Chapter Eight: Know Your Truth
- Episode aired May 13, 2018
- TV-MA
- 38m
In the season finale, Barry vows to give up his life of crime. Elsewhere, Pazar enlists a replacement to take care of Fuches. Detective Moss closes in on an arrest that they hope will crack ... Read allIn the season finale, Barry vows to give up his life of crime. Elsewhere, Pazar enlists a replacement to take care of Fuches. Detective Moss closes in on an arrest that they hope will crack the Madison homicide case.In the season finale, Barry vows to give up his life of crime. Elsewhere, Pazar enlists a replacement to take care of Fuches. Detective Moss closes in on an arrest that they hope will crack the Madison homicide case.
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Bill Hader won an Emmy for that episode, in fact. However, not to take anything away from Hader's performance in that episode, which was fine, but a lot of the impact in Chapter 7 was due to the editing, inter-mingled with Hader's acting. And overall, it was all-drama and no comedy.
Now we come to the Chapter 8 finale of Season 1. The first half is almost all comedy. Very funny lines but frankly the writers made the right decision with Goran. A little shtick goes a long way.
Then fade-to-black for a few seconds. And a FFW to an idyllic day at Gene's cottage. Is this a dream sequence? I dunno, since I haven't watched Season 2 yet. But the fact Barry goes from lying on his back in bed next to Emily, and the final scene has Barry in exactly the same position makes me believe that may be the case.
Nevertheless, there is heart-stopping drama in those final few minutes of the episode. If that scene is on the level, kudos to the writers for making such a bold choice.
Which brings me to Paula Newsome. Is this woman magical, or what? I am in love with her as Henry Winkler's character.
I can hardly wait to start binge-watching Season 2.
After the dramatic climax of Barry's last mission, he obviously reached a point where he had to take serious action to ensure his own peace of mind and even his life. I find the trope of the 'unkillable hitman' who is the master of any situation quite trite usually, it's my main problem with the John Wick franchise, but Barry subverts this by including it as a gag initially and as a curse for Barry towards the end of the season. It's not that he can't get out of a fight, it's that he mustn't get into a fight, for fear of destroying the new life and passions that he has found, and really, that's what the show is about. It's a great balance of comedy from, at first, stereotype characters who you do grow attached to throughout the season, and the drama of Barry's character and the duality of his life. As the story has been leading up to this, the finale shows us the aftermath of Barry severing his ties to his old job (I know we've been shown glimpses of a 'future' where Barry has a child, but I think we still need confirmation on whether all that was a dream or not). Everything seems to be going perfectly, capitalized upon with a hilarious scene with Winkler's Gene Cousineau singing, but the writers cleverly factor in a subtle mention of an earlier scene in the presence of Gene's new police girlfriend that threatens everything Barry has worked for.
I thoroughly enjoyed this finale, and I will soon be delving into the second season. It's clear to see there's a lot more to be said with the story and the new dynamics of the characters, and I have no doubt that that will produce some quality developments. Looking forward to seeing new characters added to the mix, also. Besides that, there's not really all that much to be said without spoiling the finale, which you should watch if you haven't already. I'll see you at the end of Season 2.
Many people have said that the show changed over time and went away from the dark comedy aspect that it had to begin with. I couldn't disagree more. The satire never left the show, which was especially visible in the show's seventh episode, which did a great job of balancing the heavy drama with the funny comedy, creating a hybrid that offered a lot of dark humor. This episode did that as well. Alec Berg and Bill Hader are very twisted people if we go from what we've seen in the show. Whether it's a mob enforcer making a guillotine instead of just killing his victim, or Barry playing the police by embracing a stereotype, this show is not afraid of being satirical in a way that's very refreshing. Doing that over and over can easily become old, but the show is able to keep it fresh by putting a new spin on it every time. There's never a dull moment when these are characters are involved. Also, the characters have changed a great deal, but it's all growing through the performances that the actors are giving, and I have to give huge credit to Bill Hader. To be as funny as he is and play the character as the most straight person in the whole show is why his character comes across as so funny, so I appreciate Hader for subduing himself here and giving a performance that's really changing his image and showing that he can do everything when it comes to comedy.
"Chapter Eight: Know Your Truth" was a great chapter to close this season. It left off on a huge cliffhanger, but it was mostly dependent on its storytelling to tie up the loose ends left over, and it was all done through great writing and great acting, with Hader just killing it in this episode.
Formerly a US Marine, but now working as contract killer, Barry Berkman (Bill Hader) arrives in Los Angeles to execute a job for the Chechen mob. He follows his target to his acting class, and inadvertently becomes involved. Despite his poor performance, he finds in acting a satisfaction that isn't coming from other areas of his life and is smitten with fellow student Sally (Sarah Goldberg). He stays in L. A, and begins to attend the class, but his ties to the local gangsters and the bodycount from his real profession constantly threaten to expose him.
I really liked this first season of "Barry". It helps that I like shows and films about filmmaking and those, even tangential, links to other movies and TV productions is a factor I enjoyed here. They're not essential elements, though as "Barry" was, for me, a very funny black comedy, that married its great performances and occasional grim moments with some absolute belly laughs. Hader and Goldberg are both great and I really like that the show is not about a bad, or clumsy, hitman, like it might have been in lesser hands. Barry is reasonably proficient at this job, but it's his desperation to get out and make some proper connections that cause him to make several tactical errors.
The best humour comes from a triumvirate of co-stars though, I really liked Anthony Carrigan in "Gotham" where he was often sardonically funny and given the opportunity to be more traditionally funny here, he's great. Stephen Root, a comedic actor whose never got the recognition he deserves despite the career of brilliance is again...well... brilliant as Barry's handler Fuches. One perhaps stands above all though, Henry Winkler has proved a versatile comedic actor since his days on "Happy Days", but I don't think he's ever been better than he is in this as Gene Cousineau, who runs the acting class that Barry joins. So much great character work, and delivery of excellent lines ("Equal parts loud and wrong"), it very much deserved the Emmy he won.
I understand that I've timed this pretty well, as there are two more seasons to watch before the fourth and final begins this month. Can't wait.
Did you know
- TriviaAll entries contain spoilers
- Quotes
Barry Berkman: Janice, listen. I used to work for a man who who talked me into doing some really bad stuff. But that's not who I am, okay? I, uh, I realized what I was doing was wrong, and I, uh, I did everything I had to do to put it behind me. And I did it. It was hard, but I did it. And everything's so good right now. I'm a good person. I help people out. And if you could just walk away from this and forget about it, everybody's life will be better.
Detective Janice Moss: You know I can't do that, Barry.
Barry Berkman: Yes. No, yes, you can. Janice, you can, because we want the same thing. We- We wanna be happy. We want love. We want a life. And we're doing it, Janice. We're the same.
Detective Janice Moss: But we're not. We're not the same, Barry. 'Cause I'm a cop and you're a fucking murderer.
- ConnectionsReferences Rashomon (1950)
- SoundtracksChange for the World
Written by Charles Bradley, Thomas Brenneck, David Guy, Leon Michels, Nick Movshon, Homer Steinweiss, Nicole Wray
Performed by Charles Bradley
Details
- Runtime
- 38m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD