The Burying Party

An extremely passionate film covering the last 12 months of Owen's life. The cinematography is outstanding and Weston manages to capture a number of emotional scenes that portray Owens shell-shock then determination to be seen as worthy to achieve similar goals to his peers - several handkerchief moments and the viewer is encouraged to explore more of his poetry - I can't read The Show without the emotion getting to me - try to see this gem

A tapestry woven with well-chosen snippets of Owen's poetry, tasteful cinematography, superlative performances and a script that somehow echoes the poetic form itself, this film succeeded where so many other war films fail. A delicate balance of brutality and sensitivity between scenes sets us up for the gut punch finale. On the one hand, we marvel at the eloquence of Owen and his poetic comrades even as they wax lyrical over a few pints whilst on leave; on the other, we're shocked at the horrors these men must endure and inflict on the battlefield. Like Owen himself, we are led inexorably to an ending that starkly evokes the ruthlessness, absurdity and of course, the pity of war.

Beautifully shot and fantastic movie!! I think the film and the director will go a long way! This is something to stand behind!

Anyone who believes quality can only be achieved by a big budget needs to think again. This film is a rare gem. All facets of it - the intelligent script, the sumptuous photography, the heartfelt performances - have been expertly perfected and absolutely nothing is wasted. The brooding foreboding of the WW1 trench scenes contrast with a colourful and true to period depiction of a Bohemian Edwardian life as the young poet, Wilfred Owen, finds affirmation both in his poetry and his personal identity as a gay man. Director, Richard Weston, proves he can deliver on a vision. He is a talent to watch.

The Burying Party is a sensitive and beautiful film about Wilfred Owen, the greatest of the World War I poets. The film celebrates his wonderful poems and portrays his love for Siegfried Sassoon, who was also gay, in a way that is moving, honest, and historically authentic. For too many years, the truth about Wilfred's gay identity has been censored. This film shows how his love for Sassoon inspired Wilfred to become a great poet.