Night of Hunters
- Episode aired Oct 17, 2017
- 48m
IMDb RATING
7.1/10
588
YOUR RATING
The histories of several characters unfold in flashback, revealing surprising connections, while an innocent hiker is pulled into the unfolding drama.The histories of several characters unfold in flashback, revealing surprising connections, while an innocent hiker is pulled into the unfolding drama.The histories of several characters unfold in flashback, revealing surprising connections, while an innocent hiker is pulled into the unfolding drama.
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Featured reviews
Night of Hunters represents a turning point in Slasher's second season, where the series shifts from straightforward slasher elements into more complex psychological territory. The episode employs an ambitious flashback structure that attempts to illuminate the darker histories connecting its ensemble cast, though the execution feels somewhat uneven compared to earlier installments.
Director Felipe Rodriguez demonstrates competent visual storytelling, utilizing the isolated wilderness setting to create an appropriately claustrophobic atmosphere. The cinematography effectively contrasts the pristine snow-covered landscape with the increasingly disturbing revelations about the characters' past connections. The episode benefits from some striking visual compositions, particularly during the flashback sequences that reveal hidden relationships between seemingly disconnected individuals.
Leslie Hope delivers a standout performance as her character Renee begins showing signs of psychological deterioration under mounting pressure. Hope manages to convey both vulnerability and an emerging dangerous edge that adds genuine tension to her scenes. Christopher Jacot continues to provide solid work in his role, while the supporting cast maintains the series' generally reliable ensemble acting standards.
The episode's greatest strength lies in its willingness to explore the psychological complexity of its characters rather than relying solely on gore and jump scares. However, this ambitious narrative approach sometimes feels rushed, with certain character revelations lacking the proper buildup needed for maximum impact. The pacing occasionally stumbles as the episode attempts to balance multiple timeline shifts and character arcs within its runtime.
While Night of Hunters succeeds in advancing the season's central mystery and deepening character development, it doesn't quite achieve the taut suspense that made earlier episodes compelling. The horror elements feel more subdued here, focusing more on psychological discomfort than visceral scares, which may disappoint viewers seeking more traditional slasher thrills.
Director Felipe Rodriguez demonstrates competent visual storytelling, utilizing the isolated wilderness setting to create an appropriately claustrophobic atmosphere. The cinematography effectively contrasts the pristine snow-covered landscape with the increasingly disturbing revelations about the characters' past connections. The episode benefits from some striking visual compositions, particularly during the flashback sequences that reveal hidden relationships between seemingly disconnected individuals.
Leslie Hope delivers a standout performance as her character Renee begins showing signs of psychological deterioration under mounting pressure. Hope manages to convey both vulnerability and an emerging dangerous edge that adds genuine tension to her scenes. Christopher Jacot continues to provide solid work in his role, while the supporting cast maintains the series' generally reliable ensemble acting standards.
The episode's greatest strength lies in its willingness to explore the psychological complexity of its characters rather than relying solely on gore and jump scares. However, this ambitious narrative approach sometimes feels rushed, with certain character revelations lacking the proper buildup needed for maximum impact. The pacing occasionally stumbles as the episode attempts to balance multiple timeline shifts and character arcs within its runtime.
While Night of Hunters succeeds in advancing the season's central mystery and deepening character development, it doesn't quite achieve the taut suspense that made earlier episodes compelling. The horror elements feel more subdued here, focusing more on psychological discomfort than visceral scares, which may disappoint viewers seeking more traditional slasher thrills.
I started watching this series at season three, which I liked. I also liked season one. Both had decent characters & hit good solid 6s consistently.
Season two started out with good premise, interesting story; the commune line got a little thick, and aged fast. Many of the characters I found lacking, preachy and topical. What lost me was the constant, completely over the top screeching. By the time this episode ended, I was fast forwarding more than I was watching. Haven't decided if I'm going to finish this season or not.
Many of the situations felt like complete parody that was overdone and dry. And screechy.
Season two started out with good premise, interesting story; the commune line got a little thick, and aged fast. Many of the characters I found lacking, preachy and topical. What lost me was the constant, completely over the top screeching. By the time this episode ended, I was fast forwarding more than I was watching. Haven't decided if I'm going to finish this season or not.
Many of the situations felt like complete parody that was overdone and dry. And screechy.
Annoying gun stuff.
First, I like this series up to this point and I liked the first season.
Do people that know anything about pistols handle them this way? Hopefully not.
If you don't know anything about them, I suspect that you would be even more careful. They pass this gun around like it's a toy. Of course, it is. Is this just bad directing or lack of technical expertise on the set?
Would you pull on a pistol after handing it to someone with the barrel pointed towards you?
OK, so this is a pistol (aka Semi-Automatic Handgun). This one looks like a Glock, but in any case, it is a striker fired pistol.
First, if you don't know, 99.9% of people that carry these types of weapons have a bullet in the chamber at all times expect when in storage. Yes, I know about the Israeli scenario.
So, they've passed this gun around between people multiple times. Did anyone ever check to see if it was loaded and did/didn't have a round in the chamber?
I know you seen this a thousand times and in this show too, they rack the slide before going into action, even after they been shooting the gun. Hello, there's either one in the chamber already or the gun is empty, in which case, the slide on this Glock would have locked back.
Right after Peter enters the camper with the pistol, a cocking sound is heard. Wow, he sounds ready! Except, that gun does not have a hammer. You can't cock it with your thumb.
First, I like this series up to this point and I liked the first season.
Do people that know anything about pistols handle them this way? Hopefully not.
If you don't know anything about them, I suspect that you would be even more careful. They pass this gun around like it's a toy. Of course, it is. Is this just bad directing or lack of technical expertise on the set?
Would you pull on a pistol after handing it to someone with the barrel pointed towards you?
OK, so this is a pistol (aka Semi-Automatic Handgun). This one looks like a Glock, but in any case, it is a striker fired pistol.
First, if you don't know, 99.9% of people that carry these types of weapons have a bullet in the chamber at all times expect when in storage. Yes, I know about the Israeli scenario.
So, they've passed this gun around between people multiple times. Did anyone ever check to see if it was loaded and did/didn't have a round in the chamber?
I know you seen this a thousand times and in this show too, they rack the slide before going into action, even after they been shooting the gun. Hello, there's either one in the chamber already or the gun is empty, in which case, the slide on this Glock would have locked back.
Right after Peter enters the camper with the pistol, a cocking sound is heard. Wow, he sounds ready! Except, that gun does not have a hammer. You can't cock it with your thumb.
Did you know
- TriviaNoah said he finds a bottle of pills with the name Benny on them. Benny is also the name of the vampire Ty Olsson plays in Supernatural (2005).
- ConnectionsReferences The Shawshank Redemption (1994)
- SoundtracksSlasher Theme Music
Written & Performed by Shawn Pierce
Details
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- Runtime
- 48m
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