Enormous

A man switches her wife contraceptive pills with sugar pills because he wants a baby but she doesn't want and therefor he gets her pregnant against her will... and this is suposed to be a comedy...shockingly it's directed by a woman

A dysfunctional couple: she's a famous piano player, he is organising her professional life and doing everything for here so she can focus 100% on her work. Actually he is living her life and they have no children because she doesn't want to. One day he decides that he wants a child and contributes to her pregnancy by replacing her pill with sweeteners and she gets pregnant. Here I stop my boring review because the movie is even more boring. Apart from a few funny scenes (all in the trailer) the film is dramatically amateuristic. Don't waste your time and thank me for that.

But at the end it s too much. The First half hour of the film is phemomenal, especially the editing is sharp, after that the film becomes more typical French, during the pregnancy, with over the top slapstick of the father who wants so badly a baby. It could have been a masterwork, but clichés about pregnancy are becoming to big and the film too long. I saw the première of the film in the International Film Festival Rotterdam. Still some moments I won ' t forget which is Good for a comedy

I can't believe this film was centered on the narcissist, self obsessed, stupid, immature, lame man child. I was craving for HER perspective on a unplanned and unwanted pregnancy, not the lame husband's!!!!! What a disappointing approach. Yes, being nurturing is not on every woman's DNA, but it lacked more substance that really supported this message. I can't believe everyone in the film gaslights Claire even though she didn't want to be pregnant in the first place!!!! Wow. I thought French were more progressive but I was so wrong. Avoid at all costs

The film's desire to break up is interesting, with a provocative approach that turns an abusive relationship into an element of comedy. The husband's love is manipulative and oppressive here, but at no time justified. He is an asshole, but she is passive. It is one of the most disturbing portraits of a relationship. And, as the story progresses, the comedy gets blacker, darker, until the last part in which he remains in the shadow, while she lights up.