Young Ahmed

I don't really understand why this brilliant film was seen by critics as a minor piece of work by the brilliant two time Palm D'or winning Dardenne brothers. I was hooked throughout. Their last two films, The Unknown Girl and Two days, one night were almost universally seen as amongst their best work. Whilst I enjoyed both of those films, they didn't hit me emotionally like others Dardenne films, such as the kid with a bike or L'enfant. Young Ahmed did. Young Ahmed - superbly played by Olivier Bonnaud - is clearly a complex character caught in the middle between Western norms and his interpretation of Allah. He's certainly been led astray by the most fundamentalist of interpretations of the Quran, but you never quite know if he's playing the game, or is genuinely sorrowful for his actions. And the result is a quietly disquieting portrayal of what, for him, is right and wrong, loyal and disloyal, life and death. And, as is oft the case with the Dardennes, there's no obvious answers. A return to form from my go to European auteurs. 8 and a half out of ten.

At first I want to establish a few things, first that I'm a Muslim person who live in an Islamic country which is Egypt, the second is that I like The Dardennes' cinematic language and I liked (Deux jours, une nuit) so much.

There is no actual plot, the movie is just going nowhere and doesn't follow the three acts structure. The movie is a character study movie but our main character is such a flat, unrealistic and caricature character. How can a kid be like that? How can a kid have this kind of thoughts? How can a kid have this cruelty? How can a kid have this insist on doing this kind of a violent act? It was a flat character who didn't change too much from the beginning to the end. The movie represents the idea of accepting people even if they tried to hurt you, but why did the Dardenne brothers put Muslims as the bad guys? Actually why are we treated as the bad guys from everyone? Bin-Laden? come on look at Hitler or Stallin. Whatever we are the stereotype of violence now so why do I whine.

The Dardenne brothers still have their cinematic tools like the long takes, shaky camera and not using a music. And like I said I liked it in (Deux jours, une nuit) But in this movie actually these tools made the movie slow paced and boring most of the time.

At the end I didn't like the movie at all, It wasn't entertaining and its ideas were biased.

The Dardenne brothers linger, during 80 minutes, to a subject as cleaving as delicate: obscurantism and radicalization. Although the atmosphere is neat, the psychology of the characters is not elaborate enough. Thus, the character of Ahmed interpreted by Idir Ben Addi is definitely not credible: he looks like a harmless kid with a baby face. I can not believe such a child might fool adults so easily. As a matter of fact, the film is essentially based on this character who may then be considered as the keystone of a cinematographic structure. This keystone being defective, the structure collapses! Moreover, the rhythm of the film is a bit sluggish, even if this feeling is possibly due to my global lack of interest for the movie. In short: disappointing! 4/5 of 10.

In Belgium, the teenager Ahmed (Idir Ben Addi) lives with his family and has classes of French and Arabic languages with his teacher Inès (Myriem Akheddiou). However, he has been brainwashed by his Imam Youssouf (Othmane Moumen) with a wrong interpretation of the Koran, despite the warnings of his mother (Claire Bodson). Ahmed decides to kill Inès but fails and is arrested. While under the care of the State, he works at a farm and meets the young Louise (Victoria Bluck), who has a crush on him. But she is not Muslin, and Ahmed scorns her. The radical Ahmed has an agenda and flees from his social worker.

"Le jeune Ahmed", a.k.a. "Young Ahmed" (2019), is a Franco-Belgian production with a simple story of hatred. The movie shows an impressive demonstration of how teenagers may be manipulated and become fanatic by radicals. This is the case of the lead character Ahmed, who received and adopted a wrong interpretation of the Koran and is destroyed by his belief. My only question is why fanatics stay in the Western civilization, instead of returning to their home countries. This is the same case of fanatic racists that praise their mother land. Why they do not move back? My vote is six.

Title (Brazil): "O Jovem Ahmed" ("The Young Ahmed")

Le Jeune Ahmed is not just another movie about radicalism, misogyny, or going down the wrong path. As in life, the reality is far more complex and the Dardenne brothers understand that deeply. They are masters at portraying subtle, everyday life; not overly dramatic, but rich in nuance and emotional truth.

It's no different here. The film begins with the deeply unsettling unraveling of a boy who believes he must hate his teacher. Brainwashed by his imam, he follows a path of destruction. Yet when he's caught and placed under the care of the state, a shift begins. Removed from his known environment, he's sent to work on a farm, where he meets a girl his own age. What begins as a typical "girl-meets-boy" situation takes an unexpected turn: unlike the usual teenage story, Ahmed is torn between the hate he was conditioned into, and the unfamiliar feelings of mutual attraction and connection.

Le Jeune Ahmed is far too subtle and socially engaged to become a simplistic tale of good versus evil. Life isn't simple and this film doesn't pretend it is. This is no Hollywood redemption arc. The Dardenne brothers deliver a beautifully restrained yet emotionally charged drama that lingers long after it ends.