IMDb RATING
7.4/10
3.7K
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A documentary about how English actor Leon Vitali came to work as an assistant to American filmmaker Stanley Kubrick for over 30 years.A documentary about how English actor Leon Vitali came to work as an assistant to American filmmaker Stanley Kubrick for over 30 years.A documentary about how English actor Leon Vitali came to work as an assistant to American filmmaker Stanley Kubrick for over 30 years.
- Awards
- 1 win & 4 nominations total
Stanley Kubrick
- Self
- (archive footage)
Phil Rosenthal
- Self
- (as Philip Rosenthal)
Featured reviews
If you're a film fan or a Stanley Kubrick fan this movie is a must see. Leon Vitali truly gave and is still giving his life to the work of Kubrick's legendary films. Leon does not begin to get the recognition he deserves. He was truly Kubrick's right hand man. There is so much that goes into completing a film project and Leon became the jack of all trades strictly for the art of Kubrick's films. It has taken a physical, mental, and personal toll on his life, but the man is not bitter. In the current day of digital aid Leon Vitali perfected the films without this help. This film displays literally thousands of documents and notes that Leon wrote while filming. He is truly a one man film crew. Other crew members and actors bring the story to life on how this man gave everything he had and more. Fantastic and inspiring documentary.
Personally I love autobiographies or documentaries where I can really learn about the details this film fulfills that and more. It gives you an incredible look Into the unrelenting work effort of a dedicated soul. Leon is a truly amazing person and I love the behind the scenes footage of all the great movies. I wonder if Kubrick ever knew how lucky he was to have such dedicated help. I ended the movie exhausted .
An American documentary film. A story about Leon Vitali, an English TV and film actor turned personal assistant to mercurial filmmaker Stanley Kubrick. One can forgive the often gushing praise by contributants to the film of Kubrick's talents because it is a revealing and stirring celebration of one of cinema's unacknowledged heroes, a maestro's trusted confidant and expert on Kubrick's thought processes and genius. The film strikes upon an interesting theme about endurance for vicarious pleasure, when the person you work for you idolise and respect. The film also deals with the personal life of Vitali which is touching, showing his passion and dedication to safeguarding his boss's posterity.
Filmworker provides invaluable insight into how sausages were made, into the workings of the greatest post-studio system director in the world, Stanley Kubrick. Leon Vitali was his right hand. Vitali's story, intimately told in the first person, is indirectly Kubrick's. We see the backbreaking details of what it took Kubrick to make 2 of his 5 perfect, genre-defining films: Barry Lyndon, the defining period costume drama, and The Shining, the defining Gothic horror film. (Vitali did not work on Dr. Strangelove, the defining Cold War film (and satire), 2001, the defining outer space film, or Clockwork Orange, the defining future dystopia film. He did, however, work on Full Metal Jacket and Eyes Wide Shut, lesser films, IMO.)
The movie consists of real, factual, technical nitty-gritty, not the self-congratulatory generalizations which make up almost all documentaries about filmmakers and their films. This is the mountain both Kubrick and Vitali fought their entire lives to surmount. One comes to see how poor and shabby today's films are by comparison, especially with TV streaming and cable replacing real films.
Leon Vitali is a fascinating character study, a unique man, in and of himself. One wonders if Kubrick could have made his films without the blind devotion of Vitali. Those who question his devotion miss the point. Vitali was as uncompromisingly devoted to Kubrick as Kubrick was to his films. They both served the same demanding mistress, art.
If you love Kubrick, you have to see this.
The movie consists of real, factual, technical nitty-gritty, not the self-congratulatory generalizations which make up almost all documentaries about filmmakers and their films. This is the mountain both Kubrick and Vitali fought their entire lives to surmount. One comes to see how poor and shabby today's films are by comparison, especially with TV streaming and cable replacing real films.
Leon Vitali is a fascinating character study, a unique man, in and of himself. One wonders if Kubrick could have made his films without the blind devotion of Vitali. Those who question his devotion miss the point. Vitali was as uncompromisingly devoted to Kubrick as Kubrick was to his films. They both served the same demanding mistress, art.
If you love Kubrick, you have to see this.
A fascinating insight into one of Kubrick's faithful assistants. Essentially this film is aimed at Kubrick fans and film fanatics, but it goes much deeper than that and has the power to absorb anyone who views it. Leon is a dedicated, devoted worker bee who strived tirelessly to help Stanley archive his vision. Stanley Kubrick is obviously a genius, an enigma, and Leon was emersed in this magical world, he worked his fingers to the bone for a man he obviously admired and this devotion comes across, even though the demands Kubrick put on him took it's toll. I would give my right arm, left arm, heart, lungs , body and soul to have worked for Stanley Kubrick, Leon Vitali was lucky enough to to have been the man who did!
Did you know
- ConnectionsFeatures The Killing (1956)
- SoundtracksHappy Birthday Dear Jesus
(uncredited)
Written by Mildred J. Hill and Patty S. Hill
[Snippet from Full Metal Jacket]
- How long is Filmworker?Powered by Alexa
Details
Box office
- Gross US & Canada
- $102,609
- Opening weekend US & Canada
- $7,984
- May 13, 2018
- Gross worldwide
- $112,828
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.78 : 1
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