World on Fire

Really amazed at amount of critical reviewers who base their criticism of a drama on history. This is a fictional account of some personal experiences of WWII not a documentary. Using your criteria, then all drama must be reviewed in terms of history and condemned if not absolutely accurate. Also, amazed that some reviewers are concerned about the bad depiction of Nazis and the display of blatant homophobic remarks as well as using the typical PC attack. I do see homophobic remarks in many reviews of any movie/series that has major gay roles. Looks like lots of right-wing and possibly Nazi nuts reviewing this but I guess that is to be expected when WWII related presentations are involved. But even with all this negativity, it has a decent rating because this series is well presented and acted. Great dramatic presentation of personal experiences and the challenges and heartache they faced in a horrific crisis.

Good premise spoiled by soap opera level plotting and wildly implausible plot contrivances and character motivations.

Acting is wildly uneven - Sean Bean is great as always, as is the Polish girl but the fella playing Harry is absolutely hopeless.

Almost injured myself eye-rolling when a character apparently walks from Poland to Dunkirk.

Disappointing

1/10.... reallly? Poor acting... really?

You are on this forum, as am I, for ONE reason - to convey the cinematic qualities of what we have before us. This is NOT a historical debate forum. I'm glad we got that out of the way....

World on Fire delivers. It doesn't deliver historical accuracy - but it delivers "the sense of the moment" and it does so pretty damn well.

This is a half full glas and it's contents are pretty tasty. Any review below 6/10 cannot be taken seriously.

Enjoy.

This well intentioned series surprises in some ways. After seeming cliched at first the characters surprise with some unexpectedly interesting stories that cover unfamiliar WW2 movie ground. The Polish point of view at the beginning of the war is interesting. The triangle between the pretty Manchester singer, the feisty Polish resistance fighter and the soldier translator caught in between is quite amusing. The best story is the initially nasty Mother of the guy and how she comes round to the working class Sean Bean and the Polish refugee boy. Some characters seem like forced inclusion for diversity. Like Helen Hunt's reporter concerns over euthanasia programmes and the gay doctor and his lover. Some "modern" themes of shell shock and doubt are portrayed here. No comic book super heroes here.

It takes some concentration to get used to the different characters but once you get them sorted out it's quite good.

Of the cast Leslie Manville stands out. The Polish actress who plays the resistance fighter is convincing and authentic. Jonah Hauer King looks like he comes straight from a WW2 poster. The cast is fine but the directing could be more clear. Another fault is the Manchester accents of some of the cast are too thick to understand.

Surprisingly well made and engrossing.

This is for people who want to know about confusion and pain, not the shoot them up pastiche of war that is typical. It's sibjective approach means it has nine of the grand narative, but that's exactly right for the humane film it is