A New York social worker finds herself embroiled in the kidnapping of a Washington DC socialite.A New York social worker finds herself embroiled in the kidnapping of a Washington DC socialite.A New York social worker finds herself embroiled in the kidnapping of a Washington DC socialite.
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This film looks like it was made with the disposable version of movie cameras or maybe it's just a 1.2 megapixel video recorder, either way the quality is atrocious.
The sound doesn't fare much better, it is equally disappointing, and to keep it all in the same spirit, so is the script and the acting.
All the positive reviews are probably from people that know the people in the film, but very unlikely to be impartial. Waste of time.
So the 10 & 9 star reviews have to be written by people involved with the movie (or they asked people to create positive reviews). Cause this "movie" (you can't really call it a movie) is entirely stupid and bad. It is extremely pretentious of these "filmmakers" and "actors" to expect anyone to actually like it.
LOST HOLIDAY is a French New Wave-style screwball detective story...imagine BAND OF OUTSIDERS meets THE THIN MAN...or maybe more on the nose: MANHATTAN MURDER MYSTERY for Millennials. (Sorry, that's probably too trite, I know.)
Kate Lyn Sheil gives yet another masterful performance as a completely original female character we've never seen on screen before (Nicole Holofcener should write something for KLS immediately). And she's match perfectly with the churlish Thomas Matthews...in a truly platonic, trope-defying relationship that lives in the chemistry of actual BFFs...again, something that wouldn't even occur to a lesser filmmaker.
The rest of the cast is a who's who of "that guys"...faces you might not expect to see in a low budget affair like LOST HOLIDAY (or in a movie at all: David Corn?!). Each bringing a fresh energy to the proceedings: William Jackson Harper as the love lost, Allie Gallerani as his impossibly perfect fiance, Ismenia Mendes as the entitled victim of circumstance...I really can't say enough for the performances co-directors Thomas and Michael Matthews get out of these folks.
Look, LOST HOLIDAY may not be your thing. There is certainly an anarchist spirit to the film-at least in the way the brothers Matthews insist on both honoring and subverting the genre...sometimes within the same scene-that can make an audience member feel like maybe they aren't in on the joke. But still...by doggedly holding on to this fresh and unusual vision, this isn't a film you won't want to miss.
Kate Lyn Sheil gives yet another masterful performance as a completely original female character we've never seen on screen before (Nicole Holofcener should write something for KLS immediately). And she's match perfectly with the churlish Thomas Matthews...in a truly platonic, trope-defying relationship that lives in the chemistry of actual BFFs...again, something that wouldn't even occur to a lesser filmmaker.
The rest of the cast is a who's who of "that guys"...faces you might not expect to see in a low budget affair like LOST HOLIDAY (or in a movie at all: David Corn?!). Each bringing a fresh energy to the proceedings: William Jackson Harper as the love lost, Allie Gallerani as his impossibly perfect fiance, Ismenia Mendes as the entitled victim of circumstance...I really can't say enough for the performances co-directors Thomas and Michael Matthews get out of these folks.
Look, LOST HOLIDAY may not be your thing. There is certainly an anarchist spirit to the film-at least in the way the brothers Matthews insist on both honoring and subverting the genre...sometimes within the same scene-that can make an audience member feel like maybe they aren't in on the joke. But still...by doggedly holding on to this fresh and unusual vision, this isn't a film you won't want to miss.
If there's a way to make privileged, glammy young drug abusers sympathetic, this decidedly isn't it. Callous, cynical, narcissistic, not nearly as funny as they think they are, dangerously irresponsible and determinedly wasting everything they've been given in life, they're more like minor a-hole antagonists we might encounter in the story of someone actually relatable.
Putting them centre-stage makes for a very strange viewing experience. Was the writer doing a sort of self-portrait, imagining in his own druggy delirium that we'd fancy them as much as he does himself? Feels like it.
One can only hope that, if this was the case, with the movie done, it held up a reflection to him he finally couldn't ignore, partly just because and party because there is at least a little potential here. True, the story isn't really about much thematically and the primary motivation for the two leads to embark on solving a mystery rather than going to the cops is pathetically weak and could have been stronger, but what follows is fairly well constructed and, with slightly different characters engaged in these shenanigans, could even be amusing.
As someone who's spent some time in DC and its suburban Virginian environs, I also just enjoyed seeing the area on film. And, unlike some reviewers here, I really liked the low-budget indie look of the thing.
Putting them centre-stage makes for a very strange viewing experience. Was the writer doing a sort of self-portrait, imagining in his own druggy delirium that we'd fancy them as much as he does himself? Feels like it.
One can only hope that, if this was the case, with the movie done, it held up a reflection to him he finally couldn't ignore, partly just because and party because there is at least a little potential here. True, the story isn't really about much thematically and the primary motivation for the two leads to embark on solving a mystery rather than going to the cops is pathetically weak and could have been stronger, but what follows is fairly well constructed and, with slightly different characters engaged in these shenanigans, could even be amusing.
As someone who's spent some time in DC and its suburban Virginian environs, I also just enjoyed seeing the area on film. And, unlike some reviewers here, I really liked the low-budget indie look of the thing.
I'm really only rating this as the other reviewers were high?
I see many of the points the other 6 at the time of writing reviews had to make, but just no. No.
The 77 minutes dragged and dragged, and my guess at around 15 minutes in that it had lost it's way proved too true,
Crowning glory the quick narration of what had gone on in case viewers too stupid?
Good lord.
Did you know
- TriviaEmily Mortimer and Thomas Matthews second project working together. The first was the Televison Series Newsroom (2012-2014) and the second is the Motion Picture Lost Holiday (2018)
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- Winter Break Mystery
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- 1h 15m(75 min)
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