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Anne with an E
S2.E3
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IMDbPro

The True Seeing Is Within

  • Episode aired Jul 6, 2018
  • 44m
IMDb RATING
8.7/10
2.1K
YOUR RATING
Aymeric Jett Montaz and Amybeth McNulty in Anne with an E (2017)
DramaFamily

An adventure away with the Barrys teaches Anne to trust her instincts. Marilla begins to suspect that her boarders aren't as innocent as they seem.An adventure away with the Barrys teaches Anne to trust her instincts. Marilla begins to suspect that her boarders aren't as innocent as they seem.An adventure away with the Barrys teaches Anne to trust her instincts. Marilla begins to suspect that her boarders aren't as innocent as they seem.

  • Director
    • Ken Girotti
  • Writers
    • Moira Walley-Beckett
    • Lucy Maud Montgomery
    • Kathryn Borel
  • Stars
    • Amybeth McNulty
    • Geraldine James
    • R.H. Thomson
  • See production info at IMDbPro
  • IMDb RATING
    8.7/10
    2.1K
    YOUR RATING
    • Director
      • Ken Girotti
    • Writers
      • Moira Walley-Beckett
      • Lucy Maud Montgomery
      • Kathryn Borel
    • Stars
      • Amybeth McNulty
      • Geraldine James
      • R.H. Thomson
    • 2User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos1

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    Top cast23

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    Amybeth McNulty
    Amybeth McNulty
    • Anne Shirley-Cuthbert
    Geraldine James
    Geraldine James
    • Marilla Cuthbert
    R.H. Thomson
    R.H. Thomson
    • Matthew Cuthbert
    Taras Lesiuk
    Taras Lesiuk
    • Nate
    • (as Taras Lavren)
    Shane Carty
    • Mr. Dunlop
    Dalila Bela
    Dalila Bela
    • Diana Barry
    Jonathan Holmes
    Jonathan Holmes
    • Mr. William Barry
    Helen Johns
    Helen Johns
    • Mrs. Eliza Barry
    Ryan Kiera Armstrong
    Ryan Kiera Armstrong
    • Minnie May Barry
    Aymeric Jett Montaz
    Aymeric Jett Montaz
    • Jerry Baynard
    Deborah Grover
    Deborah Grover
    • Josephine Barry
    Kent Staines
    Kent Staines
    • Rollings
    Philip Williams
    Philip Williams
    • Thomas Lynde
    • (as Phillip Williams)
    Lucas Jade Zumann
    Lucas Jade Zumann
    • Gilbert Blythe
    Dalmar Abuzeid
    Dalmar Abuzeid
    • Sebastian 'Bash' Lacroix
    Ian Downie
    • Ancient Receptionist
    Kirsten Wendlandt
    • Sales Floor Employee
    Joey Coleman
    Joey Coleman
    • Policeman
    • Director
      • Ken Girotti
    • Writers
      • Moira Walley-Beckett
      • Lucy Maud Montgomery
      • Kathryn Borel
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews2

    8.72K
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    Featured reviews

    8fernandoschiavi

    Children are pure instict. You should have trusted yourselfeption, self-worth, and societal expectations

    In Anne With an E's Season 2, Episode 3, "The True Seeing Is Within," directed by Ken Girotti, the series deepens its exploration of inner perception, self-worth, and societal expectations. This episode is centered on Anne's growth as she confronts her insecurities, particularly around her appearance, and navigates complex friendships and misunderstandings. The episode opens with Anne preparing for a school event and questioning her own sense of beauty and identity, illustrating her vulnerability as she struggles with societal standards. Meanwhile, Diana, caught between friendship and societal pressures, faces her own challenges. Anne's journey intertwines with the other characters' personal conflicts, underscoring the show's commitment to exploring different facets of acceptance, belonging, and identity.

    Amybeth McNulty shines in this episode, portraying Anne's sensitivity and inner conflict with an impressive balance of strength and fragility. Her performance captures Anne's vulnerability, particularly in scenes where she contemplates her appearance and worth. The character's interactions with Diana (Dalila Bela) also showcase McNulty's range, as she portrays both joy and a deep-seated longing for acceptance. Bella's Diana is equally compelling, as her struggle between friendship with Anne and societal pressures is brought to life with nuance. Together, they convey the emotional complexity of teenage friendships and the tension between societal expectations and personal loyalty. This episode highlights McNulty and Bela's chemistry, portraying their friendship as both endearing and complicated, mirroring the episode's thematic focus on "seeing" beyond surface appearances.

    Ken Girotti's direction amplifies the episode's emotional depth, emphasizing close-ups that capture the nuanced expressions of the characters, particularly during Anne's reflective moments. His choice to use softer lighting during scenes of self-reflection adds a layer of warmth to Anne's inner journey, subtly contrasting the harsher, brighter tones used in scenes of public perception or conflict. This visual contrast underscores the theme that "true seeing" requires looking beyond outward appearances and societal judgments. Girotti also paces the episode deliberately, giving Anne's emotional journey the time to unfold naturally. This approach allows for moments of silence and reflection that deepen the viewer's connection to Anne and her inner turmoil, lending authenticity to her struggles with self-acceptance.

    Moira Walley-Beckett's script effectively balances moments of introspection with plot progression, allowing characters to confront their inner doubts without losing the narrative momentum. Anne's dialogue, filled with poetic musings, remains authentic to her character while also feeling relatable to the viewer. The script's depiction of Diana's struggle highlights the pressures of social conformity, reflecting how easily self-doubt can be amplified by the expectations of others. While Anne's growth is evident, Diana's character arc is also impactful as she grapples with loyalty and status. However, the episode occasionally leans into clichés-particularly when addressing Anne's perceptions of beauty-which can feel overly familiar. Despite this, the script succeeds in maintaining the emotional resonance of the narrative, ultimately presenting a layered examination of self-perception and social influence.

    The episode's cinematography and editing contribute to its introspective tone. The use of close-ups emphasizes the characters' emotional states, particularly in scenes where Anne questions her own worth. Soft lighting and earthy tones create a sense of warmth and safety in scenes where Anne reflects on her appearance, contrasting with the cooler, more structured lighting of school and social events. This visual strategy enhances the thematic contrast between societal expectations and inner worth. The editing is subtle, allowing scenes to flow seamlessly and giving each character's emotional journey space to breathe. Notably, the editing choices support the narrative's introspective tone, particularly in moments where Anne contemplates her place in the world, adding depth to the character's internal journey.

    "The True Seeing Is Within" stands out as a poignant exploration of self-acceptance and the tension between societal expectations and personal identity. Through McNulty's layered performance, Girotti's thoughtful direction, and Walley-Beckett's insightful script, the episode resonates deeply with its audience, encouraging reflection on the importance of seeing beyond appearances. While some narrative elements are somewhat predictable, the episode's core message-about finding worth within oneself-is delivered with sensitivity and authenticity. As Anne continues her journey, her experiences serve as a reminder of the complexities of growing up and the importance of self-discovery, making this episode a meaningful contribution to Anne With an E's overarching narrative.

    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Drew Barrymore and Pat Welsh in E.T. the Extra-Terrestrial (1982)
    Family

    Storyline

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    Did you know

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    • Trivia
      The episode title is a quote from George Eliot's novel 'Middlemarch' - "After all, the true seeing is within."
    • Quotes

      Anne Shirley: [realizing the truth] Why didn't I put any of this together?

      Mr. Malcolm Frost: Let me ask you this. Who have you been listening to recently? Everyone around here? Or that person in here? Hmm?

      Anne Shirley: I'm a child, Mr. Frost.

      Mr. Malcolm Frost: Poppycock. Children are pure instinct. You should've trusted yourself. Seems to me you've got it all figured out.

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    Details

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    • Release date
      • July 6, 2018 (United States)
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 44m

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