IMDb RATING
7.3/10
5.9K
YOUR RATING
The Velvet Underground explores the multiple threads that converged to bring together one of the most influential bands in rock and roll.The Velvet Underground explores the multiple threads that converged to bring together one of the most influential bands in rock and roll.The Velvet Underground explores the multiple threads that converged to bring together one of the most influential bands in rock and roll.
- Awards
- 3 wins & 35 nominations total
The Velvet Underground
- Themselves
- (archive footage)
Lou Reed
- Self - Songwriter, Musician & Author
- (archive footage)
Sterling Morrison
- Self - Musician
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Oddly limited in scope. I knew it was a standalone two hour job but found myself doubting that- given the first half was given to pre-band. This was of course fascinating.
But we end up with a 20 minute breeze through the Doug Yule era and I adore those albums.
No reformation covered either.
Visuals wonderful - but bizarre sound mixing (at least for my experience anyway) which meant you couldn't hear the commentary over the music so I had to watch with subtitles on. Which gave an interesting experience in realising that "my" Velvets lyrics have subtle, distinct differences to those that are apparently true.
But we end up with a 20 minute breeze through the Doug Yule era and I adore those albums.
No reformation covered either.
Visuals wonderful - but bizarre sound mixing (at least for my experience anyway) which meant you couldn't hear the commentary over the music so I had to watch with subtitles on. Which gave an interesting experience in realising that "my" Velvets lyrics have subtle, distinct differences to those that are apparently true.
Pieced together almost as strangely as the band itself, this doc features excellent profiles of each band member and those closest to them. Was nice to have insight from people like John Waters, and who knew Jackson Browne was once involved with something that didn't suck?
Loved the early footage of Lou Reed and the band playing doo-wop.
Loved the early footage of Lou Reed and the band playing doo-wop.
It was not the full three-sixty on the band, but centers on their sound in the Reed-Cale era and rather than spend much time on theory, it focuses on who Lou and John were as people in order to explain it, delving into the environment they lived and created in. It also eventually compares them to contemporaries, but again, here it prefers to compare who they were in attitude and emotion. When John and Lou split, when the band starts winding down, the movie also starts winding down. I'm fine with all that. Visually, I felt like it was interesting, but not mind blowing. Personally, I didn't need to it to be a visual masterpiece to be satisfying. I didn't need it to interview every former flat mate or girlfriend, I didn't need it to chase down every subplot in the band, I didn't need a happy ending. I wanted a piece on Lou and John and what made the band what they were. It's a two-hour piece on that.
Todd Haynes' artful documentary on the pioneering art rock band fronted by Lou Reed and John Cale takes almost 40 minutes before Reed and Cale even meet. Haynes doesn't use narration but he builds his movie with ample footage from the time period. He creatively makes the link between the avant-garde and the "underground" which sets the stage for the band to flourish.
By hooking up with Andy Warhol and becoming his 'house band', the Velvet Underground not only got attention, but it also guaranteed that film and still photography would document their every move. They never sold many records at the time, but their influence was profound.
The interview subjects range from John Waters to Warhol scenesters like Mary Woronov, to go along with the generous archive footage. It paints a vivid picture of the rise and premature fall of the group (Co-founder John Cale only appeared on the first two albums; singer Nico only on their debut). Reed, of course, became a rock icon as a solo artist, but, the band's impact stands apart as a singular achievement, something which Haynes captures brilliantly.
By hooking up with Andy Warhol and becoming his 'house band', the Velvet Underground not only got attention, but it also guaranteed that film and still photography would document their every move. They never sold many records at the time, but their influence was profound.
The interview subjects range from John Waters to Warhol scenesters like Mary Woronov, to go along with the generous archive footage. It paints a vivid picture of the rise and premature fall of the group (Co-founder John Cale only appeared on the first two albums; singer Nico only on their debut). Reed, of course, became a rock icon as a solo artist, but, the band's impact stands apart as a singular achievement, something which Haynes captures brilliantly.
One of the notable and important documentaries of recent times "The Velvet Underground" is a long overdue tribute to the great band and its incalculable influence on popular culture and artistic history. Utilizing a somewhat experimental slant in relating the group's fabled history this somewhat sedate and sombre academic take begins with the band members' origins and their path to legend. Chronicling their start from a garage band to the innovatory course they took that set them brilliantly apart from the rest and their fateful meeting with Andy Warhol onto the end of their career the film is a pretty compelling feast of art and music. Priceless footage of the band and interviews with people who played a part in the band's legend provide the information on what made the band tick. Considering The Velvets influence and importance it's a sorely lacking flaw that so many artists were not featured and interviewed in this doc. Having Jonathan Richman and a voice interview of a long dead David Bowie as the few luminaries featured is pitiful to say the least and diminishes/minimalizes on why the band is so important and why they will always matter. The lack of liveliness and a sense of fun and verve kill the sense of Rock n' Roll which is what this film is and should really be about. While the definitive Rockumentary on the mythical band has yet to be done this should be a good treat that'll have fans satisfied. A memorial to a time, a city and artists this is an aesthetic paean to perhaps the greatest and most influential Rock band in history.
Did you know
- TriviaAfter Lou Reed and Sterling Morrison quit the band, it carried on for a time with Doug Yule becoming the frontman on vocals and guitar. Moe Tucker also stayed with the band after her return from parental leave and they were joined by a new bassist and keyboardist. This lineup toured the Loaded album around parts of North America and Europe in 1971. A fifth studio album was released for a UK record label under the Velvet Underground name: 1973's Squeeze. All members bar Doug Yule were sent back to the United States in 1972 and Yule recorded all parts except the drums by Deep Purple's Ian Paice, saxophone by someone called Malcolm and some unidentified female backing vocals. Recording the album as essentially a Doug Yule solo effort was at the instruction of manager Steve Seswick, who had earlier brought Yule to the band and had long pushed for the Velvets to adopt a more commercial style with Yule at its centre. Yule himself was displeased at Seswick's control of the process. While Yule had been a significant creative force, albeit secondary to Lou Reed, on the celebrated Loaded album, Squeeze is much-maligned. It received terrible reviews, though it has gained some appreciators over the years. It is typically considered a Velvets record in name only. At around the same time as the official Velvet Underground were being reduced to Seswick's Doug Yule project, Lou Reed, John Cale and Nico had also been in Europe for a reunion performance in Paris in 1972, which was bootlegged and eventually released under the name Le Bataclan '72. Footage from this reunion performance is included in this film.
- Quotes
Self - Songwriter, Musician & Producer: We tuned to the sixty-cycle hum of the refrigerator. The sixty-cycle hum of the refrigerator was to us the drone of Western civilization.
- ConnectionsFeatures Pierrette I (1924)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Ban nhạc the Velvet Underground
- Filming locations
- New York City, New York, USA(main location)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 1m(121 min)
- Color
- Aspect ratio
- 1.78 : 1
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