The Kindergarten Teacher

Maggie Gyllenhaal gives a stellar performance in The Kindergarten Teacher. This movie was a touch watch, but it was oh-so-worth it. It was very slow and methodical. I'm laughing at all the one-three star reviews because it's clearly people who were on their phone half the time or just haven't ever seen a movie which actually makes them feel something for a change. I don't normally post reviews because why should anyone care about my opinion, but I couldn't let this great movie get bogged down by fools who coooompletely missed the point the movie was trying to get across.

I've never reviewed a film on IMDb but this felt necessary, because a lot of you completely miss the point. There's a difference between an honest look at mental Illness and validating the actions of a mentally ill person. This movie in no way says that what the title character is doing okay. It just had you watch the behavior and judge it as you will.

This is a sad story. As an artist, poet and highly creative person, it made me think about how difficult it is when we only value one type of intelligence or life experience. It does have psycho sexual themes but there's a difference between elevating /romanticizing a child, lack of boundaries, and being a pedophile.

It's uncomfortable, yeah. But obsession is. And obsession dissnr have to equate to sexual desire. The little boy in this story is not sexualized.

Great respect to Maggie Gyllenhaal for taking on this role, it may be the most unique and complex one I've seen this year, and she does it justice and then some. It's an incredibly complicated role, one that could have been played in so many ways, and she delivers a tour de force.

This is a fascinating film, although not one that immediately appears as such. The Kindergarten Teacher is a patient and slow-moving watch, but it's one that creates an enthralling tension beneath the surface, as we see rather bizarre but fairly innocent behaviour get more and more out of hand, furthered by a riveting social perspective that adds a brilliant emotional depth to the main characters.

So, the main thing to know is that if you watch The Kindergarten Teacher, it's not a film that will come to you in the first ten minutes. In fact, it's all a little strange over the course of the first act, as we see Maggie Gyllenhaal's character being bizarrely obsessed with a five year old boy, yet with the story presenting it as if there's nothing abnormal about what's going on.

However, the story really does come good in the latter stages (which I will get into), but that doesn't mean that it's a boring watch early on either.

Above all, Maggie Gyllenhaal's performance is what makes The Kindergarten Teacher work right the way through, as she gives a down-to-earth and thoroughly convincing portrayal of a clearly kind-hearted woman, yet is able to subtly create a certain tension and unpredictability about her over the course of the first act - getting a little too close to her student, and coming out with rather uncharacteristic hippie-esque soundbites - something that really intrigued me as her character's true nature becomes clear throughout.

It's an undoubtedly excellent performance, and Gyllenhaal gives it the ambiguity and tension that the film really needs to make its central themes work.

Now, while that tension and uncertainty grows and grows as the teacher's behaviour becomes ever more bizarre, the film introduces some really fascinating central ideas that lend a stunning emotional depth to our main character, as well as the story as a whole.

At first, you're left a little bemused as to why this woman is acting in such a strange way, but there's a riveting peeling back of the layers throughout that show the stress and disappointment in her own life that has eventually led her to this point.

In that, the film has a little bit of a commentary on the nature of mid-life crises, while also bringing the widely relatable notion of feeling disappointed at your own failures, as we see a woman with ambition and a wider appreciation for the world, and yet has come up short time and time again, further frustrated by the rest of the world's seeming apathy towards the finer things of life, as she sees her own failings mirrored in the potential future of a young boy.

What's even more interesting about those central themes, however, is that they can be interpreted in a variety of ways, largely depending on how optimistic or pessimistic you are towards the nature of art and poetry, as well as your own personal take on ambitions and purpose in life in general.

As a result, The Kindergarten Teacher isn't a film that spoonfeeds you with a narrative showing our main character as simply good or bad, but instead makes you think with a more ambiguous portrayal, leaving you to fall back on your own interpretations to make a judgment of your own, something that I found absolutely fascinating and incredibly rewarding come the end of the film.

Overall, I was really rather impressed by The Kindergarten Teacher. It starts off in bizarre fashion, and although its main thematic core doesn't really come about until about halfway, there's a riveting dramatic tension that bubbles right from the start thanks to Maggie Gyllenhaal's fantastic performance, culminating in a drama that's both enthralling, and really makes you think.

As teacher, I understand Lisa Spinelli . And I admire the brilliant performance of Maggie Gyllenhaal. A teacher can be victim of a sort of passion for the mind of his student and it can perceive him as his clay or marble for a masterpiece. The film is a honest one. A Kindergarten teacher. A special boy . His nunny , his pragmatic father. Her children and their lives. And the too good and soft husband. A film about purpoise of life. Strange for many, because it seems portrait of a psychopat. But, in fact, it is just a pain or loneliness song. A special film, for so many reasons.