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Climax

  • 2018
  • R
  • 1h 37m
IMDb RATING
6.9/10
87K
YOUR RATING
POPULARITY
2,415
656
Sofia Boutella and Kiddy Smile in Climax (2018)
Watch Bande-annonce [OV]
Play trailer0:57
2 Videos
99+ Photos
Psychological DramaPsychological HorrorTragedyDramaHorrorMusicThriller

French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced... Read allFrench dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD.French dancers gather in a remote, empty school building to rehearse on a wintry night. The all-night celebration morphs into a hallucinatory nightmare when they learn their sangria is laced with LSD.

  • Director
    • Gaspar Noé
  • Writer
    • Gaspar Noé
  • Stars
    • Sofia Boutella
    • Romain Guillermic
    • Souheila Yacoub
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    87K
    YOUR RATING
    POPULARITY
    2,415
    656
    • Director
      • Gaspar Noé
    • Writer
      • Gaspar Noé
    • Stars
      • Sofia Boutella
      • Romain Guillermic
      • Souheila Yacoub
    • 549User reviews
    • 294Critic reviews
    • 69Metascore
  • See production info at IMDbPro
    • Awards
      • 8 wins & 15 nominations total

    Videos2

    Bande-annonce [OV]
    Trailer 0:57
    Bande-annonce [OV]
    Trailer
    Trailer 2:06
    Trailer
    Trailer
    Trailer 2:06
    Trailer

    Photos145

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    Top cast24

    Edit
    Sofia Boutella
    Sofia Boutella
    • Selva
    Romain Guillermic
    • David
    Souheila Yacoub
    Souheila Yacoub
    • Lou
    Kiddy Smile
    Kiddy Smile
    • Daddy
    Claude-Emmanuelle Gajan-Maull
    Claude-Emmanuelle Gajan-Maull
    • Emmanuelle
    • (as Claude Gajan Maull)
    Giselle Palmer
    • Gazelle
    Taylor Kastle
    • Taylor
    Thea Carla Schott
    • Psyche
    Sharleen Temple
    • Ivana
    Lea Vlamos
    • Lea
    Alaia Alsafir
    • Alaia
    Kendall Mugler
    • Rocket
    Lakdhar Dridi
    • Riley
    Adrien Sissoko
    • Omar
    Mamadou Bathily
    • Bats
    Alou Sidibé
    • Alou
    Ashley Biscette
    • Ashley
    Mounia Nassangar
    • Mounia
    • Director
      • Gaspar Noé
    • Writer
      • Gaspar Noé
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews549

    6.987.1K
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    Featured reviews

    9hannah-mae91

    Not a fun movie, but awe inspiring nonetheless

    This is the first movie I've ever watched that almost made me physically ill. It's nihilistic, ugly, erotic, and so devoid of humanity I almost screamed partway through the 40+ minute shot just to get some of the feelings out.

    At the same time it's a beautiful tour de force with the most visceral dance sequences on film. There are moments of shocking beauty within the chaos. And, most surprisingly of all, it somehow manages to avoid exploitation in any form.

    This is my first - and probably last - Noe film. I have purposefully chosen not to watch Noe before now. Noe is who Lars Von Trier wishes he could be: dark, subversive, and shocking to the core without cheap gimmicks or an ego visible in every frame. Noe sees brutality and finds beauty, not just because of but in spite of.

    This isn't a fun movie. If you're unsure if you should watch it, don't. And if you do, watch it sober and with something light as an immediate chaser.
    9james-re

    An intense, exhilarating, exciting and terrifying experience.

    I always feel excited and a little bit anxious watching a new film by French director Gaspar Noe. His past films have have included the controversial "Irreversible" known for its unflinching and brutal portrayal of sexual violence, the mind bending and psychedelic trip that is "Enter the Void" and the erotic drama "Love" which features unsimulated sex presented in 3D. Noe is pushing the limits for not only what Is allowed to be shown in a film but also for what the film medium is capabale of. Unconventional narrative structures, mind bending visuals and camera angles you wouldn't even dream of. These are just a few things that can be found in his films.

    I am happy to say that Climax may be Noe's tamest film in terms of its sex and violence. And I am very excited to say that it may also be the best film he has made yet. I feel that it's best to know as little as possible about the film before seeing it to have the best possible experience. What I will say though is that the film grips you from the start, and only tightens that grip throughout the running time. The film makes use of one location and one situation and one set of characters to put you in the moment. The excitement and exuberance that you feel during the first dance sequence which is shot entirely in one take will change and evolve throughout the film into sequences that are much more frightening and intense. Go along for the ride though because it is a unique work of filmmaking worth seeing in a cinema and if you hold on tight, you may experience something that is close to an outer body experience.
    4hijodejuliete

    5 pages script? Well, I can tell

    The more transgressive this movie wants to be, the more reactionary it becomes. It happens often with French cinema, I don't know exactly why. Pretentious and a waste of time
    9kim_smoltz

    Bonkers

    "Climax" is less of a film than it is a visceral experience, and that will immediately turn off a good population of moviegoers who will invariable dismiss it as "artsy garbage." If you're one of these people who can't stand films made by "artsy" directors, what are you even doing going to see a Gaspar Noé movie?

    But whew. If you appreciate film or dance, you are going to be blown away by this masterpiece. This is "Step Up" on crack cocaine.

    A group of young people who subscribe to an underground dance culture meet for a three-day weekend of intense rehearsal. On the final night, during their closing party, someone spikes the sangria, and well....best not to say much more.

    The first 45-60 minutes of the film are made up of impeccably choreographed dance sequences that had my eyes glued to the screen like I had just rail-lined a bunch of Ritalin. Some may call this "boring" but I found it to be electrifying and mesmerizing. The music in the film is constant, like you're watching it in a nightclub instead of a theater. Electronic powerhouses such as Thomas Bangalter, Giorgio Moroder, and Aphex Twin contribute to the dazzling soundtrack. After the first dance sequence, which lasts about 10-15 minutes, I wanted to stand up and applaud. Then I forgot that I was in a movie theater.

    I especially enjoyed the cast of characters, which reminded me so much of my days doing musical theater in high school. If you've done performing arts in either high school or college, you will appreciate "Climax" on an entirely different level. The awkward politics of being in such a troupe come out in full force -- while everyone is generally nice to one another, rivalries and furious envy exist in the shadows, in addition to cutthroat attitudes and the occasional best friend / power couple dynamic. When things go wrong after the sangria is spiked, these politics are blown up into a larger than life spectacle. It was a neurotic joy to watch unfold.

    And boy do things get wild. The key theme once the action begins is pure, unadulterated panic. Gaspar Noé's trademark direction brings us back to the chaotic, irregularly lit sequences seen in "Irreversible." The action is so dense. Some keep dancing. Some commit acts of violence. Some have passionate sex on the dance floor. Your eyes and senses are overwhelmed and you have no idea where to look, until a fast camera pan takes you to a completely different part of the room.

    Speaking of which, the cinematography is top notch (although that's a running theme in Noé's repertoire). You've got all kinds of shots here -- dutch angles, long cuts that contribute to the chaos, even slow inversions that make you feel as if you are in a fun house at the Jersey Shore. It's incredibly disorienting, nauseating, and a whole lot of fun.

    While watching, I also noticed a lot of similarities to Aronofsky's "Black Swan." If you enjoyed that one, definitely check out "Climax."

    The ending of the film seems less complete than it should, but it's really no big deal, and does not spoil or ruin the rest of the film.

    This is one roller coaster I'd happily ride again, and I'd say it is destined to become a midnight cult classic. Keep on dancing.
    5dascalu_mihai

    Cheap thrills

    Had many expectations before watching this "art" movie... However, I was left dumbstruck with the "salad" of shocker put all together in such a mainstream movie going for an arthouse movie. Tackles and puts in your face too many taboos and (still?) controversial issues such as homosexuality, abortion, rape, incest, drugs and so on. Lacks an intriguing story in my opinion. Visual mambo-jumbo and musical hysteria! Watch it if you don't have anything else better to do... Such a pity the soundtrack is so cool and rich in 70s and 80s electro and disco hits and wasted on such a flick!

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    Related interests

    Jim Carrey and Kate Winslet in Eternal Sunshine of the Spotless Mind (2004)
    Psychological Drama
    Daniel Kaluuya in Get Out (2017)
    Psychological Horror
    Casey Affleck and Michelle Williams in Manchester by the Sea (2016)
    Tragedy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
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    Horror
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    Music
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    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The second half of the film is made up almost entirely of a single unbroken 42 minute long take
    • Goofs
      While the movie is supposed to be set in 1996, which is confirmed by the clothes, the music and the lack of smartphones, the French spoken in the film is very much 2010s, with many anglicisms or other recent verbal tics heard throughout the movie. This is due to the improvised dialogue from the cast working off of a five-page script.
    • Quotes

      Title Card: Life is a collective impossibility.

    • Crazy credits
      The film title appears at the end of the film.
    • Connections
      Featured in Half in the Bag: 2019 Movie Catch-Up! (part 1 of 2) (2019)
    • Soundtracks
      Trois Gymnopedies (First Movement)
      Composed by Erik Satie

      Performed by Gary Numan

      (c) Published by Numan Music USA LLC

      Administered by Kobalt Music Publishing Ltd

      Courtesy of Beggars Banquet Records Limited

      By arrangement with Beggars Group Media and Kobalt Music Publishing Ltd

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    FAQ18

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    Details

    Edit
    • Release date
      • March 15, 2019 (United States)
    • Countries of origin
      • France
      • Belgium
    • Official sites
      • A24 (United States)
      • Artémis Productions (Belgium)
    • Languages
      • French
      • English
      • Russian
    • Also known as
      • Buổi Tiệc Kinh Hoàng
    • Filming locations
      • Paris, France
    • Production companies
      • Rectangle Productions
      • Wild Bunch
      • Les Cinémas de la Zone
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €2,600,000 (estimated)
    • Gross US & Canada
      • $817,339
    • Opening weekend US & Canada
      • $119,423
      • Mar 3, 2019
    • Gross worldwide
      • $1,696,075
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 37m(97 min)
    • Color
      • Color
    • Aspect ratio
      • 2.39 : 1

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