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7.1/10
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Two ten year-old boys are detained by police under suspicion of abducting and murdering a toddler. A true story based on interview transcripts and records from the James Bulger case, which s... Read allTwo ten year-old boys are detained by police under suspicion of abducting and murdering a toddler. A true story based on interview transcripts and records from the James Bulger case, which shocked the world in 1993.Two ten year-old boys are detained by police under suspicion of abducting and murdering a toddler. A true story based on interview transcripts and records from the James Bulger case, which shocked the world in 1993.
- Nominated for 1 Oscar
- 27 wins & 24 nominations total
Pauline Geoghean
- Old Woman on Bench
- (as Pauline Geoghegan)
- Director
- Writer
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- Production, box office & more at IMDbPro
Summary
Reviewers say 'Detainment' delves into the James Bulger murder's aftermath through intense police interrogations of young killers, Jon Venables and Robert Thompson. Themes of evil, crime impact, and youth criminality are explored. The film is lauded for its respectful tone and strong performances, especially by the young actors. Controversy arises from not consulting the Bulger family and humanizing the killers, though some appreciate its non-sensational approach to understanding motivations. Its short runtime and focus on interrogation transcripts create an intense, unsettling atmosphere.
Featured reviews
I felt guilty watching this as I know that Denise Bulger, the mother of the murdered toddler, was so upset at its being released. This short film was excellently done and, if anything, brings James's story back up to people. May his memory be eternal.
The young actors did phenomenal jobs. If you want an example of an excellent child actor, watch this. I cannot wait to see them in feature-length films in the future.
The young actors did phenomenal jobs. If you want an example of an excellent child actor, watch this. I cannot wait to see them in feature-length films in the future.
First off, these two child actors were phenomenal. I hope that-- if they are aware of the controversy around this movie-- none of it falls on them. I wish them the best of luck with their acting careers.
What to do with this movie? As with most true crime, there's always an ethical question lingering in the background of whether it was worth it to tell this story for an audience to consume it. This case was unique in that these two kids were tried as adults, and if you were to only ever see that on paper, you'd probably have a lot of questions, or you'd probably dismiss everyone involved as monsters.
And that's what feels like the question proposed to you, the audience; are these kids monsters and horrible people?
My answer is: yeah. I did not have much empathy for them. They both knew what they were doing in this tragedy, so they both need to pay the price. It's a story of those terrible fringe, edge cases where the parties involved fall right on the inner outlines of crime and punishment, and we get to examine what happens to people like them. What factors were involved, what their mentality was, what the crime was, etc..
While others touch on the point that little-to-no-attention was given to the victim or his family, to me it feels like the whole movie did: with the flashbacks in place and the alluding to how many people could've stepped in to do something about this, it feels like the victim's story was turned into a message of awareness: be aware if your kids are exhibiting this type of behavior, be aware if they are hanging out with others doing these types of things, be aware that this exists, because if you don't, we might lose another child.
I hope the worst is behind Denise. I hope these two boys seek help. And may James Bulger rest in peace.
What to do with this movie? As with most true crime, there's always an ethical question lingering in the background of whether it was worth it to tell this story for an audience to consume it. This case was unique in that these two kids were tried as adults, and if you were to only ever see that on paper, you'd probably have a lot of questions, or you'd probably dismiss everyone involved as monsters.
And that's what feels like the question proposed to you, the audience; are these kids monsters and horrible people?
My answer is: yeah. I did not have much empathy for them. They both knew what they were doing in this tragedy, so they both need to pay the price. It's a story of those terrible fringe, edge cases where the parties involved fall right on the inner outlines of crime and punishment, and we get to examine what happens to people like them. What factors were involved, what their mentality was, what the crime was, etc..
While others touch on the point that little-to-no-attention was given to the victim or his family, to me it feels like the whole movie did: with the flashbacks in place and the alluding to how many people could've stepped in to do something about this, it feels like the victim's story was turned into a message of awareness: be aware if your kids are exhibiting this type of behavior, be aware if they are hanging out with others doing these types of things, be aware that this exists, because if you don't, we might lose another child.
I hope the worst is behind Denise. I hope these two boys seek help. And may James Bulger rest in peace.
I thought Detainment was a remarkable achievement, a compelling and disturbing evocation of those events, which I know all too well and remain deeply troubling even after 25 years.
The film was authentic and brilliantly cast especially the two boys who perpetrated the killing of James Bulger. While I could imagine some would recoil from the idea of dramatising such a terrible crime, I thought the film was both unflinching and also sensitive to the ongoing trauma.
If audiences are willing, they will find in the film the truth of the two boys and their inescapable smallness - they were just ten, after all - which only serves to make the incident as unfathomable now as it was in 1993.
As Detainment I think seeks to explore, even though the killing is painfully difficult to comprehend we have a responsibility, not only to the victim and the perpetrators but also to ourselves, to try and make sense of what happened. In that way the film avoids prurience and shows us two boys of primary school age who are not the evil monsters of popular imagination but only human after all.
I hope the film finds the wider audience it very much deserves.
-- David James Smith (author, 'The Sleep of Reason: The James Bulger Case')
The film was authentic and brilliantly cast especially the two boys who perpetrated the killing of James Bulger. While I could imagine some would recoil from the idea of dramatising such a terrible crime, I thought the film was both unflinching and also sensitive to the ongoing trauma.
If audiences are willing, they will find in the film the truth of the two boys and their inescapable smallness - they were just ten, after all - which only serves to make the incident as unfathomable now as it was in 1993.
As Detainment I think seeks to explore, even though the killing is painfully difficult to comprehend we have a responsibility, not only to the victim and the perpetrators but also to ourselves, to try and make sense of what happened. In that way the film avoids prurience and shows us two boys of primary school age who are not the evil monsters of popular imagination but only human after all.
I hope the film finds the wider audience it very much deserves.
-- David James Smith (author, 'The Sleep of Reason: The James Bulger Case')
Chilling and disturbing short film on the murder of James Bulger. Based on actual interviews the film depicts the narration of the 10 year old murderers as they were interrogated by the police. The lies, confusion and tragedy are grippingly portrayed as the child psychopaths are eventually brought to justice. Good directing and stellar acting especially by the young actors portraying the killers make this one of the standout shorts. The only flaw of the movie is the horrid details of the crime are not fully touched on leaving the film wanting and hanging as to the gravity of the crime and what makes it one of the most horrendous in history. Dark and unforgettable, "Detainment" is a glimpse of evil on earth and the all too painful reality of it.
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
In February 1993, the body of two year old James Bulger was found on a railway line in Walton, Merseyside. Shortly after, two ten year old boys Robert Thompson (Leon Hughes) and Jon Venables (Ely Solan) were arrested and taken for questioning. This film is a re-enactment of the actual police interview, taken directly from transcripts. Whilst Thompson cracks under the pressure, Venables maintains a steely, hardened persona.
Last year marked the twenty-fifth anniversary of the murder of James Bulger by two ten year old boys, a crime that still strikes a massive blow on the cultural consciousness whenever it is resurrected on TV or in the media. And so this controversial Northern Ireland short production was produced, not apparently to cream off any publicity from the milestone. A further uncomfortable truth is the condemnation from the mother of the murdered boy, who has voiced her disapproval of the production (and was apparently not consulted!)
In thirty short minutes, director Vincent Lambe has to cram as much affecting material as he can into his production. And so, while we open with deceptively easy going shots of the boys larking about in the shopping centre, we are quickly plunged into the uncomfortable central setup of the interview room, where it all comes out. Hughes, as Thompson, is particularly upsetting, as the child assaulted with the full gravity of what he's done, reacting with an emotional wildness that is very unsettling. Equally so is the flashback sequences of the boys leading James to his doom, where just the image of the innocent little boy and his gradual breakdown is enough to churn your gut.
It's hard to think of many other cases where something so short leaves such a devastating impression, but this is definitely one case. In the throes of their performances, the child actors sometimes lapse back into their Northern Irish accents, losing their Liverpudlian dialect, but in being so integral to something so powerful and emotionally devastating, this is a very minor flaw that can be forgiven. Not an easy watch, or even something you'd want to see again, but still undeniably shattering. ****
In February 1993, the body of two year old James Bulger was found on a railway line in Walton, Merseyside. Shortly after, two ten year old boys Robert Thompson (Leon Hughes) and Jon Venables (Ely Solan) were arrested and taken for questioning. This film is a re-enactment of the actual police interview, taken directly from transcripts. Whilst Thompson cracks under the pressure, Venables maintains a steely, hardened persona.
Last year marked the twenty-fifth anniversary of the murder of James Bulger by two ten year old boys, a crime that still strikes a massive blow on the cultural consciousness whenever it is resurrected on TV or in the media. And so this controversial Northern Ireland short production was produced, not apparently to cream off any publicity from the milestone. A further uncomfortable truth is the condemnation from the mother of the murdered boy, who has voiced her disapproval of the production (and was apparently not consulted!)
In thirty short minutes, director Vincent Lambe has to cram as much affecting material as he can into his production. And so, while we open with deceptively easy going shots of the boys larking about in the shopping centre, we are quickly plunged into the uncomfortable central setup of the interview room, where it all comes out. Hughes, as Thompson, is particularly upsetting, as the child assaulted with the full gravity of what he's done, reacting with an emotional wildness that is very unsettling. Equally so is the flashback sequences of the boys leading James to his doom, where just the image of the innocent little boy and his gradual breakdown is enough to churn your gut.
It's hard to think of many other cases where something so short leaves such a devastating impression, but this is definitely one case. In the throes of their performances, the child actors sometimes lapse back into their Northern Irish accents, losing their Liverpudlian dialect, but in being so integral to something so powerful and emotionally devastating, this is a very minor flaw that can be forgiven. Not an easy watch, or even something you'd want to see again, but still undeniably shattering. ****
Did you know
- TriviaThe strand maybe the only location staged. The other locations James was seen with the boys seem to be real locations on the path that Venables and Thompson took with James that day. This is based on statements and court documents and witness confirmation.
- ConnectionsFeatured in Granada Reports: 26 January 2019: Evening Bulletin (2019)
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- Dublin, Ireland(on location)
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- Runtime
- 30m
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- Aspect ratio
- 2.35 : 1
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