This Is Your Song

The challenges of making a realistic film about a relationship near it's end are considerable. Capturing the truth means showing a lot of mess. And when you have mess, you run the risk of making the characters so flawed, they become unlikable or unwatchable. But the filmmakers here manage to pull off the balancing act. These characters are real and we feel their pain. But they also remain relatable throughout. Flawed, but always very human. Add to this the movie-making challenge of telling this compelling tale in one, unbroken 97 minute shot. Not easy! Films like Hitchock's Rope and Sam Mendes' 1917 (both single take concepts) are good films. But their energy can drag at times, as cinematic energy is often created through editing. But this movie does a remarkable job of keeping the energy up in that same difficult single-take technique. I think this is achieved by the terrific acting and the director's sure hand. There's much to celebrate in This is Your Song. It's absolutely worth checking out!

Holy cow! This film is just exceptional! Lets begin with the acting because if that sucks we're all done right??!! The two leads were out of this world incredibly good. Their chemistry was sensational. This is what held me and kept me glued in. Great casting for sure, my hats off to the casting director. This is wonderful storytelling on every level. Bravo to writer/director Hassan Said! I found zero flat spots in this gem of a film. Loved the pacing it moved along at a really nice pace. Clearly this film gets a thumbs up from me. Well done folks! You should all be very proud of yourselves on this very fine film you all have produced!!

This is Your Song tells the story of Jules (Briana Walsh) and James (Jordan Potch) on the night of their seven-year wedding anniversary. While the relationship is on the rocks Walsh and Potch create flawed yet likable characters. The costuming and set design are perfect for setting the mood and tone in this dark and gritty film. The camera work makes you feel like a voyeur through the passionate fight and make-up scenes. The highs and lows of the relationship are well-depicted through the music choices.

Both in lighting and theme, this story is reminiscent of the movie Biue Valentine, but it is unique. The way the director expresses the love and hurt that each has felt in the relationship keeps the viewer tuned in to see what will happen.

My one complaint is that the lighting made it difficult to read the actors' expressions during highly emotional scenes.

I loved the references to San Francisco both verbally and by the visual montage.

While the story is a slow burn it is worth seeing all the way to the end.

Attending the LA premiere of THIS IS YOUR SONG proved to be an unexpected yet enriching cinematic voyage. Unacquainted with much beyond the trailer and the promising directorial finesse of Hassan Said, the film unfolded as a poignant reminder of the profound impact storytelling can have on the expansive canvas of cinema. An ode to character-driven dramas, THIS IS YOUR SONG emerges not just as a film but as a masterful composition, reverently tipping its hat to the cinematic classics while confidently charting a contemporary narrative course.

The performances, particularly from the debut leads, are a revelation-an emotive symphony that oscillates between celestial highs and gut-wrenching lows. The unexplored realms of emotion, traversed effortlessly by these first-time actors, lend the film a rare authenticity.

Beyond its narrative prowess, THIS IS YOUR SONG transcends the confines of mere Oscar-worthy recognition. It stands as a courageous plea in an industry that often sidesteps original, risk-taking auteurs, carving its own niche in the modern Hollywood landscape.

Yet, the film's triumph extends beyond narrative and performances. It resuscitates the collective theater experience, elevating it beyond mere nostalgia into a vibrant testament to the enduring power of storytelling on the grand screen.

In moments that left me trembling, THIS IS YOUR SONG etched a visceral cinematic experience rarely encountered in recent memory. Its poignant portrayal of love, both gained and lost, resonates profoundly, leaving an enduring imprint. Far more than a gem, this cinematic marvel is a triumph-an invitation to celebrate ingenuity and embrace the inherent risks that define true artistry.

Welcome back real filmmaking, I thought while watching this film. It's an impressive cinematic achievement since most of the story is done in two long takes. But this impressive feat still serves the story not the other way around. The story focuses on a relationship between two emotionally-scarred and passionate artists. Their Bohemian dreams haven't panned out the way they were expecting and it is time to take stock of their relationship. Briana Walsh and Jordan Potch are excellent in the emotional tug of war between their characters. You can see their desires, love, passion, and pathos play out in dialogue reminiscent of classic American dramatists like Edward Albee, Tennessee Williams, and Arthur Miller. This film has a classic feel to it in its lighting and set design. The long takes never feel stagey or call too much attention to themselves because of the capable camerawork and the focused direction of the director, Hassan Said. How he blocks a scene and the subsequent changes in lighting makes this cinematic, not just a theatrical experience. But it's the two characters that make this film a moving experience. They embody what Kerouac would call mad to to live, mad to talk, mad to be saved, desirous of everything at the same time. Their emotions turn on and off like the neon street signs outside their windows. If you enjoy classic films, smart dialogue, and innovative filmmaking, this is a film to watch.