Press

I have just finished watching the first episode of this new BBC drama. As a former journalist who gave up the trade due to corporate media pressure (though I was never a scribbler for the "tabloids") I understand that -in addition to feeling such corporate media pressure- the writers employed by these outlets do or die by the entertainment appeal of their articles. So far, and judging by the first episode, I must say: "Well done!" For I found the writing quite compelling and the acting superb even by the minor characters. And because, as the episode ended, I felt it had reached a crescendo that has left me wanting for more. Hopefully, my expectations will be matched by future deliveries. Oh! On not such a surprising note, "Kudos to the Brits!"

Riley and Chaplin were riveting in this wonderfully crafted, intelligent script about the dog-eat-dog business of the newspaper business. I think this story was a take on the British tabloid versus "good journalism" competitors in the UK, but it was also an interesting story about human nature.

The acting was superb. Chaplin and Riley should get awards for their terrific work in this series. They were the heart and soul of the story. I couldn't wait to see what happened from one episode to the next. The ending was a little soft, but the points were made about greed, ambition, and the counterweights of altruism and truth.

There is so much drivel out there. So many tv series are poorly scripted, poorly acted and lack realistic plots. This was the exact opposite. The two central characters played by Charlotte Riley and Ben Chaplin are a master class in acting, perfectly matched and utterly believable. The story lines interesting and reflect what we see say to say in the British press. I can't understand why there is only one series??! Baffling. There is so much more scope for character and story development with the incredible ensemble cast of Al Weaver, Paapa Essiedu and Ellie Kendrick. What a waste!

This was a very well crafted drama, everything was in place and it really was quite gripping. Ben Chaplin showed brilliant promise in 1995 with the comedy Game On, he then was stolen by America to our loss. He is one of the finest talents, he brings an intensity to the screen that cannot be ignored with just everything going on behind the eyes.

I am never sure why Mr Chaplin was not a mega star of the movies years ago, perhaps his time has come now.

I liked the mixture of episodic stories mixed with longer running issues as this created quite an impetus. Great ensemble playing.

If I was to make two criticisms, no one was happy in their jobs and the office-banter was missing. And the Resonance story just didn't cut it, we all know that our surveillance is done be GCHQ and that only exceptions are read by humans, everything else is a computer algorithm, so we have privacy, and the idea that this surveillance could be subverted is absurd.

I look greatly to season 2

I am enjoying this series no end; compelling storylines, great characters, great script, great acting, excellent comparative plots with current affairs - when I watch I'm completely absorbed. Why are there not at LEAST 3 series? Only 6 episodes in total? What is wrong with this industry? I don't get it. Bloomin line of duty has loads of episodes and was like watching angry amateur night compared to this; all of them stomping around, shouting at each other with grumpy faces - you'd be forgiven for thinking that being mind bendingly jilted (for whatever reason) is a prerequisite for being on the force! The only nonsense is the flat share situation - in reality no person in their right mind would let that happen - big error on the writers part.