Weaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist's singular voice and complex co... Read allWeaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist's singular voice and complex cosmology.Weaving blistering performance footage from Europe, Japan, and the U.S. with a sublimely restrained, intimate glimpse into a world-renowned jazz percussionist's singular voice and complex cosmology.
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- 2 wins & 2 nominations total
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Featured reviews
This was by far one of the best and more interestingly put together documentaries I have ever seen. To me, it felt more like a portrait than a documentary in that it had no intention of telling a linear story of Milford Grave's life and career, but rather focused on short bursts of archival footage which illustrate central themes in the subject's work.
The editing is inventive and totally in sync with the pacing of the film and with Milford's playing and speaking. When I was told that the film has no voices or music besides Graves' I wasn't sure how well that would keep my attention for an hour and a half. The pacing of the film, however, kept me interested and wanting more. The archival footage is amazing and is seamlessly interwoven with present-day interviews.
This might be the best music documentary I've ever seen. Milford Graves (look him up) is an unusual jazz musician, with a singular artistic sensibility, taking his drum rhythms from his own and others' bodies. He experiments with recordings of heart sounds (ECG, the whole works), learns about neural pathways and how they connect with movement and sounds. On tour in Japan, he is to perform in a school for autistic kids--we get to experience the show through archival footage--we see how the tense children, each rocking to their own unhappy inner tune, start gravitating to Graves, as his drums revel in a kind of primal ritual sounds. They are all dancing and moving, some coming close to touch the drums, the source of the rhythm. Jake Meginsky is also a musician, and it took him 15 years of learning from and following Graves to make the movie. The film sings and breaths, and moves, the images in sync with the music.
It's a must see for jazz and film lovers--right now the film premiered at the Lincoln Center's Art of the Real festival, but I am sure it will find distribution. See it!
The film is really kinda of waste of time, messy editing, noisy sound and non-narrative storyline.
Diving into this film is a life changer! Milford Graves appears to be a extremely generous human being, following his own path to many great discoveries. Where science meet politics, esoterism and underground jazz history meets botanics, martial arts meets love, and art teaching meets engagement! one of the most vibrant musicians of our times open his doors to a very respectfull cinematographer, letting us listen to an essential voice of the 20th century! Beautifull film!
I have been trying to tell people about Professor Milford Graves for more than forty years, and have found it very difficult to explain why he is so special and so important. Full Mantis will tell you everything you need to know. Jake Meginsky has done a magnificent job of capturing Milford's spirit in a way that almost everybody will be able to understand. Nurturing healing benevolence -- there's some GOOD MEDICINE in this movie!
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Box office
- Gross US & Canada
- $26,566
- Opening weekend US & Canada
- $7,407
- Jul 15, 2018
- Gross worldwide
- $26,566
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
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