The True Seeing Is Within
- Episode aired Jul 6, 2018
- 44m
An adventure away with the Barrys teaches Anne to trust her instincts. Marilla begins to suspect that her boarders aren't as innocent as they seem.An adventure away with the Barrys teaches Anne to trust her instincts. Marilla begins to suspect that her boarders aren't as innocent as they seem.An adventure away with the Barrys teaches Anne to trust her instincts. Marilla begins to suspect that her boarders aren't as innocent as they seem.
- Nate
- (as Taras Lavren)
- Thomas Lynde
- (as Phillip Williams)
Featured reviews
Amybeth McNulty shines in this episode, portraying Anne's sensitivity and inner conflict with an impressive balance of strength and fragility. Her performance captures Anne's vulnerability, particularly in scenes where she contemplates her appearance and worth. The character's interactions with Diana (Dalila Bela) also showcase McNulty's range, as she portrays both joy and a deep-seated longing for acceptance. Bella's Diana is equally compelling, as her struggle between friendship with Anne and societal pressures is brought to life with nuance. Together, they convey the emotional complexity of teenage friendships and the tension between societal expectations and personal loyalty. This episode highlights McNulty and Bela's chemistry, portraying their friendship as both endearing and complicated, mirroring the episode's thematic focus on "seeing" beyond surface appearances.
Ken Girotti's direction amplifies the episode's emotional depth, emphasizing close-ups that capture the nuanced expressions of the characters, particularly during Anne's reflective moments. His choice to use softer lighting during scenes of self-reflection adds a layer of warmth to Anne's inner journey, subtly contrasting the harsher, brighter tones used in scenes of public perception or conflict. This visual contrast underscores the theme that "true seeing" requires looking beyond outward appearances and societal judgments. Girotti also paces the episode deliberately, giving Anne's emotional journey the time to unfold naturally. This approach allows for moments of silence and reflection that deepen the viewer's connection to Anne and her inner turmoil, lending authenticity to her struggles with self-acceptance.
Moira Walley-Beckett's script effectively balances moments of introspection with plot progression, allowing characters to confront their inner doubts without losing the narrative momentum. Anne's dialogue, filled with poetic musings, remains authentic to her character while also feeling relatable to the viewer. The script's depiction of Diana's struggle highlights the pressures of social conformity, reflecting how easily self-doubt can be amplified by the expectations of others. While Anne's growth is evident, Diana's character arc is also impactful as she grapples with loyalty and status. However, the episode occasionally leans into clichés-particularly when addressing Anne's perceptions of beauty-which can feel overly familiar. Despite this, the script succeeds in maintaining the emotional resonance of the narrative, ultimately presenting a layered examination of self-perception and social influence.
The episode's cinematography and editing contribute to its introspective tone. The use of close-ups emphasizes the characters' emotional states, particularly in scenes where Anne questions her own worth. Soft lighting and earthy tones create a sense of warmth and safety in scenes where Anne reflects on her appearance, contrasting with the cooler, more structured lighting of school and social events. This visual strategy enhances the thematic contrast between societal expectations and inner worth. The editing is subtle, allowing scenes to flow seamlessly and giving each character's emotional journey space to breathe. Notably, the editing choices support the narrative's introspective tone, particularly in moments where Anne contemplates her place in the world, adding depth to the character's internal journey.
"The True Seeing Is Within" stands out as a poignant exploration of self-acceptance and the tension between societal expectations and personal identity. Through McNulty's layered performance, Girotti's thoughtful direction, and Walley-Beckett's insightful script, the episode resonates deeply with its audience, encouraging reflection on the importance of seeing beyond appearances. While some narrative elements are somewhat predictable, the episode's core message-about finding worth within oneself-is delivered with sensitivity and authenticity. As Anne continues her journey, her experiences serve as a reminder of the complexities of growing up and the importance of self-discovery, making this episode a meaningful contribution to Anne With an E's overarching narrative.
Did you know
- TriviaThe episode title is a quote from George Eliot's novel 'Middlemarch' - "After all, the true seeing is within."
- Quotes
Anne Shirley: [realizing the truth] Why didn't I put any of this together?
Mr. Malcolm Frost: Let me ask you this. Who have you been listening to recently? Everyone around here? Or that person in here? Hmm?
Anne Shirley: I'm a child, Mr. Frost.
Mr. Malcolm Frost: Poppycock. Children are pure instinct. You should've trusted yourself. Seems to me you've got it all figured out.
Details
- Runtime
- 44m