Over the Moon

It's quite often when an animated film comes out and they try to imitate or to simulate the same narrative aspects or the same characterisation or even the same animated standards of Disney. Sometimes it's so good it stands out, but other times the story mechanics are very familiar with Disney that it can make the film very far from being a success. Over the Moon is a charming Chinese inspired animation that's both victim to that but also different to that and thankfully sets the bar quite high in animated filmmaking. The story is very familiar a teenage girl is trying to get over the death of her mother and to do that she must embark on a journey of enlightenment to move on. We've seen it all before, but the one thing that's different is the colours whether it's the weird and wonderful creatures walking around or the stunning picturesque views of China's landscape. It will often remind you of Spirited Away or Inside Out or other brilliantly successful animations. Granted Over the Moon may not be new when it comes to the storytelling or the pain we all experience when feeling grief but the colours alone make it a wild success and lest we forget the glorious tunes to boot which will make you cry, make you dance and make you smile. It's likely that Netflix will go to the Oscars with this but whether they'll get the prize is a different story. But it flies high past other films of 2020 and could actually be the best animated film of the year...maybe. 4/5.

Top notch animation. but if you've seen as many animated films as i've done then the plot won't stand out in any way.

As a Chinese person, I LOVED seeing so much wonderful cultural representation and the all-Asian cast. As a kid, there was very little of this type of thing available to me and I'm happy that my four year old enjoys this movie and sees positive representations of this part of her heritage.

I thought the visuals were stunning, and the animation and character design were lovely.

Otherwise, it was... fine. I feel like the movie started off strong. I got teary during the first part. Then the story just got kind of confusing and I felt very little emotional connection to the characters. The singing is good, but I didn't find the music as catchy or memorable as some other recent musicals. I'll watch this again with my kid and I prefer it to something like Frozen, Cars, or The Good Dinosaur, but I don't think it's as good as my favorite Pixar films like Wall-e or Monsters, Inc.

This is a film in two parts: the beginning and end are a very nicely animated story of grief and the struggle to belong while the middle is a strange neon Fantasia adventure that isn't wholly appealing. The animation stops just short of being interesting or inventive, but the music is flat out boring (I cannot recall a single bit of it less than an hour from finishing the movie). Much is familiar with Disney's influence everywhere. The hare looks exactly like a green Mad Hatter and you'll spy Cinderella's castle at least once. Some things aren't as well defined and look almost unfinished. There are absolutely moments of excellence (there's a particularly great moment at the end), but overall I was bored. This film had great promise and I love the representation. Unfortunately, it wasn't for me.

Young Fei Fei (Cathy Ang) over the course of her childhood is told of ancient legends of moon goddess Chang'e (Phillipa Soo) by her mother (Ruthie Ann Miles). After her mother passes from a terminal illness Fei Fei is shaken by the prospect that her father (John Cho) will marry Mrs. Zhong (Sandra Oh) and believing the stories told by her mother hold the key to preventing this Fei Fei builds a rocket to the moon to find the moon goddess Chang'e only for her soon to be stepbrother Chin (Robert G Chiu) throwing a monkey wrench into her plans and setting them on an unplanned detour.

Over the Moon is the third feature film co-production from Netflix's animation division following Klaus and The Willoughbys. Klaus was probably in my top 10 list for that year, and while I didn't think The Willoughby's was in the same league, I still appreciate the craft and care that went into it making it look as good or better than some films that got a theatrical release. With Over the Moon co-produced with Pearl Studio (Abominable), I'm pleased to say this film is closer to the former than the latter.

The film is the feature length animated debut for John Kahrs (director of amazing short Paperman) and Glen Keane (Dear Basketball) and both have work in the industry coming from Pixar as well as back to the early days of the Disney Renaissance. Needless to say, their A game has been brought and delivers. The animation in this movie is simply incredible. The vibrancy and life of Fei Fei's home town, the energy brought to the comic relief characters (of which there maybe a few too many), the emptiness of space, and some scenes of sheer awe and wonder that deserve to be experienced so I'll avoid spoiling them, save for saying they're as imaginative as anything Winsor McCay created for his Little Nemo comic strips back in the early 1900s.

The story is absolutely amazing showing the importance of family, but also the threat of getting stuck in the past and refusing to move past it (with some eerily effective imagery in the film's climax. The movie is a musical with Christopher Curtis, Marjorie Duffield and Helen Park serving as the song writers, and the score they come up with is as vibrant and powerful as the upper levels of the Disney Renaissance. The songs range from more traditional melodies to more modern compositions to sometimes skirting the lines and being compositions of both, in this way it's very much enhancing the theme of appreciating the old while allowing acceptance of the new.

Fei Fei makes a likable lead as we see her emotional jounrey and it parallels nicely with the Chang'e legend as presented in the film. Fei Fei is brought to life by not only great expressive animation but also by Cathy Ang giving a great VO performance that hits all the right notes. The rest of the voice cast do a terrific job and play their parts well. Some of the comic relief do flirt with becoming grating and overbearing, but luckily what annoyance there are to the characters feel (mostly) true to life and feel earned in relation to the rest of the movie that surrounds them. There are also a few lowbrow gags, but they're luckily used sparingly and never overstay their welcome.

Over the Moon is a terrific film that shows that both Pearl Studio and Netflix Animation are worthy contenders among the crowded animation field. With fantastic visuals, likable characters, a dynamic musical score, and a story that strikes the right emotional chords, the movie is able to overcome the few minor drawbacks keep it from being perfect. While some of the comic relief feels unnecessary, it's balanced out by a cohesive whole of ingredients that make for a beautiful and moving animated visual feast.