Dangerous Liaisons

This production is another example of today's media trend of dumbing down great past works of art that appealed to mind, body and heart and instead writing sophomoric scripts full of insultingly expository dialogue, gratuitous sex, and non-existent character development. Oh...and somehow it's ok to anachronistically race flip historical characters, but not gender flip any. Instead, this adaptation reinforces cliche false sex stereotypes about men and women and turns the delightful cat and mouse game of the original tale between a female and her male equal into a cringeworthy catfight between two women spewing the comically insulting female tropes we (unfortunately) see everywhere else these days. Skip it. I had to go back and watch the Glenn Close/John Malkovich (1988) and Annette Bening/Colin Firth (1989) versions just to cleanse my palette. Oh, what Leslie Manville could have done with scripts of that caliber! But...now we'll never know...

This just seems like the scriptwriter has read the premise of Dangerous Liaisons on the back of the book and created a series based purely from their own ideas of what the novel should be about, the period is the same as the novel and some of the characters are but others have been added for some reason. I also want accuracy for anything set historically and while servants and lower classes may be EM in the 18th century a Chevalier would definitely not be. If you want to watch an adaption of DL then watch the 1988 film. Even the Colin Firth film Valmont is a closer adaption and at least they changed the name so as not to confuse people. Unfortunately modern adaptions of classics are getting so bad they should just use the premise and set them in the modern day as modern writers and producers are unable to take themselves out of today's society. I am dreading the next adaption of a Jane Austen novel.

Not based on any book or movie. I only watched this due to my obsession with costume drama and 18th century in particular. But there is a reason I prefer to rewatch BBC series from the seventies to most of the newer films and series claiming to be "period drama". Those at least followed the basic mores and customs of the time portrayed for the most part and worked hard to get the shapes of costumes and hair accurate. Now in these newer ones you see long flying curls on grown women (which you would not see even on little girls in most eras) modern eye makeup and "shrugs" to act as Spencer jackets etc...to name just a few. I love period drama and history and am sure that most people can manage to watch and enjoy these shows showing how people looked, acted and dressed during the time that they lived...but producers seem to think a modern audience can't handle that, that we must have modern dialogue that clangs on the ear like a metal trash bin lid, pop music and beachy waves, in order to engage. It would be nice if some of these series were made for adults who go into it wanting to see how life was lived "back then" and not some young producer's idea of what would be cool and watchable. I know I am in an age bracket (old) that it not catered to in any way, shape or form ...okay I get it. But most teens are not looking for period drama anyway unless it has time travel, dinosaurs or vampires so they are not the audience for these period dramas anyway. I just watched "Mr Malcolm's List" which is a perfectly enjoyable, benign romance/comedy but the idea of Mr. Malcolm taking a young lady to the opera on a "date" early on made me laugh out loud and kind of ruined it for me. There is no way in hell any young woman was going on a date with a man or that he would even ask. Unmarried young women often could not even be alone in a room with a brother or cousin, so strict was the division of sexes, without a chaperone. That may be a small point but it tilts the whole of the era being shown. Why bother make it "period" at all if you intend to modernize it beyond all recognition? Just make a romantic comedy or drama and be done with it. So many disappointments recently. But this show, and also the latest "Persusian" have to be clunkers for sure.

Ok a lot people reviewing this obviously didn't bother to read the synopsis or watch the trailer. This is a television show so they are expanding on the novel. The show starts by giving origin stories to Merteuil and Valmont. The direction for their origin stories is kind of weird to me. Merteuil and Valmont being snobbish aristocratics is part of their appeal and says a lot about who they are personally. The show instead tries to give them a Dickensian type of humble beginnings origin. I'm guessing they are trying to make them more relatable but I find it kind of boring. Merteuil and Valmont are rich jerks who look down on people. Aside from that the show obviously is shot well. The female lead is descent. Not sold on the male lead though. The supporting actors are good. I'll keep watching but I'm going to manage my expectations.

It isn't the epistolary novel put to digital media - that wouldn't be possible would it, as it would still require a screenwriter/adaption - so complaints that it isn't that are a bit weird - also part of the joy of the epistolary form is that the authors aren't an objective narrator so as you read you fill in the gaps, guess at the truth, compare and contrast. That is what this take does, it is an expanded universe imagined from those letters and using more modern critiques of the excesses and hypocrisy of the historical period. Its fun, fruity and with enough faithfulness to the time (with the added glamour and gorgeousness and grime and stench in other settings, that you want from entertainment) to give new insights and considerations into this time in France. The acting is largely good, the script and dialogue trot along nicely and are funny and intriguing without being too earnest or 'olde worlde' clunky, and the cast, costumes and sets are presented brilliantly, producing a well realised world. Ongoing and boring complaints from reviewers who are obsessed with how much melanin some actors have proves again that they need to read more books (I mean Jean-Baptiste Belley was elected to the French Parliament 10yrs after the first book so the idea that people of colour weren't in respected/high positions at this time is pure nonsense) Worth a watch.