Milla, a seriously ill teenager, falls in love with a drug dealer, Moses, her parents' worst nightmare.Milla, a seriously ill teenager, falls in love with a drug dealer, Moses, her parents' worst nightmare.Milla, a seriously ill teenager, falls in love with a drug dealer, Moses, her parents' worst nightmare.
- Nominated for 1 BAFTA Award
- 31 wins & 32 nominations total
Featured reviews
This movie is kind of like going to your favourite holiday spot, you know what your'e going to get when you arrive but the drive is wonderful.
The story of a dysfunctional family as they try and cope with 'life' as it currently presents itself to them.
The film carries this emotional melancholy which the actors use to float through the events they are met with.
Not dramatic for the sake of it, no epic speeches, just the honest (feeling) expressions of emotions.
Its a very worthwhile film.
The story of a dysfunctional family as they try and cope with 'life' as it currently presents itself to them.
The film carries this emotional melancholy which the actors use to float through the events they are met with.
Not dramatic for the sake of it, no epic speeches, just the honest (feeling) expressions of emotions.
Its a very worthwhile film.
There are a lot of things this movie does great, I want to comment right off the bat. However, part of me was frustrated I didn't love the whole movie, and I think there were just a few things holding it back from greatness. As such, I'm probably going to cover more negatives than positives here. If anything it's probably more like the equivalent of a 7.5 rather than a 7, so I hope it doesn't read too much like I'm bashing on the movie.
On the topic of positives: the acting across the board is very strong, particularly from Ben Mendelsohn, who seems to shine no matter what movie he's in. It captures the feeling of living in the Australian suburbs with an uncanny accuracy (can confirm, I've been there all my life), it uses music extremely well (especially one scene around the halfway mark that uses the anxious yet beautiful 'Bizness' by Tune-Yards), there are some genuinely emotional moments, and the direction is largely good.
I say largely good because aspects of how the movie looked would be one of my complaints. It adopts a handheld style for much of the runtime, and honestly it works the vast majority of the time. That being said, I couldn't help but notice a couple of instances where it was too rough; where it stopped looking like handheld camerawork and instead just looked like shoddy camerawork. These moments were rare, but one instance early on- where it looked like the camera banged into something and jolted slightly but noticeably- was distracting.
Speaking of distracting: so were the occasional Flea-Bag style glances to the camera from the main character. I'm sure there was a purpose, but it was lost on me (such a minor comment though, and not really a flaw if it just comes down to me being a dummy and not understanding).
Also, the film has a very episodic feel that creates a mild sense of repetition in parts. For just under two hours, it does feel a tiny bit long. I think you could have kept it episodic and maybe shortened some sequences, or excised one of the subplots (the violin teacher stuff didn't add a whole heap to the story, in my opinion). Or: give the narrative more of a logical flow and make the series of events more coherent and satisfying; traditional, even. The risk with doing that would be making the already quite simple story feel dangerously cliche, and so I think the best solution would be to keep the episodic feel but with about 10-15 minutes trimmed off the run time.
Like I said, it's very good though. And the acting, music, emotional content, setting, and most of the visuals are clearly good, while some of those other aforementioned nitpicks- had they been addressed- could have made for a movie that I would've loved.
On the topic of positives: the acting across the board is very strong, particularly from Ben Mendelsohn, who seems to shine no matter what movie he's in. It captures the feeling of living in the Australian suburbs with an uncanny accuracy (can confirm, I've been there all my life), it uses music extremely well (especially one scene around the halfway mark that uses the anxious yet beautiful 'Bizness' by Tune-Yards), there are some genuinely emotional moments, and the direction is largely good.
I say largely good because aspects of how the movie looked would be one of my complaints. It adopts a handheld style for much of the runtime, and honestly it works the vast majority of the time. That being said, I couldn't help but notice a couple of instances where it was too rough; where it stopped looking like handheld camerawork and instead just looked like shoddy camerawork. These moments were rare, but one instance early on- where it looked like the camera banged into something and jolted slightly but noticeably- was distracting.
Speaking of distracting: so were the occasional Flea-Bag style glances to the camera from the main character. I'm sure there was a purpose, but it was lost on me (such a minor comment though, and not really a flaw if it just comes down to me being a dummy and not understanding).
Also, the film has a very episodic feel that creates a mild sense of repetition in parts. For just under two hours, it does feel a tiny bit long. I think you could have kept it episodic and maybe shortened some sequences, or excised one of the subplots (the violin teacher stuff didn't add a whole heap to the story, in my opinion). Or: give the narrative more of a logical flow and make the series of events more coherent and satisfying; traditional, even. The risk with doing that would be making the already quite simple story feel dangerously cliche, and so I think the best solution would be to keep the episodic feel but with about 10-15 minutes trimmed off the run time.
Like I said, it's very good though. And the acting, music, emotional content, setting, and most of the visuals are clearly good, while some of those other aforementioned nitpicks- had they been addressed- could have made for a movie that I would've loved.
It takes guts to take a subject like this and not play it safe, to give every character flaws, every relationship twists and turns and many quirks to the story line. I knew that there would be tears from the off but didn't anticipate feeling as emotionally invested in every character. Superb directing too - cinematic in places and claustrophobic in others. A beautifully crafted film. Not soppy, just really believable characters.
This movie is pure love. It captured everything. I am so grateful for art like this to exist and to remind us we are alive. I think it's the best music I've ever heard in a movie in years. It is a masterpiece because it used everything this very diverse form of art has to offer to deliver such a palpable, direct, honest, and real taste of the beauty inherent to life and love. I'm always shocked when I discover a movie like this, stunned by the clarity and the truth of the vision it offers. Watch it, live it. Thanks to everybody involved in this piece of art.
I started this movie thinking what am I actually watching here and was thinking it was gonna be a waste of time but it ended up surprising me greatly. It is very weird and a little slow to start with but as the story unfolds you start to warm to all the characters and feel their pain.
It's a great Australian movie that deserves more celebration
It's told from all the characters perspective as they deal with this journey of tragedy and loss with git and rawness.
This storyline has been told time and again but not like this. A great story told so differently that it was unexpected and raw and fantastic.
It's a great Australian movie that deserves more celebration
It's told from all the characters perspective as they deal with this journey of tragedy and loss with git and rawness.
This storyline has been told time and again but not like this. A great story told so differently that it was unexpected and raw and fantastic.
Did you know
- TriviaEliza Scanlen shaved her head for her role as Milla.
- ConnectionsFeatured in Sky News @Breakfast: Episode dated 21 August 2020 (2020)
- SoundtracksGolden Brown
Written by Hugh Cornwell, Jet Black (as Brian Duffy), Dave Greenfield and Jean-Jacques Burnel
Performed by Zephyr Quartet
Licensed by EMI Music Publishing Australia Pty Limited Complete Music Ltd.
Administered by Universal Music Publishing MGB Australia Pty Ltd
- How long is Babyteeth?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Молочні зуби
- Filming locations
- Sydney, New South Wales, Australia(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $4,507
- Opening weekend US & Canada
- $2,487
- Jun 21, 2020
- Gross worldwide
- $1,146,327
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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