A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place... Read allA soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.
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I'll get the major cons out of the way first. This movie suffers from the usual problem Hollywood film always seem to have -- no money to afford electricity. Most of the movie is shot entirely in the dark, so goodness knows what happened in those scenes. Also, one or two key bits of dialogue that explain what's really happening are totally lost to mumbling.
However, overall, this film really did improve on second watching. Once you know what the story is, you spot all sorts of little bits of detail that make the whole thing make sense. But more than this, my empathy with Grace, the protagonist and victim, grew exponentially during this second watch. She comes over as an almost wholly sympathetic character. Little things like the carefully wrapped presents she brings and hides make her rather loveable. Her love for her dog and what he represents to her is very moving. She's a very damaged person, but unfortunately for her, she gets entangled with other very damaged people and hell hath no wrath like grieving children.
There's only one jump scare in this movie, but it's a good one. The rest of the film is a more slow psychological horror about the power of grief and early childhood trauma. And human fragility.
I highly recommend this to anyone who likes their horror thought-provoking and real rather than shock-horror jump scares. This clearly borrows from Hereditary: almost shamelessly copies much of the atmostphere of that film with the dark house, the dolls' house, the cult, the dolls, the camera work inside the dolls' house distorting our perceptions.
Pretty good movie with strong performances all round.
However, overall, this film really did improve on second watching. Once you know what the story is, you spot all sorts of little bits of detail that make the whole thing make sense. But more than this, my empathy with Grace, the protagonist and victim, grew exponentially during this second watch. She comes over as an almost wholly sympathetic character. Little things like the carefully wrapped presents she brings and hides make her rather loveable. Her love for her dog and what he represents to her is very moving. She's a very damaged person, but unfortunately for her, she gets entangled with other very damaged people and hell hath no wrath like grieving children.
There's only one jump scare in this movie, but it's a good one. The rest of the film is a more slow psychological horror about the power of grief and early childhood trauma. And human fragility.
I highly recommend this to anyone who likes their horror thought-provoking and real rather than shock-horror jump scares. This clearly borrows from Hereditary: almost shamelessly copies much of the atmostphere of that film with the dark house, the dolls' house, the cult, the dolls, the camera work inside the dolls' house distorting our perceptions.
Pretty good movie with strong performances all round.
The movie started out great, a visual buffet with horror subtlety sprinkled all around promising a visceral ride, the first act left me feeling excited with anticipation of things to come. The last act of the film wasn't bad either, delivering truly horrific anticipation of things to come, but nothing ever really manifested.
In the end, I believe the pace of the film is too slow for such a thin plot. The visual story stops being impressive after the firs act, the second act is way too slow, and the third act left me, and I believe much of the audience feeling rather disappointed with the flick.
In the end, if you're looking for a classic scare, I think the movie is not for you; if however, you enjoy visual story telling, and don't mind a slow pace, then it might be worth a shot.
In the end, I believe the pace of the film is too slow for such a thin plot. The visual story stops being impressive after the firs act, the second act is way too slow, and the third act left me, and I believe much of the audience feeling rather disappointed with the flick.
In the end, if you're looking for a classic scare, I think the movie is not for you; if however, you enjoy visual story telling, and don't mind a slow pace, then it might be worth a shot.
I've given this a six because we were both effectively creeped out and very impressed with cinematography and the film's immediacy for the front half. The key plot point of why the Dad left his kids in the situation he did wasn't credible but I was willing to go with the premise...up to a point.
I lost confidence in the film's direction when the "mystery" began to be explained. It felt as though the writers decided there HAD to be a violent resolution to the story (and somewhat of a nod to the morbid religiosity that had been pointed to.)
We were a little disgusted with a pat ending after such early promise of something different. I also get tired of films where someone takes it out on an innocent animal to create fear and foreshadow things are going to get really bad for the humans.
I lost confidence in the film's direction when the "mystery" began to be explained. It felt as though the writers decided there HAD to be a violent resolution to the story (and somewhat of a nod to the morbid religiosity that had been pointed to.)
We were a little disgusted with a pat ending after such early promise of something different. I also get tired of films where someone takes it out on an innocent animal to create fear and foreshadow things are going to get really bad for the humans.
Two Children Still Suffering from the very Disturbing Loss of Their Mother are Cooped Up in an Isolated "Lodge" with Their New Step-Mother During a Snowstorm.
The Step-Mother, who by the way, is Blamed by the Children as the Reason They Lost Their Mom.
She is also a Traumatized Victim of Her Father, a Religious Cult Leader who Led His Flock to Mass Suicide, She was the Only Survivor.
What Could Possibly Go Wrong?
Well as You might have Guessed, Quite a Lot.
The Movie is Atmospheric and Frightful, Disturbing and Gets in Your Brain and Under Your Skin,
The Suspense is nearly Unbearable and Unrelenting, and all Three Actors Deliver Cutting Performances while Spinning the "What is Real and What is Not" Scenario.
More Thriller than Horror, but the "Supernatural" Plays a Significant Part in the Unfolding Plot as the Characters are Coming Unglued from Stability.
The Movie-Makers take No Prisoners with Regards to Shock and Unsettling Occurrences with Chilling Developments and a Stone-Cold, Depressing Tone.
Not a Must-See and Not for Everyone.
But those who Like Their Scary Movies Anchored Internally with Psychological Abnormalities that can Cause Disheveling Behavior...
This one comes with a Strong Recommendation.
The Step-Mother, who by the way, is Blamed by the Children as the Reason They Lost Their Mom.
She is also a Traumatized Victim of Her Father, a Religious Cult Leader who Led His Flock to Mass Suicide, She was the Only Survivor.
What Could Possibly Go Wrong?
Well as You might have Guessed, Quite a Lot.
The Movie is Atmospheric and Frightful, Disturbing and Gets in Your Brain and Under Your Skin,
The Suspense is nearly Unbearable and Unrelenting, and all Three Actors Deliver Cutting Performances while Spinning the "What is Real and What is Not" Scenario.
More Thriller than Horror, but the "Supernatural" Plays a Significant Part in the Unfolding Plot as the Characters are Coming Unglued from Stability.
The Movie-Makers take No Prisoners with Regards to Shock and Unsettling Occurrences with Chilling Developments and a Stone-Cold, Depressing Tone.
Not a Must-See and Not for Everyone.
But those who Like Their Scary Movies Anchored Internally with Psychological Abnormalities that can Cause Disheveling Behavior...
This one comes with a Strong Recommendation.
This film was pretty amazing cautionary tale of messing with the wrong person. I can't believe so many bad reviews? I find that younger viewers don't enjoy horror films that make you feel dread or build dark sense of mood. To do that In a film takes time to get to know characters and developing a story. It's definitely not for anyone with a short attention span that needs a jump scare every 5 mins to keep your attention. I feel films like The Lodge and Midsommar are the new school of horror films that keep you thinking long after the credits roll. It's a style that's definitely not for everyone. In a way these horror films are all grown up and not like anything else out there. It's about time horror went in a new direction.
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Why Riley Keough Wasn’t Ready for ‘The Lodge’
Kevin Smith chats with Riley Keough at Sundance 2019, and she shares why she was fully unprepared for her first meeting with The Lodge directors Severin Fiala and Veronika Franz.
Did you know
- TriviaJayden Martell (Aiden) and Lia McHugh (Mia) did activities such as ice-skating, rock-climbing and dinners, to bond in their brother and sister roles. However, the directors kept both of them separated from Riley Keough (Grace), so that they would not grow too close with her.
- GoofsWhen Grace comes out of the shower, she wraps a dark towel around her waist. In the next scene, when she wipes the steamed-up mirror with her hand, she is wearing a white towel around her top.
- ConnectionsFeatured in WatchMojo: Top 10 Horror Movies of 2020 So Far (2020)
Details
- Release date
- Countries of origin
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- Language
- Also known as
- La cabaña siniestra
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Box office
- Gross US & Canada
- $2,138,907
- Opening weekend US & Canada
- $76,251
- Feb 9, 2020
- Gross worldwide
- $3,155,858
- Runtime
- 1h 48m(108 min)
- Color
- Aspect ratio
- 1.85 : 1
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