A British diplomat travels to Munich in the run-up to World War II, where a former classmate of his from Oxford is also en route, but is working for the German government.A British diplomat travels to Munich in the run-up to World War II, where a former classmate of his from Oxford is also en route, but is working for the German government.A British diplomat travels to Munich in the run-up to World War II, where a former classmate of his from Oxford is also en route, but is working for the German government.
- Director
- Writers
- Stars
- Awards
- 1 win & 2 nominations total
Paul Flanagan
- Foreman Frank Wright
- (as Paul Ernest Flanagan)
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Featured reviews
Munich: The Edge of War is an entertaining movie to watch. Just don't get mislead by the title though. It's not really a war movie, more of a drama. You won't see any shooting or killing, just political conversations about going to war or not. Sounds boring but it isn't. It's an interesting story based on a novel, certainly not accurate to what really happened, something we will never really know. The cast was excellent, good acting from all of them. Nice cinematography as well, it's all quality. Just don't expect action because there isn't any.
I realise that historical events can only be reflected to a limited extent in feature films, especially when real people are brought to life by actors 80 years later. The question then is, do I play this person as he was or do I create my own character? In the case of "Munich", however, I didn't care, because I was enthusiastic about the ensemble performance as a whole, more than about the script, but that's why I give it this rather high rating. Jannis Niewöhner and George MacKay as friends on different sides grabbed me right at the beginning because they are very different actors and I have to admit that I have been a fan of Niewöhner for a long time. Ulrich Matthes Hitler scared even me. I know Matthes from the stage and like him a lot, his portrayal here gives you an idea why so many Germans were fascinated by him. Jeremy Irons may have played Chamberlain too positively, but that doesn't detract from his performance. And yes - while watching I was also preoccupied with the current Ukraine war and the parallels to Hitler's war preparations, which are very clear. Let's hope that it will turn out better this time...
The subject is a fascinating one and part of me was intrigued in seeing what 'Munich: The Edge of War' would do with the much maligned Neville Chamberlain, here given a more sympathetic treatment than what is often said and written about him. Robert Harris' book is a hugely compelling read, George McKay impressed me hugely in '1917' (one of 2019's best films) and Jeremy Irons is one of my all time favourite actors and has been ever since his iconic voice work in 'The Lion King'.
Watching 'Munich: The Edge of War' earlier last year (am behind with reviewing so it's taken a while to get round to talking about films seen last year), it turned out to be very interesting and well done. It did have potential to be better than it was, as not all the storytelling is there and there is a major casting blunder. But it does well with maintaining the book's intrigue and tension and there is one performance in particular that one could spend all night raving about. 'Munich: The Edge of War' was good if not great, but is one of those films that should be taken on its own terms for anybody expecting historical truth will be disappointed.
'Munich: The Edge of War' has many good things. The best aspect being the phenomenal performance of Irons in one of his best ever performances as Chamberlain (who he bears an uncanny resemblance to here), he brings wit, nuance and gravitas to an interestingly sympathetically written interpretation of a maligned figure in history. In the film though, it and the book do make a good case for him not being as bad as reputed in my view (something that won't be shared by others). One of my favourite performances of the year actually and that it didn't get any awards attention is a crime. McKay carries the film very commandingly, loved his increasingly tense chemistry with Jannis Niewohner.
Also thought that the costumes and sets/scenery were handsome and atmospheric, with a good sense of period. The music is haunting and doesn't over emphasise the mood. The film is very intelligently scripted (apart from some anachronistic language), especially Chamberlain's dialogue and had no problem with the German or the subtitles. Everything with the agreement has intrigue and tension and all of Chamberlain's scenes are a delight, both when more eventful and in smaller moments.
It's not a perfect film though. The camera work is rather dizzying and had a very feeling sick on a ship feel to it in some of the second half. All the female roles are severely underwritten, as is the too brief and not that necessary family/romance subplot that could have been excised.
Do have to agree with everybody panning Ulrich Matthes, whose casting as Hitler is one big catastrophic miscast. Too old, too thin/gaunt and nowhere near sinister enough, perfect for Goebbels but completely wrong for Hitler.
Overall, interesting and well done, with Irons being reason alone to see it, but it could have been more. 7/10.
Watching 'Munich: The Edge of War' earlier last year (am behind with reviewing so it's taken a while to get round to talking about films seen last year), it turned out to be very interesting and well done. It did have potential to be better than it was, as not all the storytelling is there and there is a major casting blunder. But it does well with maintaining the book's intrigue and tension and there is one performance in particular that one could spend all night raving about. 'Munich: The Edge of War' was good if not great, but is one of those films that should be taken on its own terms for anybody expecting historical truth will be disappointed.
'Munich: The Edge of War' has many good things. The best aspect being the phenomenal performance of Irons in one of his best ever performances as Chamberlain (who he bears an uncanny resemblance to here), he brings wit, nuance and gravitas to an interestingly sympathetically written interpretation of a maligned figure in history. In the film though, it and the book do make a good case for him not being as bad as reputed in my view (something that won't be shared by others). One of my favourite performances of the year actually and that it didn't get any awards attention is a crime. McKay carries the film very commandingly, loved his increasingly tense chemistry with Jannis Niewohner.
Also thought that the costumes and sets/scenery were handsome and atmospheric, with a good sense of period. The music is haunting and doesn't over emphasise the mood. The film is very intelligently scripted (apart from some anachronistic language), especially Chamberlain's dialogue and had no problem with the German or the subtitles. Everything with the agreement has intrigue and tension and all of Chamberlain's scenes are a delight, both when more eventful and in smaller moments.
It's not a perfect film though. The camera work is rather dizzying and had a very feeling sick on a ship feel to it in some of the second half. All the female roles are severely underwritten, as is the too brief and not that necessary family/romance subplot that could have been excised.
Do have to agree with everybody panning Ulrich Matthes, whose casting as Hitler is one big catastrophic miscast. Too old, too thin/gaunt and nowhere near sinister enough, perfect for Goebbels but completely wrong for Hitler.
Overall, interesting and well done, with Irons being reason alone to see it, but it could have been more. 7/10.
George MacKay earns praise as does Jannis Niewohner. Jeremy Irons is flawless in a supporting role as Prime Minister Neville Chamberlin (deserving of BAFTA and Oscar nods).
Highly recommended under-the-radar historical fiction film that should gain momentum in viewing after awards nominations announced. It would be disappointing to see this film and its actors snubbed.
👍👍
Highly recommended under-the-radar historical fiction film that should gain momentum in viewing after awards nominations announced. It would be disappointing to see this film and its actors snubbed.
👍👍
Movie has many ups Acting, Location, Direction, Writing all up to the mark and George and Jannis's acting stole the show. Although i didn't like casting of Fuhrer it felt like they wanted to make a mockery of Hitler and i would say they succeeded in it. Apart from that movie is very good.
Did you know
- TriviaThough Hartmann and Legat are fictional, Harris confirms that they are partially inspired by the diplomat Adam von Trott zu Solz and the scholar AL Rowse. The latter, who was gay, wrote about his intense platonic attachment to Trott at Oxford. Trott, though a considerably less amiable character than the fictional Hartmann, went on to join Claus von Stauffenberg's 1944 plot to assassinate Hitler. It failed and Trott was executed.
- GoofsWhen in Munich, Paul is clearly paranoid about not being heard or seen with Hugh, yet they both speak publicly, in German, about stopping Hitler's plans right next to a table of German military members. He even makes himself noticeable by borrowing their newspaper, yet no one addresses nor questions his actions.
- Quotes
Paul von Hartman: We don't choose the times we live in. The only choice we have is how we respond.
- SoundtracksFruitie Patootie
Written by Sascha Bachmann and Malte Tönissen
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Múnich en vísperas de una guerra
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 10m(130 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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