Death of a Ladies' Man

9/10 to catch your attention. If you ever liked even single Leonard Cohen's song this movie is for you. It's fitting tribute to the late poet without actually much mentioning him.

A recipe for a crackerjack film we have here. A charming Lothario who likes his women and drink in equal, superfluous doses, battles karma after a lifetime of misadventure. Gabriel Byrne stars, as he always does. Leonard Cohen tunes play, and that is swell. End of story. Well, not quite.

After getting a dose of his own philandering medicine, professor Samuel O'Shea bellies up to the bar and is soon joined by a parade of hallucinations. Talking ones. Several surreal monstrosities, and then, his long deceased dad, whom he spends most of the film chatting with. It is a clever ploy, the old man getting advice form his very late old man, who is actually a younger version than his son. Ghosts have it pretty good it seems. Without spoiling all of life's important questions, the apparition exists as more of a sounding board for a man in search of himself.

Life, death, mortality, love, relationships, family, reality, a hockey ballet, Frankenstein's monster, it's all here. Shame that it never gets up to full speed after such a wonderful start. Even the escapades that follow, which include a trek from Montreal to lovely Ireland, a spark of fresh romance, and jealousy gunplay, seem rather bland. For so much happening on paper, it is a shame that the screen version doesn't wield more kapow! adventure, either comically, dramatically, or preferably, both. Instead of a classic dramedy, we get a bit of a, um, coma.

Not bad, but oh, what could have been.

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Greetings again from the darkness. For a film that takes its title from a 1977 Leonard Cohen album and includes (I counted seven) songs from the icon throughout the film, we can expect something other than a light-hearted rom-com. And that's before we discover that the leading character is diagnosed with a brain tumor. Writer-director Matt Bissonnette's film was well received on the festival circuit in 2021 and is now being released VOD.

Gabriel Byrne (brilliant, as usual) stars as Samuel O'Shea, a twice-divorced professor based in Montreal and spending entirely too much time with drink(s) in hand. Samuel begins experiencing hallucinations ... all too real hallucinations. Initially these include the Frankenstein monster at the pub, and a bizarre, choreographed hockey ice dance at his son's (Antoine Olivier Pilon) game. From there, the visions get even stranger - often including lip-synching to a Leonard Cohen song. One exception is the recurring vision of his late father (Brian Gleeson), who died as a young adult. These interactions are 'normal' conversations, often filled with fatherly advice.

Once he receives the fatal diagnosis, Samuel does what anyone would do - he heads to the family cottage in Ireland in order to take stock of his life. He also decides to write the novel that he's always wanted to write. This stage of life (waiting to die) and writing the novel can both take many shapes. In fact, Samuel's novel is about his life, his regrets, and about whether a late-life romantic relationship can work. Charlotte Lafleur (Jessica Pare, "Mad Men") enters, having a significant impact on Samuel, his outlook, and his writing.

Younger viewers may find this one a bit difficult to connect with; however, I expect many of those over age 50 will relate very well to what Samuel goes through. The film was well received on the festival circuit in 2021 and is only now getting streaming distribution. It's not perfect, yet it's a creative view of what one experiences after being told their time is limited.

Releasing on VOD beginning September 26, 2025.

College professor Samuel O'Shea (Gabriel Byrne) is a cheating ladies' man in Montreal. He catches his wife cheating in their bed and it's yet another divorce. He starts having hallucinations and is visited by his ghost dad Ben (Brian Gleeson). It's terminal brain disease. He goes to a remote house in Ireland to write his memoirs. Charlotte Lafleur (Jessica Paré) is a local store clerk.

It takes an hour for Jessica Paré to enter the picture. I expected it to be sooner and in Montreal. Then the movie splits into the two locations and I don't care about Samuel's family when he's not there. The story telling is a bit wonky. The surreal hallucinations are a little silly at times. Despite all the issues, this has Gabriel Byrne and he makes this compelling. I do like the big twist despite expecting something exactly like that. The Leonard Cohen songs are an interesting choice, but the film needs to have the guts to go full musical. They do that at the end and that's a little too late. This movie is a bit of a mess, but an interesting mess. I definitely would bring in Paré sooner and have that character be the central premise.

Sorry, let's agree that is also a no pun intended summary line I used. We can fool ourselves, right? As humans we are able to do so - maybe to see things that are not there. And maybe you can now see what I am doing - especially if you have seen the movie. If not come back and read this again. I did not plan it, but it makes sense in the overall story arc of the character Gabriel Byrne is playing.

We try to live life a certain way. We have a moral compass - either it is fine tuned or it is not so much. Byrne takes this and elevates it - his character is not really the most likeable - but those roles are the ones that are the ones that make you want to act I assume. A challenge of sorts - a challenge that he not only accepts but is capable of mastering.

Of course he has help from other actors, the director and cinematography/editing. This is really well told - and even if you do not feel much for him, he is intriguin enough to make it worth your while ...