IMDb RATING
6.6/10
2.4K
YOUR RATING
In 19th century rural Vietnam, May is ready to become the third wife of a wealthy landowner. Little does she know that her hidden desires will force her to decide between living in safety an... Read allIn 19th century rural Vietnam, May is ready to become the third wife of a wealthy landowner. Little does she know that her hidden desires will force her to decide between living in safety and being free.In 19th century rural Vietnam, May is ready to become the third wife of a wealthy landowner. Little does she know that her hidden desires will force her to decide between living in safety and being free.
- Awards
- 10 wins & 19 nominations total
Nu Yên-Khê Tran
- Ha
- (as Tran Nu Yên-Khê)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Watch it with a remote in your hand, fast forward button ready to go. At 4x it is still slow, but acceptable. Did not buy the setting of 19th century. Costumes look like out of an H&M store.
There are a lot of things go wrong in this movie, but I will go easy on it just as other critics went easy on film criticism under foreign eyes toward Vietnam as (still) a third world country.
First, casting. Actresses and actors in the movie speak Vietnamese, but imagine filming Brave taking its Medieval Scotland context while the voices contributed are in all other irrelevent accent such as: American English, Southern Australian, me trying to speak English 10 years ago... which is wrong in its first phase of cultural research, not to mention sloppy casting. I mean, you can always ask voice talents to cover for this part, which you did not, and this is offensive to Vietnamese from a linguistic aspect.
Segundas, feminism message through a bunch of symbolism and metaphor. I would not spoil anything, instead I would recommend other better performed movie speaking of this feminism topic: The Moon at the Bottom of the Well (Vietnam), Quay of the Spinsters (Vietnam), Red Sorghum (China), Raise the Red Lantern (China).
Thirdly, please do not preprint "Based on a true story" just to regard film makers perspective and dismiss the importance of cultural setting. The silk making technique in the movie neither represents Red River delta region nor Ethnic villages in Vietnam, we do not make it like that, not even Thai people from nation's Northwest region. We do not hang lanterns like that. Our great great great grandparents' funerals were not done like that! The film makers should have hired knowledgeable cultural consultants to cover those parts (and other parts as well).
It all comes down to fusion food philosophy, fusion restaurants do not brand themselves as authentic "I was born in the country, cooked for an eternity then open this place" marketing strategy; then do not use the name of Vietnam, Vietnamese language, hierachy and chauvinism as an excuse for the line "based on a true story" to bait for views and make other foreigners thinking of Vietnam as a country with such cultural aspects.
Nam mo a di da phat if I want to be mad at art I would have gone to war documentaries! Thanks to the pandemic this waste of time happen!
First, casting. Actresses and actors in the movie speak Vietnamese, but imagine filming Brave taking its Medieval Scotland context while the voices contributed are in all other irrelevent accent such as: American English, Southern Australian, me trying to speak English 10 years ago... which is wrong in its first phase of cultural research, not to mention sloppy casting. I mean, you can always ask voice talents to cover for this part, which you did not, and this is offensive to Vietnamese from a linguistic aspect.
Segundas, feminism message through a bunch of symbolism and metaphor. I would not spoil anything, instead I would recommend other better performed movie speaking of this feminism topic: The Moon at the Bottom of the Well (Vietnam), Quay of the Spinsters (Vietnam), Red Sorghum (China), Raise the Red Lantern (China).
Thirdly, please do not preprint "Based on a true story" just to regard film makers perspective and dismiss the importance of cultural setting. The silk making technique in the movie neither represents Red River delta region nor Ethnic villages in Vietnam, we do not make it like that, not even Thai people from nation's Northwest region. We do not hang lanterns like that. Our great great great grandparents' funerals were not done like that! The film makers should have hired knowledgeable cultural consultants to cover those parts (and other parts as well).
It all comes down to fusion food philosophy, fusion restaurants do not brand themselves as authentic "I was born in the country, cooked for an eternity then open this place" marketing strategy; then do not use the name of Vietnam, Vietnamese language, hierachy and chauvinism as an excuse for the line "based on a true story" to bait for views and make other foreigners thinking of Vietnam as a country with such cultural aspects.
Nam mo a di da phat if I want to be mad at art I would have gone to war documentaries! Thanks to the pandemic this waste of time happen!
The movie was beautifully made, good actors and the music was excellent. The film was strangely both calm and intense at the same time. It clearly shows the woman's view of the traditions, which is still relevant today.
In the opening scene of the movie, it is mentioned that the movie is based on true events, but it was not told on whom it is based. So, it is really hard to believe those claims. The cinematography is beautiful, but the story is so complicated that it is hard to believe that it could be based on true events. It feels as if all the known social taboos are depicted in one joint family. The movie comments on child marriage, multiple wives, teen pregnancy, lack of healthcare, pressure on wife for birthing male child, extra-marital affair, incest, social status, dowry, marriage consummation pressure, suicide, female infanticide, etc. Etc. There is no lack of content in the movie, yet the progression feels slow because of less dialogues and multiple scenes of inanimate objects. I liked it for this very reason.
Beautiful and devastating.
In terms of Shot selection this is incredible.
Did you know
- TriviaFilm debut of Nguyen Phuong Tra My, who was just 12 years old when she was initially cast as the lead character May in The Third Wife. She was chosen among 900 girls by film writer and director Ash Mayfair after a nationwide casting.
- ConnectionsEdited into Between Shadow and Soul (2020)
- How long is The Third Wife?Powered by Alexa
Details
Box office
- Gross US & Canada
- $84,933
- Opening weekend US & Canada
- $3,339
- May 19, 2019
- Gross worldwide
- $336,218
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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