Mid-Western Assassin
- Episode aired Oct 10, 2017
- TV-MA
- 45m
IMDb RATING
8.0/10
3.2K
YOUR RATING
Ally takes Meadow to Dr. Rudy to confirm her story about the cult; An unexpected opponent runs against Kai in the city council election.Ally takes Meadow to Dr. Rudy to confirm her story about the cult; An unexpected opponent runs against Kai in the city council election.Ally takes Meadow to Dr. Rudy to confirm her story about the cult; An unexpected opponent runs against Kai in the city council election.
Rusnico Canonigo Jr.
- Noah
- (uncredited)
Jorga Caye
- Rally Goer
- (uncredited)
Featured reviews
This season just keeps getting worst!! The whole series is a hit or miss!! This has moved into being just about gore & saying the F word!! There is nothing horror about this story!! This is more like a reality, messed up people doing horrible things for attention!! This just shows the wrongs we are going through & people are just eating it up!! This shows just how people in this world are members of cults & don't realize it!!
The show has slowed down significantly. We're getting a lot more character backstory, mostly in the form of flashbacks and narration.
I have several criticisms of the show, and one not previously mentioned in other reviews is that cults aren't scary. They're especially not scary when they're fictional bipartisan cults tied to real-world events of 2016, since there's something to directly compare it to. Too bad this wasn't made in 2020, Ryan could have REALLY let his feelings fly.
I miss Sarah Paulson pointing at random things and screaming. Now she's not even screaming at stuff a normal person would scream at.
I'm not taken by Evan's character. He's been the same uninspiring one-note buzzkill since the third episode. The writing makes no sense, and not in a way that's profound, in a way that's like "Um, you can't frame someone for a crime in front of hundreds of witnesses, they saw what you did 10 seconds ago". There is no law enforcement in this show; I guess they did explain it by saying "The cops only drove by once" in a throwaway line.
I have several criticisms of the show, and one not previously mentioned in other reviews is that cults aren't scary. They're especially not scary when they're fictional bipartisan cults tied to real-world events of 2016, since there's something to directly compare it to. Too bad this wasn't made in 2020, Ryan could have REALLY let his feelings fly.
I miss Sarah Paulson pointing at random things and screaming. Now she's not even screaming at stuff a normal person would scream at.
I'm not taken by Evan's character. He's been the same uninspiring one-note buzzkill since the third episode. The writing makes no sense, and not in a way that's profound, in a way that's like "Um, you can't frame someone for a crime in front of hundreds of witnesses, they saw what you did 10 seconds ago". There is no law enforcement in this show; I guess they did explain it by saying "The cops only drove by once" in a throwaway line.
Another good episode this week that primarily deals with the city council campaign and alliances. There is some wavering in the cult and viewers are left wondering will they or won't they throughout this episode. For me it was well done and the overall intentions seemed fitting, but maybe a little over the top.
The brightest spot of the episode is seeing the return of Mare Winningham to the series. Last time she was Ms. Evers in Hotel. To no surprise she brings another good character to the show.
This episode did seem to have a plot hole in the story... well maybe two. I was taken out of the moment thinking if this was an editing error or what at the end.
8.5/10
The brightest spot of the episode is seeing the return of Mare Winningham to the series. Last time she was Ms. Evers in Hotel. To no surprise she brings another good character to the show.
This episode did seem to have a plot hole in the story... well maybe two. I was taken out of the moment thinking if this was an editing error or what at the end.
8.5/10
"Mid-Western Assassin," the sixth episode of American Horror Story: Cult, directed by Bradley Buecker, marks a dramatic inflection point in the season, combining intense political thriller elements with psychological horror. This episode transcends usual horror tropes to confront real-world anxieties about political violence, media manipulation, and the volatile aftermath of a public assassination attempt. The immediate and raw depiction of violence sets a harrowing tone that dominates the narrative, reflecting and amplifying the pervasive atmosphere of fear and unrest within the series' socio-political landscape.
The episode opens with a visceral gun attack on Kai Anderson, illustrating a chilling scene that delves into the terror and chaos such violence inflicts on both individuals and society at large. Kai's subsequent hospital appearance reveals him oddly composed and strategic, already positioning the incident within his political narrative to galvanize support and fear. This serves as a potent commentary on how public figures can exploit traumatic events for personal and political gain, a theme that underpins much of the episode's tension and narrative arc. The editing and cinematography capture the chaos and unease through rapid cuts and claustrophobic framing, forcing the viewer into the immediacy and unpredictability of the attack.
Parallel to Kai's storyline, the episode explores the rippling effects on the other characters, notably Ally, who confronts revelations about Ivy's involvement with the cult and her own increasing alienation. The episode deepens the psychological and emotional fractures within Ally's personal life, portraying her as a woman torn between fear and the desire for agency amid a world increasingly hostile and incomprehensible. Ivy's duplicity culminates in a dark and tense confrontation, where her motivations and alignment with the cult fully come to light, complicating the domestic sphere's portrayal as a contested battlefield of trust and control.
The narrative also sheds light on Meadow's involvement and her motivations, adding complexity to the cult's internal dynamics. Meadow's character arc reveals her as a tragic figure caught between loyalty and disillusionment, her ultimate choices reflecting broader themes of sacrifice, devotion, and the potential destructiveness of blind faith. The episode makes effective use of flashbacks and dialogues to unpack the psychological manipulation exerted by Kai on his followers, emphasizing the cult's parasitic nature and the dangerous allure of authoritarian leadership.
Director Buecker's handling of the episode's tone expertly balances moments of high-intensity action with slower, psychologically driven scenes. The subdued color palette and focused use of shadows enhance the brooding atmosphere, while the pacing skillfully builds suspense without sacrificing narrative clarity. The scenes of political rallying, media interaction, and interpersonal confrontations are sharply edited to underscore the intersecting layers of public spectacle and private trauma that define the storyline.
Performances anchor the episode's success. Evan Peters delivers a chilling portrayal of Kai, embodying a narcissistic and manipulative figure who masterfully controls fear as a weapon. Sarah Paulson's Ally continues to evolve as a multifaceted protagonist, her vulnerability and resilience depicted with emotional depth. Alison Pill's Ivy shines in her portrayal of a complex character whose betrayal cuts to the heart of the season's themes. The supporting cast, including Billy Eichner as Harrison and Leslie Grossman as Meadow, further enriches the narrative texture with nuanced performances that bring the cult's fractured world to life.
"Mid-Western Assassin" confronts the immediacy of political violence and its ramifications, not only as spectacle but as a catalyst for fear and social manipulation. The episode critiques the media's role in sensationalizing tragedy while highlighting cult-like tendencies in political movements, where paranoia and martyrdom are wielded to maintain control. The title, evoking a specific American heartland location, grounds these themes in a culturally resonant setting that underscores the nation's sociopolitical divides.
The episode engages with classic political thriller motifs while inflecting them with horror's visceral intensity. It draws parallels with historical and cinematic depictions of assassination attempts and their aftermath, speaking to the enduring fears of societal collapse and the fragility of democratic institutions. Within the broader American Horror Story corpus, this episode stands out for its topical urgency and narrative cohesion, reflecting the series' evolving engagement with real-world horrors.
"Mid-Western Assassin" is a powerful convergence of horror and political commentary that pushes American Horror Story: Cult into thought-provoking territory. Its adept direction, strong performances, and unflinching exploration of violence and manipulation elevate the season's narrative complexity. While its graphic depiction of trauma may challenge some viewers, the episode's thematic rigor and emotional resonance offer a compelling meditation on fear's role in shaping societal and personal realities. This episode underscores the season's ambition to use horror as a mirror to contemporary anxieties about power, violence, and control in America today.
The episode opens with a visceral gun attack on Kai Anderson, illustrating a chilling scene that delves into the terror and chaos such violence inflicts on both individuals and society at large. Kai's subsequent hospital appearance reveals him oddly composed and strategic, already positioning the incident within his political narrative to galvanize support and fear. This serves as a potent commentary on how public figures can exploit traumatic events for personal and political gain, a theme that underpins much of the episode's tension and narrative arc. The editing and cinematography capture the chaos and unease through rapid cuts and claustrophobic framing, forcing the viewer into the immediacy and unpredictability of the attack.
Parallel to Kai's storyline, the episode explores the rippling effects on the other characters, notably Ally, who confronts revelations about Ivy's involvement with the cult and her own increasing alienation. The episode deepens the psychological and emotional fractures within Ally's personal life, portraying her as a woman torn between fear and the desire for agency amid a world increasingly hostile and incomprehensible. Ivy's duplicity culminates in a dark and tense confrontation, where her motivations and alignment with the cult fully come to light, complicating the domestic sphere's portrayal as a contested battlefield of trust and control.
The narrative also sheds light on Meadow's involvement and her motivations, adding complexity to the cult's internal dynamics. Meadow's character arc reveals her as a tragic figure caught between loyalty and disillusionment, her ultimate choices reflecting broader themes of sacrifice, devotion, and the potential destructiveness of blind faith. The episode makes effective use of flashbacks and dialogues to unpack the psychological manipulation exerted by Kai on his followers, emphasizing the cult's parasitic nature and the dangerous allure of authoritarian leadership.
Director Buecker's handling of the episode's tone expertly balances moments of high-intensity action with slower, psychologically driven scenes. The subdued color palette and focused use of shadows enhance the brooding atmosphere, while the pacing skillfully builds suspense without sacrificing narrative clarity. The scenes of political rallying, media interaction, and interpersonal confrontations are sharply edited to underscore the intersecting layers of public spectacle and private trauma that define the storyline.
Performances anchor the episode's success. Evan Peters delivers a chilling portrayal of Kai, embodying a narcissistic and manipulative figure who masterfully controls fear as a weapon. Sarah Paulson's Ally continues to evolve as a multifaceted protagonist, her vulnerability and resilience depicted with emotional depth. Alison Pill's Ivy shines in her portrayal of a complex character whose betrayal cuts to the heart of the season's themes. The supporting cast, including Billy Eichner as Harrison and Leslie Grossman as Meadow, further enriches the narrative texture with nuanced performances that bring the cult's fractured world to life.
"Mid-Western Assassin" confronts the immediacy of political violence and its ramifications, not only as spectacle but as a catalyst for fear and social manipulation. The episode critiques the media's role in sensationalizing tragedy while highlighting cult-like tendencies in political movements, where paranoia and martyrdom are wielded to maintain control. The title, evoking a specific American heartland location, grounds these themes in a culturally resonant setting that underscores the nation's sociopolitical divides.
The episode engages with classic political thriller motifs while inflecting them with horror's visceral intensity. It draws parallels with historical and cinematic depictions of assassination attempts and their aftermath, speaking to the enduring fears of societal collapse and the fragility of democratic institutions. Within the broader American Horror Story corpus, this episode stands out for its topical urgency and narrative cohesion, reflecting the series' evolving engagement with real-world horrors.
"Mid-Western Assassin" is a powerful convergence of horror and political commentary that pushes American Horror Story: Cult into thought-provoking territory. Its adept direction, strong performances, and unflinching exploration of violence and manipulation elevate the season's narrative complexity. While its graphic depiction of trauma may challenge some viewers, the episode's thematic rigor and emotional resonance offer a compelling meditation on fear's role in shaping societal and personal realities. This episode underscores the season's ambition to use horror as a mirror to contemporary anxieties about power, violence, and control in America today.
This episode is a turning point in the Cult season. The Cult is a good idea, but with all the politics mixed in. Every episode of this season has something that feels off about it. Not the typical AHS fans are used to.
I get that they had to edit that opening scene, due to recent events, but as a whole, the edited scene feels cheap and would've felt more authentic and terrifying had they kept the scene unedited.
Did you know
- TriviaIn light of the tragedy on October 1, 2017 in Las Vegas, Ryan Murphy and the producers of American Horror Story: Cult made substantial edits to the opening scene of this episode. The opening, which was filmed two months prior to the Las Vegas mass murder shooting, was considered to be too traumatic for FX to release the uncut version and instead directed TV viewers to the websites that would show the unedited version of Episode 6.
- ConnectionsReferences Unfriended (2014)
Details
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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