A pious nurse becomes dangerously obsessed with saving the soul of her dying patient.A pious nurse becomes dangerously obsessed with saving the soul of her dying patient.A pious nurse becomes dangerously obsessed with saving the soul of her dying patient.
- Nominated for 2 BAFTA Awards
- 11 wins & 33 nominations total
Sona Vyas
- Agency Worker
- (as Sona Vyas Dunne)
Antony Barlow
- Passerby
- (uncredited)
- …
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
"Never Waste Your Pain!"...
In SAINT MAUD, we learn early on that the title character (Morfydd Clark) is a young nurse and a devoted Catholic. There are hints of a tragic event in her recent past. Upon taking her new position at the residence of a terminally ill woman (Jennifer Ehle), we soon learn that Maud is also prone to having religious ecstacies.
When Maud's employment is ended due to her over-zealous convictions, her descent begins.
Or is it a sort of dark ascent?
Director Rose Glass keeps the mood cold, and the atmosphere bleak. We're kept guessing as to whether Maud is having a true spiritual experience, or suffering from severe mental illness. It does lean in one direction, but we're never quite sure. Ms. Clark plays Maud in a genuine, unaffected way, making her believable, and all the more terrifying.
A unique horror film for those looking for something very different...
When Maud's employment is ended due to her over-zealous convictions, her descent begins.
Or is it a sort of dark ascent?
Director Rose Glass keeps the mood cold, and the atmosphere bleak. We're kept guessing as to whether Maud is having a true spiritual experience, or suffering from severe mental illness. It does lean in one direction, but we're never quite sure. Ms. Clark plays Maud in a genuine, unaffected way, making her believable, and all the more terrifying.
A unique horror film for those looking for something very different...
Maud fraud
My problem with Saint Maud is I was expecting a horror movie and this isn't. Maud is a character study of a young nurse (Morfydd Clark) in emotional turmoil. Saint Maud sets a dour mood. It favors symbolism over hard core action. I'm not saying it's a bad movie. I didn't find enough to hold on to. Details about Maud, the person, are sparse and come too late in the movie. By then I had lost interest.
Maud is a hospice nurse for Amanda (Jennifer Ehle), a former dancer suffering from terminal cancer. She holds to her devout faith with slavish piousness. She left her previous nursing job abruptly, we aren't sure why. She sees things no one else sees that border on the paranormal. She comes to believe she has been sent to save Amanda's soul. Why? I didn't understand why Maud was obsessed with Amanda. The two women didn't really connect and had little in common.
The character of Amanda is excellent, by the way. She was full of contradictions, capable of great tenderness and terrible cruelty. When she is on screen I wanted to know more about her but the focus remains squarely on Maud.
Clark's performance as Maud is empathetic but a bit one note. She too often has a deer in the headlights gaze and seems out of step with the world around her. If that is the intent, Clark did her job well. I wasn't able to connect with the character. She experiences one ominous happening after another, but the action doesn't build to a focused point. I felt like I was drifting at sea watching Maud. She is clearly a young woman full of doubt and conflict. Yet, I wasn't getting to know the real her.
The strange events happening may be real or may all be in the mind of one disturbed individual. We are never given enough concrete evidence to decide. Perhaps that's the point but after a while I felt like I was running on a treadmill. It takes until the last few scenes to move the narrative forward. These scenes are genuinely scary, disturbing and moving. Sadly, the payoff comes too late, in my opinion.
Maud is a hospice nurse for Amanda (Jennifer Ehle), a former dancer suffering from terminal cancer. She holds to her devout faith with slavish piousness. She left her previous nursing job abruptly, we aren't sure why. She sees things no one else sees that border on the paranormal. She comes to believe she has been sent to save Amanda's soul. Why? I didn't understand why Maud was obsessed with Amanda. The two women didn't really connect and had little in common.
The character of Amanda is excellent, by the way. She was full of contradictions, capable of great tenderness and terrible cruelty. When she is on screen I wanted to know more about her but the focus remains squarely on Maud.
Clark's performance as Maud is empathetic but a bit one note. She too often has a deer in the headlights gaze and seems out of step with the world around her. If that is the intent, Clark did her job well. I wasn't able to connect with the character. She experiences one ominous happening after another, but the action doesn't build to a focused point. I felt like I was drifting at sea watching Maud. She is clearly a young woman full of doubt and conflict. Yet, I wasn't getting to know the real her.
The strange events happening may be real or may all be in the mind of one disturbed individual. We are never given enough concrete evidence to decide. Perhaps that's the point but after a while I felt like I was running on a treadmill. It takes until the last few scenes to move the narrative forward. These scenes are genuinely scary, disturbing and moving. Sadly, the payoff comes too late, in my opinion.
Don't write this off as a simple horror
Because it's more than that. It's also a study of loneliness (of both main characters) and obsession. It does have its shock moments, not least when in becomes clear that Maud is not the clear-cut character you thought she was.
As I left the cinema, I quoted Dave Allen to myself: "I'm an atheist, thank God."
As I left the cinema, I quoted Dave Allen to myself: "I'm an atheist, thank God."
Slow burner.....
....but almost worth the wait. But the one thing this isn't is a horror film, its a psychological thriller at best. Well worth a watch but I'd hardly call it a masterpiece.
Criminal marketing!
The elements of thrill and horror are negligible in this movie.
Does that mean it isn't good? Not quite, rather that the marketing campaign went terribly wrong and people are left feeling being mis-sold. I don't blame them.
All in all a better than average psychological drama that will leave undisturbed the most.
Word of advice for hardcore horror fans: cancel any expectation you might have of getting scared watching this because chances are you won't.
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Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaRose Glass originally wrote Maud with a more explicit backstory, but removed most of it in the final draft as she found it too similar to Carrie (1976), saying: "In early drafts, the character's backstory was quite different, she had this very extreme religious upbringing, went to Catholic school, all that stuff. But it just felt like a story I'd seen before, and it wasn't one I was particularly interested in retelling."
- Crazy creditsThe cockroach is credited as Nancy and is presumably named after Nancy Spungen. "Bug Wrangler," Grace Dickinson had another one called Sid.
- SoundtracksCareless
Performed by Al Bowlly
Written by Lew Quadling, Dick Jurgens and Eddy Howard
Bourne Co. (ASCAP)
All Rights Administered by Warner Chappell Music Ltd
Licensed Courtesy of Warner Music UK
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Salvando almas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,800,000 (estimated)
- Gross worldwide
- $1,383,868
- Runtime
- 1h 24m(84 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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