You Won't Be Alone

Dark, slow, disturbing, poetic, beautifully shot, tender, makes you ponder your existence, and one of the best portrayals of a witch I have seen.

Watched at Cinema 21.

Witch movies haven't always been my favourite subject. I find a lot of them too subtle and that they dance around the subject rather than going right at it. That isn't a problem in 'You Won't Be Alone'. The film gives us the viewpoint from their perspective and it is refreshing.

The film has some pretty messed up stuff in it. The opening scene really sets the tone for just how grim it is willing to get. It was tough to watch in certain parts but the film was certainly better off for it.

It is a little slow and is going to lose some people in that way. It's also not particularly scary horror if that is what you're going into it hoping for. It is a very clean and well made film though with a uniquely interesting and original narrative. 7/10.

Greetings again from the darkness. Perhaps you are a normal movie lover and have never wondered what it might be like if director Terrence Malick delved into the horror genre. Well, the first feature film from writer-director Goran Stolevski gives every indication that he has spent entirely too much time with such thoughts. This arthouse folk horror film will likely frustrate many with its unconventional approach, odd narrative, and spiritual narration that hardly contributes to the characters in the story.

Opening in a remote mountain village in 19th century Macedonia, we witness a 'Wolf-eatress" witch named 'Old Maid Maria' (Anamarie Marinca; 4 MONTHS, 3 WEEKS AND 2 DAYS, 2007) visiting a mother (Kamka Tocinovski) and her newborn baby. It turns out Maria has a taste for newborn blood, but the mother negotiates a deal which would allow her to raise her daughter Nevena until Maria takes her in teen years. The child is then hidden away in a cave, isolated for years and mostly feral when Maria returns. Teenage Nevena (Sara Klimoska) knows nothing of the outside world and sets out on her journey of life lessons, guided by Maria, a witch who may or may not have her best interests at heart.

Shape-shifting, or assuming the form of their victims is a trait that Maria passes along to her protégé. This process is quick and brutal, and we see it played out along the way as Nevena takes over a local mother (Noomi Rapace), so as to get a taste of normalcy, a wolf (just because?), a man (Carlota Cota) so as to absorb power and experience sex, and a young woman (Alice Englert) in order to give birth to a child. This shape-shifting is referred in the movie as "dressed in corpse", which is a spot-on description. The Wolf-eatress follows closely, but does give her new daughter the space to explore humans, though Maria does not share the appeal.

There are some excellent scenes in the film, but it leaves the impression of trying too hard to come across as Malick doing horror. Still, with some similarities to Robert Eggers' horror gem, THE WITCH (2015), there is enough atmosphere of terror to keep us engaged and working through the often-confounding narration. As a bonus, it leaves us with the perfect final line, "And yet ..." Opening in theaters on April 1, 2022.

This is NOT a casual watch, nor is it really a horror film in the traditional sense. You Won't Be Alone is so bizarre, unconventional, and sometimes grotesque that I'm honestly baffled that it got funding. But I'm very glad that it did.

It's technically a witch movie, but it's also kind of an alien movie. Let me explain...

No spoilers here, but the premise follows a young witch in the 19th century who was kept isolated from humanity until adulthood, then experiences what it's like to be human for the first time by taking over the bodies of villagers and living out their lives.

The rest of the film is a soulful meditation that is essentially an alien observing how humans think, feel, and how they treat one another. It gives a very unique perspective on the simple things in life that we often take for granted, both good and bad.

It made me grateful for the full spectrum of human pleasures and pains-happiness and heartbreak.

The weirdness of the witch elements and the story's slow pace will definitely turn a lot of people off. The fact that a good chunk of the film just portrays normal simple lives being lived makes some moments feel rather repetitive. Sometimes I found myself thinking "I get the point, and I like the point, but let's move on now."

Still, this is one of those films that had such ambition that I can't help but admire it-even the small stuff I didn't personally care for.

If you are in a thinking mood, this is a soulful, dark drama that will certainly satisfy.

Imagine what you'd do, living life without a clue, growing up inside a cave, a mother's one and only slave, until such time does come to pass, you're a fully grown up lass, but there's dust between your ears, years and years devoid of peers; then you're freed by an old maid, a sorceress has come to aid, taking you as an apprentice, the omens are truly portentous, she's a little overcooked, and her talons are quite hooked, quite a disaffected soul, you may well pay, a hefty toll.

Absolutely nothing to do with witchcraft or horror once you've peeled away the skin, but a magnificent and engaging exploration of the influences and effects that take their toll and shape your soul.