House of the Gorgon

If one doesn't try to compare this with classic Hammer Horror productions (the settings are more like Roger Corman's films of the same era), it can be enjoyed on its own merits. We have Hammer favourites Caroline Munro, Martine Beswicke and Veronica Carlson and Christopher Neame (who could ask for more), in a well- written story with enough dark secrets and sinister scenes to satisfy those with a taste for the macabre.

Director Joshua Kennedy wisely avoided using any CGI effects in the film - almost everything is done in camera with sleight-of-hand, and this is refreshing.

Georgina Dugdale is an attractive and likeable leading lady.

The stirring score by Reber Clark is another great plus for this picture.

Despite the horror theme, gore is at a minimum, and it's kind of refreshing to listen to dialogue that isn't littered with four letter words. (No real problem if it is, but this isn't - in keeping with the period setting.)

The picture was clearly made with love and enthusiasm by all concerned. Kennedy, who also appears as the leading man, has done a great job with a small budget. Someone in Hollywood should back this guy with some big bucks. I know we would see some astonishing work.

Set in the 19th Century a young woman, her mother and best friend travel to central Europe for her marriage to a town doctor, however two evil sisters of Medusa the Gorgon are living with the young man (!) The opening credits proclaim "A Gothic Fairytale", the colour palate uses a lot of purple, blue and green, contrasted with much black, this gives the film a dreamlike look but I didn't like it, if anything it only highlighted the obvious low budget. This is a fan film made by and starring one Joshua Kennedy, unfortunately his acting is painfully wooden, and he's not the only one. The attraction for the movie is that it reunites Hammer glamour in the form of Caroline Munro, Martine Beswick and Veronica Carlson, these three lovely ladies look like they were having fun making House but sadly I had very little fun watching it. There are other very obvious nods to Hammer and classic horror, for example a law firm called Cushing, Lee and Price is referred to, rated 12 in the UK it is also very tame. As a Hammer fan myself I admire Kennedy for putting this together, it just isn't very good.

I miss the Hammer time. But it will never feel the same. Through no fault of the studios own, because all their movies had a certain feel that perfect for that specific time & in today's ever changing world, it's not worth it to compare. Forget bout comparing it to the older movies. Better to judge it on its own imo. Maybe the Studio can find a new niche that works for today. But as for this movie itself. I thought it basically average. And for some that might sound bad. But i never consider average bad. I consider "bad", bad. Worth a look if you're a hammer fan. If you don't like it, you can always turn it off. But I find it difficult anyone finds it bad enough to turn off, and rest might just find it worthwhile just to have seen it.

Ok, considering it's low budget I'll give this some breaks. The acting at times is pretty hammy but the three ladies from yesteryear seem to be loving it. The three ladies are obviously Caroline Munro, Martine Beswick and Veronica Carlson, major starlets of the Hammer horror films of the seventies.

Is it me or has Karlstadt moved to Spain, certainly has a southern European twang to proceedings. The heroine Isobel is played by Caroline Munro's daughter and they do all seem to be having a blast making this movie. Nice also to see Christopher Neame as the priest as he also starred in a Hammer film. Decent film but not enough scares for me.

House of the Gorgon reunites Hammer veterans Caroline Munro, Martine Beswick, Veronica Carlson and Christopher Neame, in a film that seeks to recapture their glory days, only for amateur hour production values to constantly work against it.

Of the assembled Hammer thespians, Beswick fairs the best, but is given the least screen time. Munro has gotten awfully hammy in her old age, and Neame and Carlson look like they want to be elsewhere. The supporting cast range from merely passable to people who should never have been allowed in front of a camera. Tiresome visual Easter Eggs...cutaways to portraits of Lee, Cushing and Michael Gough...having Munro play the organ a la Vincent Price in The Abominable Dr Phibes whilst admiring a portrait of Vincent Price...just serves as a reminder of how much this fanwank is falling short of its influences.

There's also a number of awkward instances where modern day mores seem to have caused the filmmakers to chicken out of following in Hammer's footsteps. Most noticeably a character who is meant to be a hunchback but who doesn't actually appear to have a hunch on his back, he doesn't even have bad posture. While it is understandable in this day and age that the filmmakers were wary of having a non-disabled actor fake a disability onscreen, it's a decision that renders nonsensical the scenes where cruel villagers are berating this hunchback...who isn't a hunchback. The film also channels the lustful T&A aspects that Hammer went in for in the 1970s, by having one of the younger actresses (Jamie Trevino) take a nude dip in a bathtub, only to digitally censor her breasts...were they afraid that unpixilated bazongas would have instantly rendered the audience rock hard (rubbish 'gorgon' pun intended)

Writer/director/leading man Joshua Kennedy looks to be having a whale of a time, being onscreen alongside Hammer icons, playing the love interest of Munro's daughter Georgina Dugdale, and prancing around in what appears to be an attempt at Coffin Joe cosplay. Still you have to question why anyone would put senior actors they claim to admire in such a cheap looking, vanity project at the twilight of their careers, and indeed this turned out to be Carlson's last movie. I'm sure House of the Gorgon was was put together with good intentions, but the road to hell is paved with those, and I'm afraid this is the latest in a long line of horror movies which illustate that just because you are a mega fan of the genre doesn't mean you have anything of value to contribute to it.