House of the Gorgon

I miss the Hammer time. But it will never feel the same. Through no fault of the studios own, because all their movies had a certain feel that perfect for that specific time & in today's ever changing world, it's not worth it to compare. Forget bout comparing it to the older movies. Better to judge it on its own imo. Maybe the Studio can find a new niche that works for today. But as for this movie itself. I thought it basically average. And for some that might sound bad. But i never consider average bad. I consider "bad", bad. Worth a look if you're a hammer fan. If you don't like it, you can always turn it off. But I find it difficult anyone finds it bad enough to turn off, and rest might just find it worthwhile just to have seen it.

Not exactly good - it's low budget particularly betrayed by it's tinny sound - this loving pastiche filmed in glorious Gooeyscope and wonderfully saturated colours of Hammer Horrors and Corman Poes with a smattering of 'Night of the Living Dead' is still fun to watch.

Caroline Munro and Martine Beswicke (as she now spells it) show they've still got what it takes as two evil five thousand year old sisters of the night (the former wearing Verdon Fell's glasses and expressing his aversion to the light). Former Hammer leading lady number three Veronica Carlson as the heroine's tippling mother meanwhile both looks and sounds exactly like Jennifer Saunders as Edina in 'Absolutely Fabulous'.

If one doesn't try to compare this with classic Hammer Horror productions (the settings are more like Roger Corman's films of the same era), it can be enjoyed on its own merits. We have Hammer favourites Caroline Munro, Martine Beswicke and Veronica Carlson and Christopher Neame (who could ask for more), in a well- written story with enough dark secrets and sinister scenes to satisfy those with a taste for the macabre.

Director Joshua Kennedy wisely avoided using any CGI effects in the film - almost everything is done in camera with sleight-of-hand, and this is refreshing.

Georgina Dugdale is an attractive and likeable leading lady.

The stirring score by Reber Clark is another great plus for this picture.

Despite the horror theme, gore is at a minimum, and it's kind of refreshing to listen to dialogue that isn't littered with four letter words. (No real problem if it is, but this isn't - in keeping with the period setting.)

The picture was clearly made with love and enthusiasm by all concerned. Kennedy, who also appears as the leading man, has done a great job with a small budget. Someone in Hollywood should back this guy with some big bucks. I know we would see some astonishing work.

Oh dear! That's the only thing I can really say about fan movie HOUSE OF THE GORGON (2019), written/directed by and starring massive Hammer fan Joshua Kennedy. It's an American indie production made as a throwback to the Hammer films of old, that begins with a trio of women travelling by carriage to a remote region of Karlstadt where they find a mysterious house and its strange occupants. The title is a clue to the Greek-influence menace in this film.

Sadly, it's appalling in every respect,but then it would be given that it was shot in five days. Copying scenes from Hammer films on a tiny budget doesn't really do it for me. Caroline Munro hams it up shamelessly, Martine Beswick gives the most fun performance - like she's in a panto - while Veronica Carlson is stuck with a dull role. Oh, and AD 1972's Christopher Neame also appears as a priest, but perhaps he should have stayed at home. I think the poster artwork is the best part of this film.

Set in the 19th Century a young woman, her mother and best friend travel to central Europe for her marriage to a town doctor, however two evil sisters of Medusa the Gorgon are living with the young man (!) The opening credits proclaim "A Gothic Fairytale", the colour palate uses a lot of purple, blue and green, contrasted with much black, this gives the film a dreamlike look but I didn't like it, if anything it only highlighted the obvious low budget. This is a fan film made by and starring one Joshua Kennedy, unfortunately his acting is painfully wooden, and he's not the only one. The attraction for the movie is that it reunites Hammer glamour in the form of Caroline Munro, Martine Beswick and Veronica Carlson, these three lovely ladies look like they were having fun making House but sadly I had very little fun watching it. There are other very obvious nods to Hammer and classic horror, for example a law firm called Cushing, Lee and Price is referred to, rated 12 in the UK it is also very tame. As a Hammer fan myself I admire Kennedy for putting this together, it just isn't very good.