Daliland

As noted in some other reviews, the film covers some aspects of Dali's life that are fascinating, in particular his complex relationship with Gala, his muse / lover / mother figure. The film also touches on the massive amounts of fraud occurring with Dali lithographs and prints, though it doesn't do much with this angle. So if you don't know the Dali story, this will be informational, at least about his later years. If you do know the Dali story, you will recognize the truth and have a richer experience.

While enjoyable, this film has a major structural problem. It focuses on a young person being brought into the world of Dali, and serving as our proxy as we learn about Dali, Gala and their struggles. This is a common storytelling tactic (used recently, for example, in both The Exception and Il Cattivo Poeta), but it's unnecessary and diverts attention from what we really came to see. No one will go this film for the young person's story, they will go for the Dali story.

Greetings again from the darkness. Sure, it's an unusual approach; however, when it comes to Salvador Dali, the eccentric and iconic Spanish surrealist, a 'normal' introduction simply won't do. Director Mary Harron (I SHOT ANDY WARHOL 1996, AMERICAN PSYCHO 2000, THE NOTORIOUS BETTIE PAGE 2005) shrewdly opts for an opening scene of the artist appearing on the classic TV game show, "What's My Line?". Lead actor Ben Kingsley (Oscar winner for GANDHI, 1982) has been superimposed over the familiar archival footage as he mimics the artist's actual answers more than 60 years ago.

Screenwriter John Walsh (director Harron's husband) structures the story around James (newcomer Christopher Briney), a young man Dali selects as his new assistant ... and nicknames San Sebastian. This approach makes some sense as Dali was seemingly always on display and viewed as a curiosity to most. Yet James turns out to be the least interesting character on screen, and we wish for less of him and more of Dali, or Dali's wife Gala, or Dali's transgender nurse and muse Amanda Lear (Andreja Pejic), or even the flashbacks with Ezra Miller and Avital Lvova as young Dali and Gala.

It's 1974 and "Welcome to Daliland" is how James is first invited into the St. Regis Hotel suite where Dali spent winters in New York City for forty years. Production Designer Isona Rigau captures the essence of the hotel, especially during the infamous parties thrown by Dali ... even as Gala urged him to focus on work. Gala, played exceedingly well by Barbara Sukowa (HANNAH ARENDT, 2012), and Dali, show us the ups and downs of a codependent arrangement. She is shown pushing him towards success, and also at least partially responsible for his burnout and decline. Money was a constant battle as both enjoyed the high life. Dali loved the parties, while Gala enjoyed the company of younger men. The long-rumored signatures on blank canvas and the uncashed personal checks with the valuable signature are both addressed here.

Although it's been forty years since Sir Ben Kingsley won his Oscar, he still knows how to seize a character and fill the screen. Not only does he embrace the pumped-up ego of a genius, he also conveys the worst fear of an artist - a tremor in his painting hand ... although, to be fair, his fear of abandonment might have been even stronger. This is a man who knows he's approaching the end of his career and life, but chooses to live until he can't.

The flashbacks and the artsy moments where Dali conducts the wind from atop a seaside cliff are creative inserts worthy of one viewed as an icon, rather than as a man. Watching Dali hum while he works, or dominate a moment with his verbosity, or become emotional with Gala, all combine to provide a glimpse into Dali, the man and the artist.

In theaters and On Demand beginning June 9, 2023.

I remember being taught about Salvadore Dalí in high school (decades ago!) and was intrigued by his surrealist art. But I have never known much about him as a person. Dalíland is a captivating drama that delves into this man's life and artistic journey. Dalí was an influential and controversial figure of the 20th century. This film explores Dalí's years in Spain, followed by his remarkable ascent to fame in Paris as a key leader of the surrealist movement. Throughout his journey, we witness the complexities of his relationships with family, his muse Gala and fellow artists like Luis Buñuel and Federico García Lorca. The movie delves into Dalí's artistic process, eccentric personality, and unyielding fascination with immortality.

Directed by Mary Harron, known for her work on films like Psycho and The Notorious Bettie Page, Dalí boasts meticulous attention to detail and a delightful touch of humour that perfectly captures the essence of Dalí's whimsical world. Visually striking with its colour palette and imaginative interpretations of Dalí's paintings, this film showcases the impeccable cinematography by Marcel Zyskind, which masterfully juxtaposes realism with surrealism within each scene. Isona Rigau's remarkable production design flawlessly recreates settings and costumes with precision and flair. The special effects employed are also noteworthy in those mesmerising moments where Dalí's paintings spring to life.

The movie showcases a cast led by Ben Kingsley in the role of Dalí. Kingsley delivers a captivating portrayal capturing the complexity and charisma of this genius madman. He skillfully embodies Dalí's mannerisms, accent and expressions with subtlety. He effectively conveys Dalí's emotions, from passion and joy to fear and loneliness. Supporting Kingsley is Barbara Sukowa, as Gala, who delivers a sympathetic performance as Dalí's partner (Dalí would have been almost impossible to live with). Manville portrays Gala's intelligence, charm, and ambition while expressing her frustration and pain at being overshadowed by Dalís fame and eccentricity. There's a large supporting cast, all putting in good performances.

Unfortunately, Dalí sometimes suffers from a lack of focus and coherence; it jumps from one episode to another without a clear narrative thread. It also attempts to cover too much ground within its two-hour runtime resulting in a superficial overview that feels disjointed. The movie also misses the chance to delve into some of Dalí's aspects, like his beliefs, sexual orientation, and exploitation of Gala. These issues are either skimmed over or lightly touched upon in the film missing out on an opportunity to present a critical perspective on Dalí. Despite the events in Dalí's life, the film lacks impact. It fails to make us truly care about Dalí or his relationships, leaving us detached and indifferent.

Dalíland is a film with potential but falls way short of its ambitions. It is visually stunning and entertaining as it showcases Dalís artistry and personality, but it also comes across as shallow and fragmented, unable to capture the essence and significance of Dalí. While it may appeal to fans of Dalí and surrealism, it may disappoint those seeking insights into one of history's captivating artists.

To the last scene , I was in serious doubts if Sir Ben Kingsley was the most inspired option for the role of Salvador Dali. And, indeed, I have serious reseves about this behind the end . But I am convince than he deserves this role.

But I admired the beautiful portrait of Gaa offered by Barbara Sukowa and the effort of Christopher Briney, like the interesting portrait of Amanda Lear or Rupert Graves as Captain Moore. Or cinematography . Few good points of film.

For admirers of Master, the film can sound as impolite. It is only...ironic,a film about art industry, court around a star, naivety becoming lucid discover of reality , a notebook with signatures , a pretty movie using the familiar recipe of young man discovering the univers of a kind of sacre monstre.

Reailsm ? Not exactly. Maybe, colors . Or only honest try to recreate a period and give coherence to the traits of a genius. With acceptable results.

In essence, a kick to discover the real Dali.

My Review - Daliland My Rating 7/10 Streaming on Foxtel

If I think of Salvador Dali I immediately think of the word bizarre and that's exactly how Oscar winner Ben Kingsley portrays the famous Spanish surrealist artist Dali.

This movie depicting Salvador Dali's final years with flashbacks to his youth when his younger self played by Ezra Miller meets his muse poet Gala who later in 1935 became his wife and greatest source of inspiration.

The movie begins in 1973 New York when a young handsome gallery assistant James Linton meets the famous 70 year old colourful eccentric artist Salvador Dali who refers to him from then on as Angel.

James Linton is played very effectively by Christopher Briney a fashionably charismatic slightly androgynous looking new actor who currently has a featured role as Aaron Samuels in the movie Mean Girls a teen musical.

The Dali's are both well past their prime but delight in giving extravagant parties attended by A list celebrities and the pop stars and models to be found at Studio 54 Gala played by Barbara Sukowa was apparently Salvador Dali's only sexual partner is described as having the "libido of an electric eel" Gala becomes infatuated with Jeff Fenholt played by Zachary Nachbar-Seckel whose fame is his role as Jesus on Broadway in Jesus Christ Superstar .

Dali invites Angel to assist him prepare for an important exhibition and they all return to Figueres in Spain which is Dali's birthplace.

This is the most interesting part of this movie as Dali revisits his youth when he first meets Gala and the relationships between the main characters develop.

I enjoyed seeing Rupert Graves again in Daliland playing Captain Moore who was Salvador Dali's business manager until he falls from grace .

I enjoyed Daliland directed by Mary Harron and written by John Walsh .

I must rewatch Little Ashes the 2008 movie starring Robert Pattinson as Dali which covers the young life of Salvador Dali .

I hope to visit the Salvador Dali museum this year in Figueres, Spain so these 2 movies greatly interested me .