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8.0/10
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For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inh... Read allFor Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
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Absolutely amazing movie. Your mother is 1 in a million. I hope one day I can meet her. Such a pure loving soul. Amazing person.
This movie is something that everyone needs to see. I am very touched.
Big love from Zagreb, Croatia to you and your family.
This movie is something that everyone needs to see. I am very touched.
Big love from Zagreb, Croatia to you and your family.
10Heolcoch
"The Other Side of Everything" is a documentary that combines a political history of Serbia since Yugoslavia was formed in 1918 (emphasising the post-communist period since 1989) with an affectionate portrait of the public life of one woman, her family and their apartment in a genteel neighbourhood in the centre of Belgrade - which was the capital city of Yugoslavia while it survived and is now the capital of Serbia. The woman is Srbijanka Turajlic, who loved Yugoslavia and whose daughter Mila Turajlic (who also briefly appears on screen) made the film.
The film weaves together many threads to create a political tapestry that I understand. Around the turn of the millennium, NATO completely changed its policy - from supporting Yugoslavia's leader Slobodan Milosevic on the basis that his remaining in office was the best guarantee of stability in the region to bombing Serbia from the air on the basis that the same man was the "Butcher of the Balkans", responsible for war crimes. I cannot recall news media (at the time or since) even reporting that an about-turn had taken place - let alone explaining it.
The film also shows how, over the decades, Srbijanka persistently spoke up in public in support of democracy and against sectarianism, how her criticism of the policies of Milosevic while he was leader led, in 1999, to her being dismissed from her job as a professor of engineering at Belgrade University and how, after his fall from power, she became minister of education.
Milosevic's associates are now back in power - to Srbijanka's dismay. She declares that she is too old to lead another public protest and that it is now the next generation's turn to act. She wonders aloud whether Mila might take up the baton. There is no need for the younger woman to reply in words; the film itself subtly perpetuates her mother's activism.
The film weaves together many threads to create a political tapestry that I understand. Around the turn of the millennium, NATO completely changed its policy - from supporting Yugoslavia's leader Slobodan Milosevic on the basis that his remaining in office was the best guarantee of stability in the region to bombing Serbia from the air on the basis that the same man was the "Butcher of the Balkans", responsible for war crimes. I cannot recall news media (at the time or since) even reporting that an about-turn had taken place - let alone explaining it.
The film also shows how, over the decades, Srbijanka persistently spoke up in public in support of democracy and against sectarianism, how her criticism of the policies of Milosevic while he was leader led, in 1999, to her being dismissed from her job as a professor of engineering at Belgrade University and how, after his fall from power, she became minister of education.
Milosevic's associates are now back in power - to Srbijanka's dismay. She declares that she is too old to lead another public protest and that it is now the next generation's turn to act. She wonders aloud whether Mila might take up the baton. There is no need for the younger woman to reply in words; the film itself subtly perpetuates her mother's activism.
By the time I checked, there were two reviews of this title: One giving it a 1/10, criticising the use of "fictitious" or "distorted" facts in the film; the other giving it a 10/10 for the "realistic" approach.
As a non-expert I will not be commenting the political content of this film, may others do it, scholars or eye witnesses. Yet it is an amazing documentary, weaving personal and historical content together into a strong storyline that is accesible at all times and moving in ways you did not expect. The director manages to tell the meta-story of Serbia while linking it to the micro-story of her mother, a way of story telling which is beautiful to watch but hard to pull of.
War is never something ... at least for me it is something that I do not fully understand. But what does it do with individuals that are really affected by it? You have things to look back to, family members that are lost, things left behind, be it in locked rooms or in your head.
A not really easy watch, but well handled look at the balkan war (I think that is what it's called) - a personalized look into it, with quite the flavor. If you like documentaries about interesting people and their stories, this one is for you. And very well made too.
A not really easy watch, but well handled look at the balkan war (I think that is what it's called) - a personalized look into it, with quite the flavor. If you like documentaries about interesting people and their stories, this one is for you. And very well made too.
This documentary gives us a nice overview of Yugoslavia history, mixed with the personal story of a family and its appartment - with a main focus on Srbijanka Turajlic, a human rights and freedom activist that was involved in lot of serbian historical moments.
On top of that - and that is in my opinion the top objective of this movie - it makes you think on how we, you, I would have act - or not. A question that the director of the documentary, Srbijanka's daughter, is forced to face with the come back of nationalism of Serbia. But a question, we all have to face in our times, and answers are not easy ones.
On top of that - and that is in my opinion the top objective of this movie - it makes you think on how we, you, I would have act - or not. A question that the director of the documentary, Srbijanka's daughter, is forced to face with the come back of nationalism of Serbia. But a question, we all have to face in our times, and answers are not easy ones.
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Details
Box office
- Gross US & Canada
- $4,685
- Opening weekend US & Canada
- $315
- Jul 15, 2018
- Gross worldwide
- $4,685
- Runtime
- 1h 40m(100 min)
- Color
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