeus gets closer to finding Jack."Devil's Bargain" Dean, Castiel and Sam search for Lucifer who, meanwhile, strikes an unlikely deal with a local faith healer named Sister Jo. Asmodeus gets closer to finding Jack."Devil's Bargain" Dean, Castiel and Sam search for Lucifer who, meanwhile, strikes an unlikely deal with a local faith healer named Sister Jo. Asmodeus gets closer to finding Jack.
Featured reviews
One of good series in season. plot not linear and everything looks way better then usual script. different writer?
This episode wastes two possible plotlines by introducing them and resolving them within the episode itself. The first is Lucy having to "feed" on Jo being sexualized similar to Sam's demon blood arch in season 4 (or vampires generally). The second is Lucy turning human (ish) because of the lack of grace, similar to Cas in season 9. Both ideas are recycled obviously but had the writers decided to try to explore either they could have moved the ideas in different directions. Instead this is a frustrating tease and ends up being limp because of the recycled ideas.
"Devil's Bargain," the thirteenth episode of Supernatural's thirteenth season, directed by Eduardo Sánchez and written by Eugenie Ross-Leming and Brad Buckner, is a taut, fast-paced installment that skillfully blends mythology advancement with character-driven moments and a touch of dark humor. The episode marks a significant turning point in the season's arc, bringing together key players-Sam, Dean, Castiel, Lucifer, and new characters like Sister Jo and Ketch-in a high-stakes hunt that balances suspense, emotional depth, and supernatural intrigue.
The episode opens with a gripping sequence of Castiel stumbling through a forest, battered and disoriented after escaping captivity. Misha Collins delivers a nuanced performance, conveying Cas's physical vulnerability and determination to warn the Winchesters about Lucifer's return. This opening sets a tone of urgency and peril that carries through the episode. The reunion of Sam, Dean, and Castiel is charged with tension and relief, as they quickly strategize to locate Lucifer, who is revealed to be preying on a faith healer named Sister Jo, portrayed with subtle strength by Danneel Ackles, Jensen Ackles's real-life wife. This casting choice adds an intriguing layer of chemistry and familiarity to their interactions.
The narrative's momentum is propelled by the discovery that Lucifer, weakened but still dangerous, seeks to use the Angel Tablet's spell to open a portal and conquer Earth. Castiel's explanation of the spell's requirements and the involvement of the prophet Donatello (Keith Szarabajka) adds depth to the mythology, while the brothers' determination to stop Lucifer underscores their enduring resilience. The episode deftly balances exposition with action, avoiding the pitfalls of info-dumping through sharp dialogue and well-paced scenes.
A standout subplot involves the enigmatic Arthur Ketch, who unexpectedly appears at the bunker. His ambiguous allegiance and cold demeanor create an atmosphere of mistrust and suspense. The confrontation between Ketch and Castiel, culminating in Ketch's temporary incapacitation and confinement in the Impala's trunk, is a highlight, showcasing the complex dynamics between hunters and the British Men of Letters. David Haydn-Jones brings a layered performance to Ketch, blending menace with hints of conflicted loyalty.
The episode's pacing is brisk, with director Eduardo Sánchez employing tight editing and atmospheric cinematography to maintain tension. The scenes at the Diamond Deluxe Motel, where the team confronts Sister Jo and Lucifer, are particularly effective, combining claustrophobic interiors with moments of quiet menace. The lighting and camera work emphasize the moral ambiguity of Sister Jo's character, who is revealed to be Anael, an angel working under Lucifer's influence. Danneel Ackles's performance captures this duality, portraying a woman torn between faith, power, and manipulation.
Lucifer's characterization, portrayed by Mark Pellegrino, continues to be a highlight. His weakened state-human needs like hunger and cold-adds vulnerability to his otherwise formidable presence. His interaction with Sister Jo, laced with dark charm and menace, heightens the stakes and underscores his cunning. The episode's climax, involving a tense standoff and the revelation of Asmodeus's looming threat, sets up compelling conflicts for the episodes ahead.
The script balances moments of levity, such as Dean's sarcastic banter and the brothers' sibling dynamics, with darker themes of power, betrayal, and survival. The dialogue is sharp and often witty, maintaining the show's trademark blend of humor and pathos. The emotional core is reinforced by the characters' shared history and the mounting sense of urgency as the Winchesters race against time.
While the episode excels in many areas, some critics have noted that the rapid introduction of multiple plot threads-Lucifer's plan, Sister Jo's true identity, Ketch's motives, and Asmodeus's machinations-can feel overwhelming. Certain scenes, particularly those involving Ketch's sudden appearance and capture, may strain narrative plausibility. However, these are minor quibbles in an episode that otherwise delivers a satisfying mix of mythology, action, and character work.
In conclusion, "Devil's Bargain" is a compelling and well-executed episode that advances Supernatural's thirteenth season with style and substance. Through strong performances, confident direction, and a tightly woven script, it deepens the season's mythology while maintaining the emotional stakes that have long defined the series. The episode's blend of suspense, humor, and supernatural intrigue reaffirms Supernatural's enduring ability to evolve while staying true to its core themes of family, sacrifice, and the battle between light and darkness.
The episode opens with a gripping sequence of Castiel stumbling through a forest, battered and disoriented after escaping captivity. Misha Collins delivers a nuanced performance, conveying Cas's physical vulnerability and determination to warn the Winchesters about Lucifer's return. This opening sets a tone of urgency and peril that carries through the episode. The reunion of Sam, Dean, and Castiel is charged with tension and relief, as they quickly strategize to locate Lucifer, who is revealed to be preying on a faith healer named Sister Jo, portrayed with subtle strength by Danneel Ackles, Jensen Ackles's real-life wife. This casting choice adds an intriguing layer of chemistry and familiarity to their interactions.
The narrative's momentum is propelled by the discovery that Lucifer, weakened but still dangerous, seeks to use the Angel Tablet's spell to open a portal and conquer Earth. Castiel's explanation of the spell's requirements and the involvement of the prophet Donatello (Keith Szarabajka) adds depth to the mythology, while the brothers' determination to stop Lucifer underscores their enduring resilience. The episode deftly balances exposition with action, avoiding the pitfalls of info-dumping through sharp dialogue and well-paced scenes.
A standout subplot involves the enigmatic Arthur Ketch, who unexpectedly appears at the bunker. His ambiguous allegiance and cold demeanor create an atmosphere of mistrust and suspense. The confrontation between Ketch and Castiel, culminating in Ketch's temporary incapacitation and confinement in the Impala's trunk, is a highlight, showcasing the complex dynamics between hunters and the British Men of Letters. David Haydn-Jones brings a layered performance to Ketch, blending menace with hints of conflicted loyalty.
The episode's pacing is brisk, with director Eduardo Sánchez employing tight editing and atmospheric cinematography to maintain tension. The scenes at the Diamond Deluxe Motel, where the team confronts Sister Jo and Lucifer, are particularly effective, combining claustrophobic interiors with moments of quiet menace. The lighting and camera work emphasize the moral ambiguity of Sister Jo's character, who is revealed to be Anael, an angel working under Lucifer's influence. Danneel Ackles's performance captures this duality, portraying a woman torn between faith, power, and manipulation.
Lucifer's characterization, portrayed by Mark Pellegrino, continues to be a highlight. His weakened state-human needs like hunger and cold-adds vulnerability to his otherwise formidable presence. His interaction with Sister Jo, laced with dark charm and menace, heightens the stakes and underscores his cunning. The episode's climax, involving a tense standoff and the revelation of Asmodeus's looming threat, sets up compelling conflicts for the episodes ahead.
The script balances moments of levity, such as Dean's sarcastic banter and the brothers' sibling dynamics, with darker themes of power, betrayal, and survival. The dialogue is sharp and often witty, maintaining the show's trademark blend of humor and pathos. The emotional core is reinforced by the characters' shared history and the mounting sense of urgency as the Winchesters race against time.
While the episode excels in many areas, some critics have noted that the rapid introduction of multiple plot threads-Lucifer's plan, Sister Jo's true identity, Ketch's motives, and Asmodeus's machinations-can feel overwhelming. Certain scenes, particularly those involving Ketch's sudden appearance and capture, may strain narrative plausibility. However, these are minor quibbles in an episode that otherwise delivers a satisfying mix of mythology, action, and character work.
In conclusion, "Devil's Bargain" is a compelling and well-executed episode that advances Supernatural's thirteenth season with style and substance. Through strong performances, confident direction, and a tightly woven script, it deepens the season's mythology while maintaining the emotional stakes that have long defined the series. The episode's blend of suspense, humor, and supernatural intrigue reaffirms Supernatural's enduring ability to evolve while staying true to its core themes of family, sacrifice, and the battle between light and darkness.
Did you know
- TriviaLucifer's line, "Hail to the king...baby" is an homage to Bruce Campbell's line in Army of Darkness (1992). The producers are fans of Campbell. Previously, Dean has used the alias Ashley J Williams, Campbell's character in The Evil Dead (1981) movies and television series.
- GoofsCastiel has always been able to tell if anyone is lying, even other angels. He should have sensed that Aniell/Joe was lying when she said Lucifer was weak and trying to hurt her and she needed Cas and Sam and Dean's help.
- ConnectionsReferences Army of Darkness (1992)
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