Volume 6: The High Priestess

The trama presents us to Yaritza and Jesus moving into L.A., the "sicario" system and the power that both man and woman can posses. The gender perspective is just fabulous. Come.

It's about to hit the fan. I'm having trouble with writing lengthy comments, I always have, not just with this show and its episodes, but I thoroughly enjoyed it. That may not be worth much, or apparent much given that frustrating, general problem of mine, I'm aware. It is unfortunate, but I can't seem to do anything about it, not that I'd even know where to start, and even if I did, I doubt any progress would be made.

Well it seems my wish was granted, as this episode refocuses on Jesus & Yaritza. they get married and head off to L.A. to get their revenge and said word out to their soldiers already in the city to take out Damien and send a message. when the job goes wrong, Jesus must step up and be a leader and take control of the cartel for himself.

this may be the most surreal episode yet, as Yaritza's looks and demeanor absorb each scene with hypnotic suspense. we also get a deeper insight into Jesus and his past, more specifically his relationship with his mother and the strange bond they had. i struggle to really describe the episode, as i feel that most of what i would explain will spoil some of the jaw-dropping moments here. all i will say is this show continues to impress me with each new episode, feeling as if each one is better than the last.

some may get frustrated at this episode as there are a lot of scenes that don't exactly make sense until they're explained later. i enjoy getting lost in the wonder and mystery of it but i also understand that sort of thing may not be for everyone.

ultimately, i cant wait to see what happens when Martin and Jesus finally meet. if these episodes from the latter's perspective tell me anything, its that the detective is screwed.

Volume 6 follows Yaritza and Jesus back in LA where certain things are about to happen.

This was the most surreal episode thus far, yet also offered some more direct character development and plot progression. I definitely enjoy where this storyline is going but what gives me more satisfaction are the moments of pure visual bliss that are as always being flexed on this show. There are certain scenes here that transcend you into a dreamlike state more so than in the previous episodes.

Everything about this show is so intriguing, its hard to perfectly put into words what works so well about it.

I have to say that Yaritzas character bothered me here, simply because she is such a silent and undefined character where I don't know what to do with her. I hope the next episodes change that for me.

TOTDY is a pretentious, self-indulgent, narcissistic,navel-gazing, misogynistic, slow-moving mess that does look great but offers nothing in the way of plot, character development, nuance, real tension or, indeed, meaning. It's what happens when a studio (Amazon Prime) just hands out money to a self-professed auteur without any restrictions. So far, so bad.

In this, the last of the three stronger, arguably more meaningful episodes of TOTDY, the attention again shifts to our less-than-lovable Cartel boy, Jésus, and his return to LA, accompanied by his wife, Yaritza (Cristina Rodlo), aka, "the "High Priestess of Death". That is how she calls herself, and if you think that it's stupid and unintentionally funny, that's because it *is*. But, as pointed out before, we're not dealing with real human beings and their behaviour in TOTDY. They're just puppets in the Nicholas Winding Refn universe.

However, this episode has some rather powerful moments (they, like all the other, weaker moments, are again drawn out ad nauseam), as well as an all-too-brief, but funny cameo by Morgan Fairchild. The episode is also important because it finally ties the two main story lines, that of Martin, and that of Jésus, closer together. The conflict between the two will reach a crisis point, as well as a resolution, in the very next episode.