Ralph Sepe, Alex Durrplant, and a talking equine join forces in this Millennial shamble that further deforms mainstream film analysism - finishing what the supposedly hip Roger Ebert started. This decidedly Barack-esque mixture of man and animal is evocative of Millennial liberals' carefree atheism and casual dabbling in multiculturalism and leftist beast worship à la the demonic Moto-Moto.
Nothing of the sort is to be found in sharp-witted works like the catechist epic "Batman v Superman", continually dismissed by the snarky "Sardonicast" feminists for nanoscopic perceived flaws (e.g. nothing "making sense" - a favorite rhetorical defenestration among nihilistic Millennial spectators, no longer required to understand Snyder's hopeful edifice or subtle Jesus symbolography). They favor unpleasant mullock like "The Lighthouse" - a trite Béla Tarr wannabe for smug nihilists who are dumb - and the ultra woke "Blade Runner 2049" over something that may vaccinate their godless Millenial indulgence (see the all too frequent snorting of jenkem).
They smugly flout the wholesome guidance Derek Savage brings to an otherwise increasingly indoctrinated child audience with the mythic "Cool Cat", the life-affirming prophet personified by Neil Breen in his mystically aware five-part odyssey, and the traditionalist masculine sense of leadership (denied by liberal snowflake nihilists) rediscovered in "The Man Who Killed Hitler and Then the Bigfoot". The unsubtle hatred of Mars Bars, which I believe the horse has rated 6/10, confirms the priorities of Millennial pretend-critics and their plato-socialismic miseducationism.
The horsie is gay, yes, but you will want to purchase a VHS of the fine "Chuck and Larry" over this.
/Armond White
