House of the Gorgon

I saw this not too long ago as part of a live stream watch party. They said it was a tribute movie to Hammer Horror movies, which I have always enjoyed. This was god awful. First of all, Caroline Munro and Martine Beswick should be embarrassed to be part of this and allowed themselves to be photographed so terribly. Veronica Carlson I felt incredibly bad for, having to deliver lines worse than Hammer's bad days (and presented in such an unflattering way as well - these three icons really should be shocked and embarrassed. I was embarrassed for them.) I know this is a low budget film, but so were the Hammer movies and I've seen a lot of other low budget horror streaming recently, but this was terrible - "lets just put a green light somewhere because then people wont think its my living room" just awful and an insult to all the technicians of the Hammer movies. Lastly, apparently the filmmaker himself decided to cast himself as the male lead role (I'm sorry, Christopher Neame does not count as a main character, he's a halfhearted cameo at best), and this guy Joshua proves his inadequacy not only as as a filmmaker in general, but as an actor around these older professionals. The other amateur actors on display here only degrade themselves further. According to the live stream this film won an award (huh???) and he has made other Hammer tribute movies -- I shudder to imagine. Stick with the original and authentic horrors, and stay away from this. Dreadful.

If one doesn't try to compare this with classic Hammer Horror productions (the settings are more like Roger Corman's films of the same era), it can be enjoyed on its own merits. We have Hammer favourites Caroline Munro, Martine Beswicke and Veronica Carlson and Christopher Neame (who could ask for more), in a well- written story with enough dark secrets and sinister scenes to satisfy those with a taste for the macabre.

Director Joshua Kennedy wisely avoided using any CGI effects in the film - almost everything is done in camera with sleight-of-hand, and this is refreshing.

Georgina Dugdale is an attractive and likeable leading lady.

The stirring score by Reber Clark is another great plus for this picture.

Despite the horror theme, gore is at a minimum, and it's kind of refreshing to listen to dialogue that isn't littered with four letter words. (No real problem if it is, but this isn't - in keeping with the period setting.)

The picture was clearly made with love and enthusiasm by all concerned. Kennedy, who also appears as the leading man, has done a great job with a small budget. Someone in Hollywood should back this guy with some big bucks. I know we would see some astonishing work.

Not exactly good - it's low budget particularly betrayed by it's tinny sound - this loving pastiche filmed in glorious Gooeyscope and wonderfully saturated colours of Hammer Horrors and Corman Poes with a smattering of 'Night of the Living Dead' is still fun to watch.

Caroline Munro and Martine Beswicke (as she now spells it) show they've still got what it takes as two evil five thousand year old sisters of the night (the former wearing Verdon Fell's glasses and expressing his aversion to the light). Former Hammer leading lady number three Veronica Carlson as the heroine's tippling mother meanwhile both looks and sounds exactly like Jennifer Saunders as Edina in 'Absolutely Fabulous'.

This was a mess of a movie if i'm honest. Now im not bashing that its low budget as sometimes it can be a good thing for a movie and I will hand it to them that they worked well with what they had. I'm also not turning down the cast. They were all fine as much as I could tell. The three hammer stars were all fine after being away for some years. I liked the main actress as well and thought that she could get somewhere one day. The setting was alright and in a different light they house could be even more creepy. There were not many scares but overall its not to bad I just felt the film as a whole was a little let down but worth a watch if you like this kind of film.

I miss the Hammer time. But it will never feel the same. Through no fault of the studios own, because all their movies had a certain feel that perfect for that specific time & in today's ever changing world, it's not worth it to compare. Forget bout comparing it to the older movies. Better to judge it on its own imo. Maybe the Studio can find a new niche that works for today. But as for this movie itself. I thought it basically average. And for some that might sound bad. But i never consider average bad. I consider "bad", bad. Worth a look if you're a hammer fan. If you don't like it, you can always turn it off. But I find it difficult anyone finds it bad enough to turn off, and rest might just find it worthwhile just to have seen it.