Episode #5.4
- Episode aired Jan 4, 2019
- TV-MA
- 56m
Luther's left reeling by tragic events but must race to save the others from a killer determined to complete his macabre masterpiece. Can the troubled DCI come to terms with the problems tha... Read allLuther's left reeling by tragic events but must race to save the others from a killer determined to complete his macabre masterpiece. Can the troubled DCI come to terms with the problems that threaten his career, life and those around him?Luther's left reeling by tragic events but must race to save the others from a killer determined to complete his macabre masterpiece. Can the troubled DCI come to terms with the problems that threaten his career, life and those around him?
Featured reviews
Luther instead wanted to do the right thing and know finds himself sinking in a metaphorical quicksand.
Meanwhile Jeremy Lake plans a killing spree and it is left to Halliday to try to break his wife as Luther has to free Mark and Alice from the hitman.
I long ago gave up any sense in Luther, you just sit back and enjoy the ride.
You can sense Alice's disappointment when Luther lies to her. There were one or two killings that were senseless in my opinion and wasted good characters.
By the end Luther has nowhere to go and is even stripped of his long coat.
Mention must be made of Dermot Crowley as Schenk. The look of seething anger in his face when he learned of Benny's death was something else.
For it to work, it needs you to go with it, so it very much pushes brand recognition. Elba is the main thrust of this and continues to be the reason the show gets made no doubt. He thrusts his hands in his pockets, offers plenty that speaks to a complex, haunted character, and drives into violence with a heart that isn't thee on paper but he makes happen. Luther is far from an interesting character, but Elba is a great presence. The supporting cast are variable and mostly feel disposable, with plenty of them being plot devices. None of it feels particularly grounded in anything, but it ploughs on ahead, providing violence, style, and Elba to carry the viewer along.
Of course this limits it too, but it offers enough strength to just about cover for this, although you do need to ignore the lack of even internal logic, and the heavy reliance on these core values over anything more substantial.
Of the five 'seasons,' this was my third favorite. While some in my family felt other choices should have been made by Luther, I thought he was consistant with his drive to help those in his life while trying to minimize the damage to his 'duty' caused from actions he knows are darker than grey: He wants to protect and do the right thing for individuals and is willing to compromise his professional duty for that goal. A bit like 'The Bureau' in that regard.
I felt one of the villians could have been stronger but the direction it went kept them human without being cliche. The writers seemed boxed into an inevitable ending if they wanted to keep the story's integrity plausable. I was okay with that and I still was left asking, "what's next?" ;)
Technically, from an editor's aspect, this was not the worse Luther season. The story building craft impressed me more than some of the earlier seasons and it came together better for me.
Did you know
- TriviaIn the first few minutes, on the street, there is a bus with an advertisement for Pacific Rim, which stars Idris Elba.
- GoofsWhen Luther comes in to interview Vivien Lake, he pours himself about 1 inch of water in a clear plastic cup. In the next shot he is walking with an almost-full cup.
- Quotes
Detective Sgt. Catherine Halliday: What did you do?
DCI John Luther: Nothing I can't fix. I just need time.
- ConnectionsReferences Pacific Rim: Uprising (2018)
- SoundtracksParadise Circus
(Main title)
Written by Robert Del Naja, Grant Marshall, Hope Sandoval, Dan Brown (as Daniel Jonathan Brown) and Stew Jackson (as Stewart Neville Jackson)
Performed by Massive Attack with Hope Sandoval
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- 85 Swain's Lane, Highgate Cemetery, London, England, UK(The Lake's House)
- Production companies
- See more company credits at IMDbPro