Billie

This could've been a good documentary about Billie Holiday. For me, this doc had poor balancing of the elements in a very complicated life. As others have mentioned, I don't know why the life of the interviewer/biographer was enmeshed in a film about Billie. If they want to tell Linda's story, they should make a separate movie about her. This movie gave me a chance to see some video clips of Billie singing that I haven't seen before. There were a few insightful remarks about Billie from some musicians who worked with her. Overall, I don't think justice was done in telling the life story of Billie. She was a unique singer who influenced every other singer in her day. I would've liked the focus of this film to have been on that.

Refreshingly direct and to the point, this documentary doesn't mince any words and pulls no punches. It's Billie's story right in your face and told by many who really knew her and who had no interest in propagating fantasy versions of Lady Day. The attention paid to the woman who did all the hard work to get these stories told is in no way disproportionate and we owe her a debt of gratitude. Respect!

It's a documentary on the singer Billie Holiday based on research and oral interviews by Linda Lipnack Kuehl, who died in 1978 under mysterious circumstances, which meant she could not finish the book she was writing about Holiday.

I watched this movie because I was very disappointed when I watched "Lady Sings the Blues" (1972) starring Diana Ross playing Billie Holiday. The story told in that movie seemed to have a passing connection to reality, and much of it was pretty bad despite the praise Ross received for playing the role. Ross did not have the depth to play such a complex person.

This 90-minute documentary makes excellent use of Kuehl's audio interviews of musicians that worked with Holiday, friends from her early life, and people like one of the pimps from her early life as a prostitute. It was chilling to hear him laugh about prostitutes liking to be beaten up. Accompanying the interviews is a lot of Holiday music and film footage that matches well the interviews. The most striking musical piece for me was "Strange Fruit," which explicitly references victims of lynching as the "strange fruit."

In my mind, if you want to learn about the real Billie Holiday, this is the film to see.

I don't know whether it's interesting or not that this intended writer of a bio on Billie - starting out just because she was a fan - like the rest of us - is white, Jewish woman but the amount of time this docu/biopic spends on the writer, who never completed the work before dying, is ridiculous and uninteresting. Way, Way too much screen time devoted to this other woman's life - which, when you've got footage and interviews of and about LADY DAY BILLIE HOLIDAY - it's mind-boggling to devote so much time on this one woman's attempts to write about Billie. Very odd style and underwhelming - which only left me desperately wanting to see and hear more of Billie and much less of this other distracting stuff. Badly done. R.I.P. TO THE LATE, GREAT BILLIE HOLIDAY.

I don't know why so many here are mad that the film talked about Linda. I also don't know anybody needed this film to understand Billie's music. This film is about these amazing interviews that Linda took years to get, and in the process, probably died for them. Without Linda's obsession, there would be no film. I am just so grateful that she did this before all these people who personally knew Billie died. And it sounded like many of these folks were glad to have their voices heard to set the record straight. Linda instinctively understood the cultural importance of these accounts from the very mouths of people who had to endure Jim Crow crap with Billie. I loved the weaving of Billie's radio interview and her London TV appearences throughout. I also loved the amount of time this spent on her childhood, and her relationship with the songs Strange Fruit and Don't Explain.