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7.6/10
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This documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, "Hallelujah".This documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, "Hallelujah".This documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, "Hallelujah".
- Directors
- Writers
- Stars
- Awards
- 4 nominations total
Jeff Buckley
- Self
- (archive footage)
Mordecai Finley
- Self
- (as Rabbi Mordecai Finley)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"You look around and you see a world that cannot be made sense of. You either raise your fist or you say hallelujah. I try to do both." Both, simultaneously! So Cohen's song "Hallelujah" arises from the same place as the poem "Thanks" by W. S. Merwin. The raised fist is the easy part.
This requires an almost incomprehensible level of compassion and appreciation. It's beyond emotion, mood, attitude. It's not a product of mind or will. Perhaps it only arrives with age, when mind and will are starting to appreciate their limits.
Back in the old days, I had thought Leonard Cohen was just one more phony. Or as we would say now: the songs, the voice, the attire: it's just performative, just brand-building. Well, I was wrong.
This requires an almost incomprehensible level of compassion and appreciation. It's beyond emotion, mood, attitude. It's not a product of mind or will. Perhaps it only arrives with age, when mind and will are starting to appreciate their limits.
Back in the old days, I had thought Leonard Cohen was just one more phony. Or as we would say now: the songs, the voice, the attire: it's just performative, just brand-building. Well, I was wrong.
It's a documentary on the creative life of Leonard Cohen with particular emphasis on his signature song, "Hallelujah."
The film takes a mostly chronological approach beginning with Cohen's early musical career and follows through to his death. Many people who worked with Cohen, including various producers, are interviewed about Cohen. Some interviews with Cohen, especially by Larry Sloman, and with clips of Cohen in performance are included. A block in the third quarter of the film deals with the many performers who covered "Hallelujah."
This was a nagging disappointment, especially since I've like Leonard Cohen for a long time and included one of his songs in our 1969 wedding. This is really two incomplete documentaries mashed into one. The one that would have interested me the most would have been the spiritual journey of Leonard Cohen. The first half is mostly that, but then it obsesses over "Hallelujah" to the extent of including American Idol performers. The other documentary could have been on "Hallelujah" the song, which wouldn't have needed all of Cohen's background and could have better explored the sacred/secular/sexual aspects of that song.
Still, if you like Leonard Cohen and his music, you will gain some insight in seeing this film. I did, but wished it could have been so much better.
The film takes a mostly chronological approach beginning with Cohen's early musical career and follows through to his death. Many people who worked with Cohen, including various producers, are interviewed about Cohen. Some interviews with Cohen, especially by Larry Sloman, and with clips of Cohen in performance are included. A block in the third quarter of the film deals with the many performers who covered "Hallelujah."
This was a nagging disappointment, especially since I've like Leonard Cohen for a long time and included one of his songs in our 1969 wedding. This is really two incomplete documentaries mashed into one. The one that would have interested me the most would have been the spiritual journey of Leonard Cohen. The first half is mostly that, but then it obsesses over "Hallelujah" to the extent of including American Idol performers. The other documentary could have been on "Hallelujah" the song, which wouldn't have needed all of Cohen's background and could have better explored the sacred/secular/sexual aspects of that song.
Still, if you like Leonard Cohen and his music, you will gain some insight in seeing this film. I did, but wished it could have been so much better.
Leonard Cohen is a name that need only be mentioned to invoke greatness. One of the best songwriter-poets of all time, rivaled only by perhaps Bob Dylan.
And this beautiful cinematic documentary does him justice, to say the least. Cohen's life and career is beautifully chronicled and his immensive songwriting process.
It's a very beautifully shot documentary, and the cinematography and editing is splendid.
Overall, one of the best films of 2022 and one that is definitely recommended for any fans of Leonard Cohen. It's just a beautiful piece of filmmaking and a beautiful portrait of a great man! May his legacy live on.
And this beautiful cinematic documentary does him justice, to say the least. Cohen's life and career is beautifully chronicled and his immensive songwriting process.
It's a very beautifully shot documentary, and the cinematography and editing is splendid.
Overall, one of the best films of 2022 and one that is definitely recommended for any fans of Leonard Cohen. It's just a beautiful piece of filmmaking and a beautiful portrait of a great man! May his legacy live on.
When Leonard Cohen passed away in 2016, the first song that inevitably was mentioned about his career was "Hallelujah". Daniel Geller and Dayna Goldfine's documentary uses that famous hymnal to trace not only the history of that particular song, but Cohen's entire life and career.
The song was first recorded in 1984 but he had been in the process of writing it for at least five years, including, by his own count, going through some 150 verses (Cohen continued to re-write phrases and verses ever after)! "Hallelujah" made little impact upon release and it wasn't until first John Cale, and later, Jeff Buckley covered the tune got major attention.
The movie documents Buckley's version in such detail, that it sidetracks the main discussion for quite a spell. The digression is, unfortunately, a bit emblematic of the Doc as a whole. While the basics of Cohen's life (and this particular song) are adequately delved into, Geller and Goldfine never find a consistent narrative. Fortunately, there is enough quality archive footage along with contemporary interviews with those who knew him including long-time friend Larry Ratso Soloman and producer John Lissauer to flesh out some semblance of a story-line.
The concert footage allows Cohen to be seen and heard in his element over the decades. It's an irony that Cohen only had a Billboard charted single -- after he passed away. It, of course, was "Hallelujah."
The song was first recorded in 1984 but he had been in the process of writing it for at least five years, including, by his own count, going through some 150 verses (Cohen continued to re-write phrases and verses ever after)! "Hallelujah" made little impact upon release and it wasn't until first John Cale, and later, Jeff Buckley covered the tune got major attention.
The movie documents Buckley's version in such detail, that it sidetracks the main discussion for quite a spell. The digression is, unfortunately, a bit emblematic of the Doc as a whole. While the basics of Cohen's life (and this particular song) are adequately delved into, Geller and Goldfine never find a consistent narrative. Fortunately, there is enough quality archive footage along with contemporary interviews with those who knew him including long-time friend Larry Ratso Soloman and producer John Lissauer to flesh out some semblance of a story-line.
The concert footage allows Cohen to be seen and heard in his element over the decades. It's an irony that Cohen only had a Billboard charted single -- after he passed away. It, of course, was "Hallelujah."
Hallelujah: Leonard Cohen, a Journey, a Song left me in its spell, and Cohen's. The film has so may layers, it is uplifting and thought provoking. A beautifully crafted film.
Did you know
- TriviaThe scene where Leonard Cohen is in an interview with Richard Belzer is from Belzer's short lived talk show "Hot Properties" which aired on May 1, 1985. That interview is still available on YouTube under the title "hot prop belz -May 1, 1985."
- GoofsAdrienne Clarkson is credentialed as "Frm Governor General of the Arts in Canada". In fact she was "the Governor General of Canada, the federal viceregal representative of the Canadian monarch" She represented the British Monarchy and represented the head of state, who at her time would have been Queen Elizabeth II.
- Quotes
Leonard Cohen: If I knew where songs came from, I would go there more often.
- SoundtracksHallelujah
Writed and Performed by Leonard Cohen
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Hallelujah: Leonard Cohen, a Life, a Song
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,062,603
- Opening weekend US & Canada
- $24,488
- Jul 3, 2022
- Gross worldwide
- $2,561,531
- Runtime
- 1h 58m(118 min)
- Color
- Aspect ratio
- 1.78 : 1
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