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7.1/10
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In a small seaside town, two schoolgirls are sexually assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of los... Read allIn a small seaside town, two schoolgirls are sexually assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of losing her job, she chooses to keep silence.In a small seaside town, two schoolgirls are sexually assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of losing her job, she chooses to keep silence.
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When we talk about great female directors, we have to mention Kathryn Bigelow, who is known for her documentary-style camerawork and for her creation of an intense atmosphere. Vivian Qu, the director of this brilliant thriller "Angels Wear White", is just the Chinese counterpart of Kathryn Bigelow.
The scenes are realistically shot and depicted. The editing is amazing, the pace is comfortable, and the audiences always wonder what would happen next. Even in the last scene, people still wonder where Mia (Vichy Chen) is heading. The music score is light but effective.
Vivian Qu is even better than Kathryn Bigelow in terms of depth and complexity of the film. The thriller exposes the dark side of the Chinese society, where money and power control everything.
To summarize, "Angels Wear White" is the best Chinese-language thriller of all time.
The scenes are realistically shot and depicted. The editing is amazing, the pace is comfortable, and the audiences always wonder what would happen next. Even in the last scene, people still wonder where Mia (Vichy Chen) is heading. The music score is light but effective.
Vivian Qu is even better than Kathryn Bigelow in terms of depth and complexity of the film. The thriller exposes the dark side of the Chinese society, where money and power control everything.
To summarize, "Angels Wear White" is the best Chinese-language thriller of all time.
Set in a Chinese seaside resort city, this powerful film has a lot to say but it is not an easy watch and may break your heart at times. The movie is most ably directed by Vivian Qu, and it's only her second feature film.
Fifteen-year-old Mia (Qi Wen) is an employee at a hotel on the beach and one night witnesses, a possible sexual assault on two 12-year-old girls by a local Commissioner in one of the rooms there. What will follow will expose a corrupt and even inhumane system more intent on protecting the powerful than anything else. I might note here that Shi Ke adds much to the film as Ms Hao, a lawyer who tries to help bring justice to the victims and expose what happened on that night.
The movie has its share of rather bizarre and quirky elements, such as an enormous replica in the middle of the beach of Marilyn Monroe's famous scene in the film "The Seven Year Itch" when her skirt was blown upward on a subway grating.
Overall a powerful and important movie for those viewers who can stay with it, despite some very difficult scenes I will look forward to seeing what director Qu will bring to the screen next.
Fifteen-year-old Mia (Qi Wen) is an employee at a hotel on the beach and one night witnesses, a possible sexual assault on two 12-year-old girls by a local Commissioner in one of the rooms there. What will follow will expose a corrupt and even inhumane system more intent on protecting the powerful than anything else. I might note here that Shi Ke adds much to the film as Ms Hao, a lawyer who tries to help bring justice to the victims and expose what happened on that night.
The movie has its share of rather bizarre and quirky elements, such as an enormous replica in the middle of the beach of Marilyn Monroe's famous scene in the film "The Seven Year Itch" when her skirt was blown upward on a subway grating.
Overall a powerful and important movie for those viewers who can stay with it, despite some very difficult scenes I will look forward to seeing what director Qu will bring to the screen next.
What kind of vision does a female director bring to a movie? I don't know if Vivian Qu would oppose to being specifically called a "female" director, but I definitely thought that her movie centers the perspective of its female characters in ways few other movies - in the West included - do. The movie shows the various ways in which women are silenced, objectified, and abused at a personal and systemic level. It always does so in a subdued manner, which is respectful to its cast but still conveys a strong message. Some quieter scenes put forward powerful symbols (a marginalized character is asked twice to move out of a photographer's angle, happy couples taking wedding pictures on the beach, the Marilyn Monroe statue). An intelligent, truly feminist work.
Information is money. Mia, a struggling teenage drifter in a seashore resort town, happens upon a wealth of this. Late one night and alone at a hotel reception desk she witnesses a serious crime. Reporting the crime would highlight Mia's illegal worker status and cause big trouble for her, yet remaining silent is not a good option either. It is part of Mia's nature to help others, even when it means she takes the blame. When Mia makes up her mind to help the crime victims and perhaps help herself too by selling the information, a deeper danger emerges. It comes in the form of a car following Mia with headlights out in the night. Mia may be in over her head in the underworld of the town.
This enthralling and unique thriller is delightfully complex and deep. In a slow paced, methodical and character driven manner, the film takes you to unexpected places in the underworld of the town where corruption seems to surmount any obstacle. The film involves complicated characters who make interesting and unpredictable choices. It is refreshing that many of these characters are women. There are many wonderful dimensions to the film. I really enjoyed the soothing sounds of ocean waves, crickets and frogs at night. The ending is especially satisfying. Vivian Qu is the writer as well as the director. Seen at the Toronto International Film Festival.
This enthralling and unique thriller is delightfully complex and deep. In a slow paced, methodical and character driven manner, the film takes you to unexpected places in the underworld of the town where corruption seems to surmount any obstacle. The film involves complicated characters who make interesting and unpredictable choices. It is refreshing that many of these characters are women. There are many wonderful dimensions to the film. I really enjoyed the soothing sounds of ocean waves, crickets and frogs at night. The ending is especially satisfying. Vivian Qu is the writer as well as the director. Seen at the Toronto International Film Festival.
This film is about the sexual assault of two preteen girls and the young girl who is the only witness.
This is a look at how one of the preteen girls is treated by family, law enforcement and her legal representation. It is emotionally impactful and I found myself really feeling for this child. Her situation is just sad and her mental state is one of fear, shame and isolation. The situation for the witness is self-serving and I was initially appalled by the unsympathetic emotion of her actions.
This film is well acted and filmed. This was a really slow paced film. I had a few problems with the story and the way it ended. I didn't feel there was enough detail to really make the story strong and I was really missing that. The ending just left me with so many unanswered questions that after building a connection with these girls, I felt let down by not knowing the rest of the story.
My final opinion is that while I liked it, this was a film that could've been so much more than it was.
This is a look at how one of the preteen girls is treated by family, law enforcement and her legal representation. It is emotionally impactful and I found myself really feeling for this child. Her situation is just sad and her mental state is one of fear, shame and isolation. The situation for the witness is self-serving and I was initially appalled by the unsympathetic emotion of her actions.
This film is well acted and filmed. This was a really slow paced film. I had a few problems with the story and the way it ended. I didn't feel there was enough detail to really make the story strong and I was really missing that. The ending just left me with so many unanswered questions that after building a connection with these girls, I felt let down by not knowing the rest of the story.
My final opinion is that while I liked it, this was a film that could've been so much more than it was.
Did you know
- ConnectionsReferenced in Kitty Green for Galerie: Kitty Green on Angels Wear White (2017) (2024)
- How long is Angels Wear White?Powered by Alexa
Details
Box office
- Gross worldwide
- $3,375,245
- Runtime
- 1h 47m(107 min)
- Color
- Aspect ratio
- 1.85 : 1
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