Hunt

Tensions simmer on the Korean Peninsula in 1980 as a couple of lead government agents from different divisions attempt to smoke out a mole within their ranks. With infiltrators from the North, double agents, temporary alliances, repression of dissent, controlled leaks, and brutal interrogations, nothing is what it seems. Beneath the surface of all the bloodshed, payoffs, and lies, the two men nourish hope that - deep down - their goals are the same. Neither one wishes for the gruesome violence against the Korean people to continue, but the other does not know.

This is the directorial debut for Lee Jung-jae, of Squid Game fame. He was present at this Toronto International Film Festival screening and was asked why he thinks Korean culture is so popular now. "It is our mix of sorrow and joy," he said "we do emotions well." In 1980 there was a military coup in Korea and thousands of innocent people were killed in the crossfire. Like the times, the film is tense and taut with conviction and emotion. It was hard for me to follow all the changes in tone, but I was enthralled by the action. The film first appeared at Cannes and opens to wider audiences in December.

This action-packed film of non-stop double crossing was amazingly the work of a first-time feature film director, none other than lead actor Lee Jung-jae himself. Lee is a veteran leading man since the mid-90s, in acclaimed films like "The Affair" (1998), "Il Mare" (2000), "The Housemaid" (2010), "The Thieves" (2012), and "Along with the Gods" (2017, 2018). The hit Netflix series "Squid Game" (2021) made him a household name worldwide.

Lee was able to maneuver the complexity of this script (which he also co-wrote) like a pro. The story also went back and forth in time for both of the two lead characters to further elucidate (or maybe confuse) their relationship with other supporting characters (like Park's protectiveness for a certain college student) or their motivations for present actions (like Kim's experience as a soldier during the Gwangju massacre).

Lee also proved to be very adept in directing his major action scenes. Beginning from that fracas chasing the gunmen down in an American auditorium, the frenetic car chase and shootout in the streets of Tokyo after failing to secure a North Korean asset, and the climactic explosive showdown of assassins in a Bangkok palace. The way Lee executed the various scenes of violent interrogations and outright torture was realistically disturbing.

Lee Jung-jae and Jung Woo-sung have been very good friends since they were both cast in "City of the Rising Sun" in 1998. Therefore, even if they portrayed bitter rival KCIA operatives who hated each others guts, the two charismatic actors have a powerful screen chemistry together. It would seem that Director Lee allowed Jung to play the showier role of Kim. Lee made sure that even if both lead roles were flawed, you will empathize with both. You will keep hanging on undecided who the real good guy or bad guy was until the gripping finale.

Saw this in the cinema today. The movie is entertaining throughout, never short of action but both me and my friends are confused about the plot and what really happened. I think complicated story telling is not a good thing, it means the director has failed to explain something to the viewer. We were all not entirely sure what actually happened.

Acting was good. Action as well. You can stop reading here. And now I just have to fill up this text so that this site accepts my review which is annoying because I don't want to say so much more and you already read the important parts so that's it.

I just saw the movie "Hunt" today, Sep 6 at Major Cineplex here in Pattaya, Thailand, liking it, finding it pretty OK.

The director/lead actor Lee (Chief Park), does a pretty good for this one being his first directing job. The plot is a bit crazy, but we all know how volatile Korean politics is and has always been.

Acting is top-notch from my point of view, very believable and the torture scenes are realistic, pretty well done.

The car chases are not bad at all, well inserted and needed in the context of the story.

All-in-all, a pretty OK flick that i think you'd enjoy it, if you like spy/action movies. Enjoy, and regards from Thailand!

By the halfway point of this Korean spy thriller, I had completely lost track of who was the "good guy" and who was the "bad guy," though it seems this confusion might be intentional. The film is filled with men in suits, constantly second-guessing whether the armed person beside them is an ally or a potential enemy. This uncertainty is at the core of the story, but for non-Korean viewers, the exposition is muddled and poorly handled right from the start.

The film barely provides any background on the sociopolitical context of the country, especially regarding the fraught history between North and South Korea during the 1970s and 1980s. This lack of explanation adds further narrative incoherence for viewers unfamiliar with Korea's political landscape. What could have been an opportunity to explore the long and complex relationship between the two Koreas instead becomes a missed chance due to the film's confusing structure.

Its main weakness lies in its diffuse storytelling. The poorly defined time jumps make it hard to follow the timeline, and the constant betrayals and plot twists quickly become overwhelming, leaving the audience struggling to keep up. Without a clear narrative or context, the story falls flat, making it difficult to stay invested in the film's many twists and turns.