Based on Satyajit Ray's short story "Golpo Boliye Tarini Khuro" about originality versus plagiarism.Based on Satyajit Ray's short story "Golpo Boliye Tarini Khuro" about originality versus plagiarism.Based on Satyajit Ray's short story "Golpo Boliye Tarini Khuro" about originality versus plagiarism.
- Awards
- 5 nominations total
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Featured reviews
Casting NOT proper
The Film is good not Great. The theme is good. The story is wonderful as it is written by a master himself the Great Satyajit Ray. HIt is an ordinary film lacking the magic of great director.
My view is that Paresh Rawal would have been great in Adil Hussain's role and the Tarini's role could have been played by Saswata Chatterjee or Rajatava Dutta...they could have atleast justified the role.... the language problem was clearly seen as the poor choice of director. Unfortunately that is how it is.... A fantastic story sopiled by the wrong choices and understanding of a very ordinary director.
My view is that Paresh Rawal would have been great in Adil Hussain's role and the Tarini's role could have been played by Saswata Chatterjee or Rajatava Dutta...they could have atleast justified the role.... the language problem was clearly seen as the poor choice of director. Unfortunately that is how it is.... A fantastic story sopiled by the wrong choices and understanding of a very ordinary director.
Perfectly captures Rays vibe
I hvnt read the original story but have read many other stories. Film captures the simplistic vibe of his stories.
Paresh rawal is retired from his day job, and is a passionate storyteller. With wife gone and son in US, he is alone, and takes a job of a storyteller in gujrat.
Wont put spoilers but what happens next is good, though bit predictive in the beginning but the climax was food for me. I liked the way it ended. There are things i want to say but thay may act as spoiler.
In the end, everyone wants to be a good storyteller. But only few are inherently good at it. One thing which i felt missing was maybe, rawals character may have told more stories, that wudve added more flavour to the film.
Paresh rawal is retired from his day job, and is a passionate storyteller. With wife gone and son in US, he is alone, and takes a job of a storyteller in gujrat.
Wont put spoilers but what happens next is good, though bit predictive in the beginning but the climax was food for me. I liked the way it ended. There are things i want to say but thay may act as spoiler.
In the end, everyone wants to be a good storyteller. But only few are inherently good at it. One thing which i felt missing was maybe, rawals character may have told more stories, that wudve added more flavour to the film.
No Authenticity and Stereotype
Those unfamiliar with Bengali culture, who haven't read the original story or heard it on "Sunday Suspense" (Mirchi Bangla), might enjoy it. But for someone like me, born and raised in West Bengal, deeply connected to Bengali culture, it's disappointing.
The extreme typecasting and stereotyping of Bengalis, along with the complete distortion of the iconic "Tarini Khuro" character, make it unwatchable. Tarini Khuro was originally an unmarried man who spent his younger years traveling across India and working in countless jobs. In retirement, he preferred the company of children over people his own age, sharing his adventures as stories. But here, they turned him into a married man with kids, showing him as a bit lonely and disconnected from his children, totally contradicting the original essence of the character.
The portrayal of Bengalis was equally frustrating, cutting "sandesh" instead of cake for a birthday, haggling over "ilish maach" prices, and that horribly fake Bengali accent were just unbearable. Paresh Rawal is a phenomenal actor, and I deeply respect his talent, but this role demanded a Bengali actor. Someone like Sabyasachi Chakraborty or Saswata Chatterjee would have done full justice to the character.
The extreme typecasting and stereotyping of Bengalis, along with the complete distortion of the iconic "Tarini Khuro" character, make it unwatchable. Tarini Khuro was originally an unmarried man who spent his younger years traveling across India and working in countless jobs. In retirement, he preferred the company of children over people his own age, sharing his adventures as stories. But here, they turned him into a married man with kids, showing him as a bit lonely and disconnected from his children, totally contradicting the original essence of the character.
The portrayal of Bengalis was equally frustrating, cutting "sandesh" instead of cake for a birthday, haggling over "ilish maach" prices, and that horribly fake Bengali accent were just unbearable. Paresh Rawal is a phenomenal actor, and I deeply respect his talent, but this role demanded a Bengali actor. Someone like Sabyasachi Chakraborty or Saswata Chatterjee would have done full justice to the character.
Treat to watch
Anwar Says: Bengal is land of literary genius and this movie is based on short story of one of them Satyajit Ray -Golpo Boliye Tarini Khuro. What a masterpiece from the pen of Ray , witty with an unexpected twist and shot on the original lanes of Calcutta and Ahmedabad. Thanks to director Anant Mahadevan who has chosen the original surroundings and not with the green curtains.
For the character of Tarini Babu , there couldn't be a better choice than Paresh Rawal. His obsession for fish and Pujo and smoking a non-filter hand made cigarette looks so real. Adil Hussain as Gujju cotton tycoon hiring a storyteller to solve his insomnia can be conceived only by Ray. His calm and composed reactions, even after the twist is a treat to watch. Revathi has nothing much to do. Editing is superb and you just cannot miss even a single frame, even after a slow pace.
Please find time to watch this movie, a soothing experience after much of crime and violence. You will understand the flavour of meaningful cinema.
#disneyhotstar #anwarsays #bengalilitreature #Tagore #pujo #fishlove #storyteller #SatyajitRay #PareshRawal #AnantMahadevan #MaximGorky.
For the character of Tarini Babu , there couldn't be a better choice than Paresh Rawal. His obsession for fish and Pujo and smoking a non-filter hand made cigarette looks so real. Adil Hussain as Gujju cotton tycoon hiring a storyteller to solve his insomnia can be conceived only by Ray. His calm and composed reactions, even after the twist is a treat to watch. Revathi has nothing much to do. Editing is superb and you just cannot miss even a single frame, even after a slow pace.
Please find time to watch this movie, a soothing experience after much of crime and violence. You will understand the flavour of meaningful cinema.
#disneyhotstar #anwarsays #bengalilitreature #Tagore #pujo #fishlove #storyteller #SatyajitRay #PareshRawal #AnantMahadevan #MaximGorky.
Ray's Legacy Shines in Quiet Drama
The Storyteller is a heartfelt ode to storytelling, earning a 7.5/10 for its charm and performances, though its slow pace may not grip everyone.
Adapted from Satyajit Ray's Golpo Boliye Tarini Khuro, this Hindi drama follows Tarini (Paresh Rawal), a Kolkata storyteller hired by insomniac businessman Ratan Garodia (Adil Hussain) to narrate bedtime tales.
The story weaves a clash of artistry versus commercialism, with a clever twist exposing plagiarism and self-discovery. Ananth Mahadevan's direction captures Kolkata and Ahmedabad's soul, with Alphonse Roy's cinematography painting vivid locales. The script, by Kireet Khurana, sparkles with wit but meanders, stretching a lean narrative with an unhurried pace that may test some viewers.
Rawal is magnetic, embodying Tarini's eccentric charm, while Hussain's nuanced Garodia balances insecurity and ambition. Revathy and Tannishtha Chatterjee shine in brief roles, though some subplots feel underexplored. The evocative score, weaving Tagore's melodies, elevates the mood.
The Storyteller is a poignant, well-acted tribute to Ray, best for patient cinephiles craving thoughtful drama, but a tighter edit could've pushed it higher.
Adapted from Satyajit Ray's Golpo Boliye Tarini Khuro, this Hindi drama follows Tarini (Paresh Rawal), a Kolkata storyteller hired by insomniac businessman Ratan Garodia (Adil Hussain) to narrate bedtime tales.
The story weaves a clash of artistry versus commercialism, with a clever twist exposing plagiarism and self-discovery. Ananth Mahadevan's direction captures Kolkata and Ahmedabad's soul, with Alphonse Roy's cinematography painting vivid locales. The script, by Kireet Khurana, sparkles with wit but meanders, stretching a lean narrative with an unhurried pace that may test some viewers.
Rawal is magnetic, embodying Tarini's eccentric charm, while Hussain's nuanced Garodia balances insecurity and ambition. Revathy and Tannishtha Chatterjee shine in brief roles, though some subplots feel underexplored. The evocative score, weaving Tagore's melodies, elevates the mood.
The Storyteller is a poignant, well-acted tribute to Ray, best for patient cinephiles craving thoughtful drama, but a tighter edit could've pushed it higher.
Did you know
- TriviaParesh Rawal A Gujarati in real life plays A Bengali in the film and Adil Hussain An Asamese in real life plays A Gujarati in this film.
- GoofsTarini is seen buying Elish/Hilsa fish at INR 80/- per piece. Some times later Tarini was seen buying and eating sweets at a store where those were priced at INR 15/- , 20/- and 25/- per piece.
Fish price suggests the era of early 2000s while sweets price suggests current era.
- How long is The Storyteller?Powered by Alexa
Details
- Runtime
- 1h 56m(116 min)
- Color
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