Absolution

This is not your typical action-packed Liam Neeson movie, and that might be why some people dislike it or find it boring. However, for me, this was exactly why I enjoyed it. For the past few years, I've felt like all his movies were becoming repetitive-different titles but essentially the same movie. Absolution breaks away from that mold, offering a surprising level of emotional depth that sets it apart from his usual roles. The film provides a thoughtful exploration of redemption and relationships, which I found refreshing. That said, I wasn't a fan of the ending. It felt dragged out, taking too long to get to the point, which slightly detracted from the overall experience for me.

Most people going to see this film will be disappointed. It is a somber story how cognitive decline takes hold. And with condition like that there's no chance for a happy ending.

Acting was in my opinion good and made it realistic how it's when you can't trust your memory.

So if avarage viewer is expecting visual hollywood fluff with clear morals they will not find it from here. There's no heroes, morals or righteous characters; everything is on a gray scale rather then having good and bad.

And due to confusion setting in to the main character it's hard to see him as a good guy either. He's chosen his path and working for 'bad guys' all his life. Not much to redeem there.

Set in Boston, the film follows a former boxer turned low level enforcer (Liam Neeson) working for local crime boss Charlie Connor (Ron Perlman). After he starts forgetting things, the enforcer goes to a doctor who informs him that a lifetime of taking continuous blows to the head has left him with CTE. With no treatment or medicine available and an unclear estimation of how much time he has left, the enforcer starts preparing to get his affairs in order including re-establishing contact with his estranged daughter Rosie (Frankie Shaw).

Absolution is the latest vehicle for Liam Neeson who in over the past 20 years has become synonymous with these mid budgeted thrillers and crime films that while not the blockbusters they were 20 years ago are still profitable thanks to "downstream revenues" (streaming rights, international sales, etc.). Absolution sees Neeson reteaming with director Hans Petter Moland after the two collaborated on Cold Pursuit (remade from Moland's own In Order of Disappearance) and written by writer Joe Gayton. Despite being marketed as another Neeson fronted action film, absolution is really more of a noir tinged drama with some genre elements that while more ambitious than some films he's done isn't all that successful.

As per usual Neeson is playing a very standard "seasoned tough guy" as his career has taken a route previously taken by actors such as Charles Bronson, but there is at least an attempt to give him something as he plays a character slowly losing his cognitive faculties and now taking stock of his less than admirable life. The scenes where he's struggling to remember things like his dead son or what he actually intended to do are the highlights of the film and it honestly makes me wish the movie had just ditched the well worn thriller/noir trappings and been more of a character drama as it really wants to be. During the first two thirds Absolution juggles many different plot elements like his relationship with a woman played by Yolonda Ross (who disappears after the second act), the jobs he's running for Charlie Connor, or a recurring dream sequence involving his father and a boat that just feels really out of place. Once we're in the third act it basically just gives up and becomes a standard Neeson rampage but by that point those who came expecting it may feel it's too little too late while those invested in the character drama will be disappointed that it doesn't really payoff. If you want to see a movie like this that's a character study of a degenerative brain disease with crime thriller elements, you're really better off just watching Knox Goes Away from earlier this year as it did a better job of combing the two elements (with some minor missteps) and actually felt like a more fully formed vision.

Absolution tries to add a little something extra to the well worn conveyor of Liam Neeson led genre films but it's such a rough mixture of haphazard character drama and noir cliches without doing either well enough to warrant even a minimal recommendation. If you want this kind of movie but better, just watch Knox Goes Away.

Liam Neeson plays an unnamed thug working for minor Boston mob boss Charlie Conner (Ron Perlman). He's been assigned to back up the heir apparent Kyle Conner (Daniel Diemer) who is green, arrogant, and a druggie. He's suffering from memory issues which turns out to be CTE. He tries to reconnect with his kids. His daughter Daisy (Frankie Shaw) doesn't want anything to do with him and his son died without his knowledge.

This is Liam Neeson doing Liam Neeson except this character is on his last legs. That is a good spot for him as he ages and isn't quite the killing machine of his younger days. I wouldn't mind dropping the girlfriend and spend more time to generate drama with Daisy. The writing can do some sharpening but one must also remember that the man is suffering from mental degeneration. He can't be throwing out snappy one-liners. I like this for Liam Neeson although everybody else seems to be unimpressed.

BEWARE: all you Liam Neeson action fans, this is a subtle DRAMA and NOT a hardhitting gangster movie AT ALL. Best suited for an arthouse movie audience!

The good: Liam Neeson is still starring in solid movies at his age. He is still convincingly portraying these old gangster characters with a heart. And this story is all about ageing and nearing the end of ones life and trying to heal family bonds that were long lost. It isnt a riveting drama, but a quite slowburning and subtle one and for those who are interested in this genre it could be worth a watch, but dont expect fireworks!

The bad: I love to see Liam Neeson in his hardhitting old man gangster roles in which he fights and shoots bad guys. But this movie has very little of that and therefore I got a bit bored with it half way through.

NOT suited for the Liam Neeson action gangster fans. Best suited for an arthouse movie audience which likes to watch a subtle slowburning character drama...