Marakkar: Lion of the Arabian Sea
- 2021
- 3h 1m
IMDb RATING
5.8/10
9.5K
YOUR RATING
Set in the 16th century, the story of Kunjali Marakkar IV, the naval chieftain of the Zamorin of Calicut, and his organization of India's first-ever naval defense against European forces.Set in the 16th century, the story of Kunjali Marakkar IV, the naval chieftain of the Zamorin of Calicut, and his organization of India's first-ever naval defense against European forces.Set in the 16th century, the story of Kunjali Marakkar IV, the naval chieftain of the Zamorin of Calicut, and his organization of India's first-ever naval defense against European forces.
- Awards
- 6 wins total
Innocent Vareed Thekkethala
- Namath Kurup
- (as Innocent)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The grand scale of production values such as Art, VFX, series of mega actors, costumes,Songs, Cinematography all would make one think here is Malayalam movie's KGF and Bahubali. First half is crisp and engaging. Pranav Mohanlal portion was very well done. Apart from some miscasting and every one using their own slangs , first half was very impressive.
Second half started of with long cliche melodrama that will put shame to the word cliche. From that point script and director did not know what to do and how to take it to a climax.
Any how, watch it for the first half, for the grandness never seen in malayalam movies before.
Second half started of with long cliche melodrama that will put shame to the word cliche. From that point script and director did not know what to do and how to take it to a climax.
Any how, watch it for the first half, for the grandness never seen in malayalam movies before.
Don't expect much from this filim, watch it like a epic movie a real life story without adding any extra items they ve presented well,if u want a movie like kgf or Bahubali don't go for this one u will be disappointed acting of pranv Mohanlal is superb 🔥
Overview: "Marakkar: Arabikadalinte Simham" is a cinematic spectacle that boasts intense action sequences, commendable performances, and a storyline that, while thin, serves as a backdrop for the film's visual grandeur.
Visuals: The film's visual composition is nothing short of stunning, with each frame resembling a meticulously crafted painting. The combined efforts of the cinematography team, art department, and director are deserving of high praise for creating such a visually arresting experience.
Special Effects: The VFX work in "Marakkar" is arguably the finest within the Malayalam film industry to date. In contrast to other high-budget Indian films, "Marakkar" exercises restraint in its CGI usage, opting for a balanced blend of visual effects and practical effects that enhance the narrative without overshadowing it-a decision that will likely age well over time.
Design and Artistry: Both costume design and art direction are standout elements, successfully navigating the director's vision of a story that is 30% historical and 70% fictional. The film's aesthetic choices effectively support this creative balance.
Music and Performances: The soundtrack adds an enjoyable layer to the film's atmosphere, while the cast delivers solid performances across the board, despite some characters receiving limited screen time.
Narrative Challenges: However, the film's narrative is encumbered by an excess of characters who fail to justify their presence, leading to a bloated runtime and a sluggish pace. Those seeking a traditional historical drama may find themselves underwhelmed, as the film lacks emotionally resonant moments with its protagonist, Kunjali Marakkar IV, save for the intense final sequence and ending song.
Authenticity: A notable shortcoming is the film's inability to authentically reflect its historical setting. The dialogue lacks period-specific nuances, often indistinguishable from contemporary vernacular, which detracts from the immersive experience.
Screenplay and Theme Music: The screenplay's mediocrity is a significant detriment, undermining the film's potential impact. Additionally, while the theme music is functional and occasionally evocative, its repetitive nature is noticeable.
Conclusion: Despite not meeting the lofty expectations set by its pre-release buzz, "Marakkar: Arabikadalinte Simham" is a commendable effort that showcases the dedication of a large creative team. It represents a bold venture in the Malayalam film industry, with a budget that surpasses typical box office returns.
Verdict: "Marakkar: Arabikadalinte Simham" is a film best appreciated on the big screen, offering a watchable experience that highlights the fruits of collective ambition and hard work.
Visuals: The film's visual composition is nothing short of stunning, with each frame resembling a meticulously crafted painting. The combined efforts of the cinematography team, art department, and director are deserving of high praise for creating such a visually arresting experience.
Special Effects: The VFX work in "Marakkar" is arguably the finest within the Malayalam film industry to date. In contrast to other high-budget Indian films, "Marakkar" exercises restraint in its CGI usage, opting for a balanced blend of visual effects and practical effects that enhance the narrative without overshadowing it-a decision that will likely age well over time.
Design and Artistry: Both costume design and art direction are standout elements, successfully navigating the director's vision of a story that is 30% historical and 70% fictional. The film's aesthetic choices effectively support this creative balance.
Music and Performances: The soundtrack adds an enjoyable layer to the film's atmosphere, while the cast delivers solid performances across the board, despite some characters receiving limited screen time.
Narrative Challenges: However, the film's narrative is encumbered by an excess of characters who fail to justify their presence, leading to a bloated runtime and a sluggish pace. Those seeking a traditional historical drama may find themselves underwhelmed, as the film lacks emotionally resonant moments with its protagonist, Kunjali Marakkar IV, save for the intense final sequence and ending song.
Authenticity: A notable shortcoming is the film's inability to authentically reflect its historical setting. The dialogue lacks period-specific nuances, often indistinguishable from contemporary vernacular, which detracts from the immersive experience.
Screenplay and Theme Music: The screenplay's mediocrity is a significant detriment, undermining the film's potential impact. Additionally, while the theme music is functional and occasionally evocative, its repetitive nature is noticeable.
Conclusion: Despite not meeting the lofty expectations set by its pre-release buzz, "Marakkar: Arabikadalinte Simham" is a commendable effort that showcases the dedication of a large creative team. It represents a bold venture in the Malayalam film industry, with a budget that surpasses typical box office returns.
Verdict: "Marakkar: Arabikadalinte Simham" is a film best appreciated on the big screen, offering a watchable experience that highlights the fruits of collective ambition and hard work.
Dialogue deliverance not up to the average
Not even a single dialogue to be remembered back
Vfx seems to extremely improved in accordance with Malayalam film industry
Average film 🎞 rather than a big budget promotion film.
Not even a single dialogue to be remembered back
Vfx seems to extremely improved in accordance with Malayalam film industry
Average film 🎞 rather than a big budget promotion film.
Marakkar is a decent attempt and a one time watch (sans the hype). The cinematography, costumes, sets etc. Are quite well done. However, the core of the movie is amiss. The story and characters are all over the place and none of the arcs are well developed. It's just poor direction from Priyadarshan, throwing so many characters into the mix for no good reason whatsoever. All the plot lines are so short and meaningless, that nothing sticks. I watched it on the first day and took my family along as well, and it was truly an excruciating watch for my parents since it's 3 hours of boredom with no story. Mohanlal still has so much to offer and I really hope good directors take advantage of his acting prowess and producers spend big money on promising projects, unlike this one.
Did you know
- TriviaFour life-size ships were made for the film in Ramoji Film City, Hyderabad.
- GoofsThe "no animals were harmed" disclaimer at the beginning is misspelled (stating that "the sequences is created using visual effects", instead of "are created").
- Crazy creditsAside from the usual "No animals were harmed during the entire shooting of the film" disclaimer, there is also another disclaimer stating: "Women & children were not harassed in the making of this film".
- Alternate versionsThe film was shot simultaneously in Malayalam and Tamil, while the versions in other Indian languages are dubs.
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Marakkar: Arabikadalinte Simham
- Filming locations
- Ramoji Film City, Hyderabad, India(Filming City)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₹1,000,000,000 (estimated)
- Gross worldwide
- $1,775,360
- Runtime
- 3h 1m(181 min)
- Color
- Sound mix
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