Daruma

This is a deeply moving film that struck a personal chord with me as the son of a disabled veteran (the lead characters are also disabled veterans). The performances, especially from the hero Patrick, who's in a wheel chair, and his neighbor Robert, with hooks instead of hands, felt raw and genuine. Patrick starts off as a total jerk but still becomes endearing as the plot moves along. The little girl was also surprisingly good and the road trip scenes were beautifully shot. While the film isn't perfect, it's a beautiful story that made me laugh and got me choked up a couple of times so I can easily forgive the flaws.

I don't want to post any spoilers but if you've got kids (especially daughters) keep a box of tissues handy when you watch this movie because you will need them. I have a young daughter and watching Patrick go through the steps he needed to go through in order to become not only a better man but the man and the DAD that Camilla needed was cathartic and painful at the same time. I was watching him and watching his struggles (the actor who played him was very good too) and then watching his neighbor own up to his own mistakes with HIS own family... wow. I did not expect such depth and nuance from an indie film like this. It was really well done and I will be thinking about it for days to come.

Daruma is a triumph of authentic storytelling. As a disabled woman, it's rare to see characters who reflect not just my experiences but my complexities, dreams, and flaws (and desires!!!!). This isn't a story about disability-it's a story about friendship, resilience, and confronting life's messy moments. The bond between Patrick and Robert is deeply human and emotionally raw, capturing the frustrations, humor, and beauty of their journey. Watching this film felt like being truly seen, not for my disability, but for the person I am beyond it. The performances are nuanced and magnetic, drawing you into a narrative that's as relatable as it is moving. Daruma doesn't preach; it connects. It's a film I'll carry with me, grateful for the way it made me laugh, cry, and, most importantly, feel seen.

I've seen this film twice now (once on the festival circuit and then in person in LA at a screening) and I loved it even more the second time I saw it (if that's even possible). Everything about this film: from the acting, to the writing, to the cinematography, to the determination of the filmmakers to get it made and out into the world is a triumph of independent filmmaking. It's so hard to make a movie and even more so to make one that stars authentically cast actors but this film does it and does it exceptionally well. If you want to support authentic storytelling and indie filmmaking, please check out this film. Everything in Hollywood is based on sequels and big set pieces but this movie is like a throwback to that wonderful time in the late 1990s and early 2000s where films were centered on characters and their stories. It's like the film's tagline: fall down seven times, get up eight. Maybe the success of this film can help encourage others to make films like this and demonstrate an audience for this kind of storytelling. Well done to everyone involved.

This is a well-made film with classic indie vibes and a touching father-daughter relationship at the center of the story. It stars a pair of surprisingly strong actors with actual disabilities and very cute little girl. There are a couple of recognizable faces who are clearly there for more than marketing value. If you're a fan of Blue Bloods you'll appreciate a very different kind of role for Abigail Hawk (Detective Baker) and Barry Bostwick, who I know mostly from comedic roles and Rocky Horror, lends some genuine gravitas to this film and got me a little choked up. If you like indie roadtrip movies, definitely watch this one.