The Nest

It's the 80's. Ambitious commodities trader Rory O'Hara (Jude Law) returns to London taking his wife Allison (Carrie Coon) and their two kids. He is pushing for a big deal with a big payout. He is spending beyond his means and moves the family again to a country mansion. It causes friction with his wife and exacerbating their money trouble.

I like the idea of this family descending into dysfunction. I find a lot of it very compelling. Law and Coon are delivering intriguing performances. Filmmaker Sean Durkin, who made Martha Marcy May Marlene, is trying to give this film a quiet, naturalistic feel. It does need to be a bit clearer with the beginning. It's just too slow until the money troubles begin. That really raises the intensity and the movie picks up steam. Quite frankly, the start bored me to the point of passing out and I had to start over again. The passive filmmaking style is not conducive to paying attention.

Hoo boy, let the discussions flow.

It is rather lovely to soak in a well made piece of cinema that will no doubt elicit a bevy of experiences depending on the audience. "The Nest" has a basic mid-life family implosion crisis plot at it's core, but just how rotten is it?

Jude Law (Rory) is a slick talking investment advisor, living a comfortable New York life, with a pretty horse-training wife, and requisite two children. Yet he yearns for more. Soon the quartet are off to his England, to live in an isolated ancient mansion filled with too many rooms, a table so big it cannot leave the premises, and secret doors. Sounds like a horror movie, and in a sense, it is. Just not of the supernatural variety.

Law owns the screen as the flashy business stud, pushing all his chips into the middle of the table, dragging his reluctant dependents along for the ride. Carrie Coon (Allison) is his American match, willingly embracing her husband and his white lies until breaking point, then unleashing a vindictive, cruel yet understandable side in their escalating partnership.

Is this a family drama? An allegory for greed? A warning? A husband and wife coming to relationship climax?

A riveting turning point, actually one of many, has Allison beaming beside her man at a posh dinner party, as the boss welcomes him back to the English fold, revealing a devastating lie. Her smile doesn't break, but it is clear that there is trouble a foot. Much trouble. The husband and wife dance continues, but as finances spiral out of control, the tight solitary quartet starts to crack.

Every act is punctuated by a primo British new wave nugget from the likes of the Cure or Psychedelic Furs as a reminder we are in the eighties. It is a rather odd reminder, as the movie really doesn't depend on an era, other than referencing the greediness of the Reagan and Thatcher right uprising. It does elicit a weird alarm bell of nostalgia for anyone of that age, and perhaps was a bit of directorial self-indulgence. Not unwelcome mind you.

How and not why this plays out is the strength of this film. Blame is easy to hurl, but sometimes life is the problem.

A moody a piece of cinema, both visually and thematically, "The Nest" is a film that leaves an odd, bitter aftertaste, long after the main course is digested. A burner.

• hipCRANK

Nicely played and it does have some interesting themes but it never makes the most of them, feeling dramatically inert for long periods. All of the tense scenes are in the trailer, the rest is a rather humdrum, if never quite boring, collection of family scenes. Saved from being a 5 by the final few reels.

How can any one make his or her family move locations 4 times within a 10- year timeframe? Let alone move overseas with a horse? That poor horse portrayed the stress and trauma of the downfall of the parents. Moving requires the kids to be uprooted, costly, change of schools, making new friends, etc. As the mom, she could have said to her husband, "go to London and figure out your plan." But we wouldn't have this movie then. The mom never seemed to be at home with kids nor had her own career; yet she hid her own money for her own emergencies knowing that her husband is an over spender and superficial hedonistic possibly narcissistic delusional person pretending to be rich while drowning in debt:. I think, his wife, Allison is equally at fault for agreeing to move the 4th time while pretending her husband, Rory doesn't have a problem. Hello, did she not live with this guy for the past 15 years (having a teenage daughter and 10 year old). I know some jobs like the military and many other job require household moves but that would all be expected already and paid for by those organizations.

It would be impossible for me to rate this file. My wife and I chose to watch this film looking for thriller. It turned out to be anything but. If I had to classify this film, I would call it psychological character study. As this is not what we expected to see, we spent the whole time wondering when the thriller elements would begin. When the ending credits started, we thought it was a complete waste of time and regretted not picking something else. If it was properly classified, it might be an excellent film. It might rate a 7 or more. If you expected a thriller as we did this would rate a 0 or 1 which is something I would never do.