The Red King

Mum and I watched this together and both felt it got off to a powerful start and then began to lag by about episode 3. The main part could have done with a better actress, let's be honest. We felt her character was also badly written; her running around like a bull in a China shop without any precaution or reserve soon became wearisome. Towards the end her character took a highly unbelievable full-turn. The plot-holes in the story became far more evident also, which meant the climax was not as exciting. Despite all of this criticism it was still worth a watch and was at least a far better alternative than the Hollywood sequel of the Wicker Man.

"The Red King" emerges as a genre-defying series that intricately weaves elements of traditional police procedural with the eerie undertones of cult classics like "The Wicker Man." Set against the backdrop of a secluded Welsh island, the narrative follows Sergeant Grace, portrayed with compelling depth by Anjli Mohindra. Her character, a whistleblower ostracized from her previous post, finds herself grappling with the island's insular and mystifying ethos.

The series expertly employs a slow-burn narrative approach, reminiscent of "Midsomer Murders," yet infused with a palpable tension akin to "Hot Fuzz." This pacing allows the mysterious and slightly grotesque local customs to unfold with a rhythm that entices the viewer into its increasingly opaque world. The cinematography reinforces this mood, capturing the stark beauty of the Welsh landscape while accentuating the isolation that envelops Grace.

Supporting performances, particularly by James Bamford as Constable Owen, offer a nuanced counterbalance to Mohindra's intensity, enriching the dynamic between the outsider law enforcement and the wary local populace. The plot thickens around the disappearance of a local boy, unraveling over episodes peppered with subtle hints of gore and ritual, culminating in a finale that challenges the viewer's moral compass.

"The Red King" also deftly incorporates thematic elements of folklore and myth, portraying the local population's adherence to a cryptic cult. This motif is visualized through the use of symbolic and unsettling mask imagery, which serves as a constant reminder of the community's arcane secrets. The narrative complexity is further enhanced by the script's sharp dialogue and the characters' ambiguous moral alignments, creating a tapestry rich with thematic depth.

In sum, "The Red King" stands out as a meticulously crafted series that blends crime-solving with psychological horror, offering a fresh take on the detective genre. Its ability to maintain suspense while slowly peeling back layers of character and plot invites comparisons to the slow, menacing unravel of a classic Hitchcock thriller. For aficionados of finely tuned suspense and folklore-infused narratives, "The Red King" promises a uniquely haunting viewing experience.

Grace, Anjli Mohindra, is a police sergeant transfered, as a punishment, to replace Guffud,Mark Lewis Jones, the recently retired sergeant on a remote island off the Welsh coast. She is in charge of the entire island force. That is her and a constable, Owen, played by James Bamford.

This series has obvious similarities to the classic film 'the Wicker Man' with a solitary outsider police officer and a local population unwelcoming to incomers, although in this case Grace does slowly get Owen on side in the investigation of a local boy who went missing a year previously. She conducts a search of the island and inevitably finds a body and challenges Guffud on his inept handling of the investigation when he was in charge.

Trying to get the truth from a population that all seem to be members of a weird cult and spend much of their time wearing strange masks. Full marks to Grace for taking up the challenge.

I enjoyed this series and found Anjili Mohindra a very engaging character and definitely wanted her to suceed.

Although this series is basically a police drama with a case to solve the whole weird cult thing and the slightly creepy locals make this a bit different to the normal formula.

I'm not sure the welsh tourist board will be to enthralled with the idea that it has places where the locals are members of a religious cult and seem to be a few brain cells short of an amoeba.

Some class A hammy acting add to the fun and creepiness with the odd piece of gore to satisfy the horror lovers.

It isn't the fast paced sort of drama you get with modern police series, more a Midsommer Murders meets wicker man vibe.

All in all a decent binge watch and hopefully a second series will materialise.

The Red King: Very much a homage to The Wicker Man rather than a pastiche or a rip off. Sergeant Grace Narayan (Anjli Mohindra) is posted to the remote Welsh island St Jory after troubles in her Newcastle station where she was a whistleblower. Narayan is just as much by the rule book cop as Sergeant Neil Howie in The Wicker Man, it's not long before her inability to let anything pass has her at odds with many of the locals. And these are odd people, the island was once dominated by The True Way, a cult that carried out human sacrifices and worshiped Pagan Gods. That's all in the past thought, isn't it? When Narayan arrives there is a parade in progress, with the islanders masked up as they dance around tourists. Once the tourists have departed the cavorting locals stop and become sullen. The sergeant stays at The John Barleycorn inn, the landlady has a quirky daughter who takes more than a casual interest in Narayan, Then of course we have a missing youth, the islanders are generally silent about this. Things get stranger as the plot unfolds with murders and suicides, some violent gory scenes and a general feeling of unease infuses the story. The previous sergeant is still present and is obstructive. The Lady if the isle carries on as if it is her fiefdom. More of Narayan's back story is revealed and it looks as if a much wider conspiracy is at play. Everything which is happening might also be part of a ritual, Pagan motifs and imagery are ever present. A pretty good addition to the British Folk Horror TV Canon. Created & Written by Toby Whithouse, Directed by Daniel O'Hara. Six episodes on Alibi Channel. 8/10.