Episode #5.4
- Episode aired Jan 4, 2019
- TV-MA
- 56m
Luther's left reeling by tragic events but must race to save the others from a killer determined to complete his macabre masterpiece. Can the troubled DCI come to terms with the problems tha... Read allLuther's left reeling by tragic events but must race to save the others from a killer determined to complete his macabre masterpiece. Can the troubled DCI come to terms with the problems that threaten his career, life and those around him?Luther's left reeling by tragic events but must race to save the others from a killer determined to complete his macabre masterpiece. Can the troubled DCI come to terms with the problems that threaten his career, life and those around him?
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For it to work, it needs you to go with it, so it very much pushes brand recognition. Elba is the main thrust of this and continues to be the reason the show gets made no doubt. He thrusts his hands in his pockets, offers plenty that speaks to a complex, haunted character, and drives into violence with a heart that isn't thee on paper but he makes happen. Luther is far from an interesting character, but Elba is a great presence. The supporting cast are variable and mostly feel disposable, with plenty of them being plot devices. None of it feels particularly grounded in anything, but it ploughs on ahead, providing violence, style, and Elba to carry the viewer along.
Of course this limits it too, but it offers enough strength to just about cover for this, although you do need to ignore the lack of even internal logic, and the heavy reliance on these core values over anything more substantial.
Despite the seemingly impossible task of locating the psychopathic doctor whose actions are now out of control, Luther is determined to crack this case and save his friends from almost certain death.
With only an hour of screen time, this episode manages to conclude the series in a satisfying way whilst also leaving the viewer in something resembling a state of shock. There are a lot of things to process as the end credits roll.
This is British drama at its best.
10 out of 10.
Both story strands were equally engrossing, the former seeing Luther caught in a war between his two oldest nemeses, a conflagration which includes along the way the shocking murders of two of his confederates, one old, one new and a repeat reminder of our first ever arresting sighting of Luther all those years ago, holding an individual up by their arm from a great height in a life or death situation to prevent them falling.
The other strand sees Luther on the trail of a deviant killer, who dons a luminous mask in the act of extreme violence but whose actions ultimately lead a trail to a beyond strange husband and wife team, he a heart surgeon with abnormal tendencies and she a psychoanalyst whose counselling seems more to fan rather than douse the flames of his implacable madness.
As ever with Luther, for all the realistic acting and locations, you could never confuse the plotting or characters with real-life. Luther is a larger-than-life, intuitively brilliant cop, able to make spot-on deductions and identifications from airy nothing. In the end you have to accept this bloody and vengeful alternative reality which Luther walks, surrender to it and just roll with the hefty punches thrown.
As ever Elba bestrides the whole enterprise, taking every setback, physical and mental, squarely on the chin but always going forward following his sometimes warped but essentially well-intentioned instincts to try to right every wrong. Ruth Wilson reprises her twisted Alice character as she openly takes on crime king George Cornelius, played by Patrick Malahide, in a no-holds barred contest only two can play
Like I said, this had the look of last orders please with no easy way these characters can walk around the block again, apart from one important consideration, that our man is still in the game. Still, if this was the last time, it was certainly a tour-de-force and a fitting ending to one of the best cop shows on TV for years.
This series has two intertwined plots. In one somebody is committing brutal murders; the police quickly have a suspect when a psychiatrist comes forward saying that she fears that one of her patients is the killer. In the second story somebody has kidnapped the son of gangster George Cornelius... who is convinced that Luther is involved.
This four part story marked a welcome return; not just for Idris Elba's DCI Luther but also for Alice who everybody thought was dead. This return could have been a problem but it was dealt with in a matter of fact fashion and worked well. It must be stated that this pretty grim at times with several brutal murders and scenes of torture that will certainly bother some viewers. It does get rather melodramatic towards the end, with even more violence, but it didn't feel out of place and featured one genuinely shocking moment. The cast are impressive; Elba is great as Luther, I can understand why people talk of him as a possible Bond; Ruth Wilson is equally great as Alice, one of my favourite characters in the series. Also particularly notable are Hermione Norris, as the psychiatrist; Wunmi Mosaku as DS Catherine Halliday and Patrick Malahide as George Cornelius. Overall I'd say that this was a really impressive story that fans of Luther are pretty sure to enjoy.
Did you know
- TriviaIn the first few minutes, on the street, there is a bus with an advertisement for Pacific Rim, which stars Idris Elba.
- GoofsWhen Luther comes in to interview Vivien Lake, he pours himself about 1 inch of water in a clear plastic cup. In the next shot he is walking with an almost-full cup.
- Quotes
Detective Sgt. Catherine Halliday: What did you do?
DCI John Luther: Nothing I can't fix. I just need time.
- ConnectionsReferences Pacific Rim: Uprising (2018)
- SoundtracksParadise Circus
(Main title)
Written by Robert Del Naja, Grant Marshall, Hope Sandoval, Dan Brown (as Daniel Jonathan Brown) and Stew Jackson (as Stewart Neville Jackson)
Performed by Massive Attack with Hope Sandoval
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- 85 Swain's Lane, Highgate Cemetery, London, England, UK(The Lake's House)
- Production companies
- See more company credits at IMDbPro